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Paris Paloma 'Miyazaki' by Georgie Cowan-Turner | 'It's about reminding us all how much we lose if we devalue human creativity.'

Rob Ulitski - 20th Mar 2026

Paris Paloma confronts the threat of Generative AI, rendered in physical form as an amorphous monster, in Georgie Cowan-Turner rousing promo for the singer-songwriter. 

Conceptualising the technology that has caused considerable upheaval across the creative industries as a human in a costume, the video for Miyazaki takes the track's themes and brings them to life in a clever, thought-provoking way: Paris is an armour-wearing knight, making her way through a forest until coming upon the faceless monster, and responds with a fiery display of her own.  

Anchored by another confident, assured performance, Cowan-Turner's latest promo for Paris Paloma is a statement of intent - a promise to keep creating as humans and to weather the storm at every turn. 

"We wanted the video to be a defiant response to the AI crisis facing the creative industries, something both myself and Paris feel passionately about," says the director. "The song's title was inspired by Hayao Miyazaki, co-founder of Studio Ghibli, who is known for his immense creativity and his visceral reaction when presented with an AI 'monster' which he called an 'Insult to life itself'.

I wanted the creature to have that eerie slightly void feeling of AI art.

"We decided to make Paris a defiant knight fleeing from an AI monster inspired by the one that Miyazaki reacted to. Instead of using AI I worked with the talented costume designer and visual artist Juliet Dodson on the costume to create a 'human-made' version of AI, a character then embodied by dancer Jennifer Wilson.

"I wanted the creature to have that eerie slightly void feeling of AI art. It follows Paris in the way of classic monsters but it sort of fails in every way - it's AI slop.

"In contrast to the monster, for the rest of the video I was drawn to paintings and the visuals associated with both artistry and classic, human storytelling (with a Paris twist) so knights and fairytales, female warriors seen on screen - Cate Blanchett in armour in Elizabeth: The Golden Age, Joan of Arc and then also the role of fire in films about female artists like Portrait of a Lady on Fire.

"It's really a piece about fighting for your right to create and reminding us all how much we have to lose if we devalue human creativity."

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Rob Ulitski - 20th Mar 2026

Tags

  • Video Feature
  • Director's notes
  • Singer songwriter
  • Pop
  • Performance
  • AI
  • Generative AI
  • Powerful
  • Warrior
  • Armour

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Credits

Production/Creative

Director
Georgie Cowan-Turner
Producer
Emily Clifford
Production Company
1st AD
Peter Bromfield
Runner
Biba Faulks-Potticary

Camera

Director of Photography
Ciaran O'brien
Focus Puller
Chelsea Bernard
2nd AC
Zana Piber
Steadicam
Alex Kryszkiewicz

Lighting/Grip

Gaffer
Hollie Mapp
Key Grip
Mo Adbi
Spark
Kristiana Zhekova, Lighting Trainee

Art

Fire Marshall
Lee Rudge Of GB Fire Solutions

Wardrobe

Stylist
Leith Clark
Hair
Mike O'Gorman
Make-up
Alice Howlett
Wardrobe
Juliet Dodson
Styling Assistant
Delaney Williams

Casting

Lead Dancer
Jennifer Wilson

Editorial

Editor
Louis Catlett

Grading

Colour Producer
Dan Smith
Colourist
Sharon Chung
Colour grade company

Agent

Director's Representation

Commission

Label
Nettwerk

Rob Ulitski - 20th Mar 2026

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