Editor

Louis Catlett

Matilda Harding-Kemp directs a riveting performance&nbsp;promo for Laurel Smith's Vampire Romance.Featuring an elevated, horror-tinged concept, the video - following up Harding-Kemp's impressive video for <a href="https://www.promonews.tv/videos/2022/10/10/laurel-smith-everybody-bleeds-matilda-harding-kemp/78684" target="_blank">Everybody Bleeds</a> -&nbsp;sees the artist perform in the middle of a pentagram in several&nbsp;vivid vignettes.[imgtoken data:1]"For Vampire Romance the idea was to create a haunting, atmospheric scene that played with contrasts in colour, light and shadow," says Harding-Kemp.&nbsp;"Laurel’s performance drives this video in the centre of a giant pentagram."&nbsp;Straightforward and unfussy in concept, the video gives Laurel Smith room to bring her own unique vibe to the performance, which toes the line between mysterious and ethereal, whilst retaining a contemporary, alt-pop sensibility.

United Kingdom

Matilda Harding-Kemp

James Dearden

Carrie Sutton

Blindeye Films

John Leahy

Sebastian Hinds

Mike O'Connor

Jack Lightfoot

Nacho Guzman

Bronte Carter

Daisy Oldershaw

Stef Perry

Joe Walker

Alt Pop

Laurel Smith 'Vampire Romance' by Matilda Harding-Kemp

Laurel-Smith--'Vampire-Romance'-by-Matilda-Harding-kemp

Jack Lightfoot directs a tender live promo for singer-songwriter Sam Tompkins, shot in one-take at Dean Valley Studios.The video features a seamless camera movement, gently&nbsp;wrapping around Sam and the pianist playing live, keeping the focus squarely on the breathtaking performance."Sometimes a track lands on my desk, and I become obsessed with it," Lightfoot says. "Lose it All&nbsp;was one of those songs - it has such an incredible vocal, and I was buzzing to have the opportunity to capture it live."We were keen on a one-shot performance from the very start, and so wanted to set ourselves inside a stunning location that offered something visually beautiful at every turn, and we landed on Dean Valley Studios as the perfect fit - which also gave us some incredible acoustics for the audio recording.And because I always want to know the answer to this when I see a one-take...we went with Take 6."

Harry Clements

Sam Nutt

Emily Clifford

Quinn Titsworth

Robbie Smith

Josh Tue

Company 3

Island Records

Sam Tompkins 'Lose It All (Live)' by Jack Lightfoot

Sam-Tompkins-'Lose-It-All---Live-Session'-by-Jack-Lightfoot

Matilda Harding-Kemp directs a powerful promo for new artist Laurel Smith's Everybody Bleeds, depicting a surreal dreamworld outside the confines of a party.The video explores themes of empowerment, violence and rebellion, slickly visualised with style and flair, and Harding-Kemp has created a hard-hitting and refreshing visual that stays in the mind."Life experiences good or bad become a part of us and that’s something we have to grapple, fight and grow with," she says. "We wanted to portray this aspect of reality through a sense of metamorphosis where the more the video progresses the more Laurel’s reflection changes until she doesn’t recognise herself. To me, subtle moments like this feel quite close in representing that transient journey.[imgtoken data:1] "This psychological narrative is driven from Laurel’s subconscious as she escapes a party and ends up finding her power again. When we fall into Laurel’s dream world where time-freezes, all the girls have weapons to protect themselves in some way."This feels like quite a rebellious image that links to the contrast in the lyrics of being a ‘good girl’ and a ‘bad one’ as women are stereotypically told to be in line and sweet. So it was fun playing with that and showing female energy in an empowering way."

Matilda Harding-kemp

Steffan Perry

Laurel Smith 'Everybody Bleeds' by Matilda Harding-Kemp

Laurel-Smith--'Everybody-Bleeds'-by-Matilda-Harding-kemp

Blake Claridge directs a stirring promo for the long-awaited return of&nbsp;The Subways.&nbsp;The video takes place in a 70's-inspired bedroom - complete with wood panelling, graphic carpets and earthy colour palettes - with the group rocking out as the camera rotates and descends frenetically, perpetually transitioning from the top to the bottom of the room in a crane-style movement.&nbsp;"I guess I can refer to The Subways as long time collaborators now," says Blake Claridge.&nbsp;"It's been about fifteen years since our first video. Perhaps I am getting old now - I’m not!!""That was also the drive of the concept of the video. The track is certainly punk and youthful and I wanted to bring that to the piece without it feeling forced or out of touch, so kept things simple and allowed them to do what they do best."

Laura Parkes

Blake Claridge

Emily Vincent

Charlie Relph

Catherine Derry

Luke Makepeace

Ruta Staseviciute

Kate O’shea

Jessica Vile

Rock

The Subways 'You Kill My Cool' by Blake Claridge

The Subways - You Kill My Cool (Official Video)

James Barnes directs a fiery promo for Scarlxrd in the latest result&nbsp;from his longstanding collaboration with the artist.&nbsp;For the&nbsp;video for The Walking Dead, Barnes strips things back to basics, with a cinematic&nbsp;aesthetic which encapsulates an impassioned performance.&nbsp;It's a simple yet fitting concept, which boasts plenty of headbanging and slow-mo&nbsp;shots of roaring flames and the artist's haunting new mask."The Walking Dead is a homage to one of Scarlxrd’s favourite bands Slipknot and their Psychosocial visual," explains Barnes.&nbsp;"I’ve now hung him from a train, had the Russian mob shoot him, chucked him down a snowy Hungarian cliff and set him on fire. Long may it continue!"&nbsp;&nbsp;

James Barnes

Michael O'Connor

Ben Solmon

Fion Hutton

Dan Moran Colour

Trap Metal

Scarlxrd 'The Walking Dead' by James Barnes

Scarlxrd--'The-Walking-Dead'-by-James-Barnes

James Barnes directs a frantic performance promo for trap-metal superstar Scarlxrd.&nbsp;Intertwining traditional&nbsp;cinematography with FPV camerawork, the video captures the artist's trademark impassioned performance style, backdropped by unique, textural locations.&nbsp;Glitchy visual effects and a gritty black and white grade create a haunting yet high concept aesthetic, which perfectly fits within the surreal concept.[imgtoken data:1]&nbsp;

Trap

Metal

Alternate Metal

Scarlxrd 'Can't Die' by James Barnes

-Scarlxrd-'Can't-Die'-by-James-Barnes

JLS are back! And to emphasise the significance of the comeback of this hugely popular singing group - who had their original heyday in the early Noughties - Ian Roderick Gray has the band travel through time, to indicate that&nbsp;they rate up with the great singing groups of all.&nbsp;Gray takes us on a journey through the history of pop, with JLS performing their comeback single Eternal Love as performing on TV at different points along a timeline, from the Sixties to the present day, via the Seventies and MTV-era Nineties.&nbsp;Each era is recreated with admirable attention to detail - particularly in the style and quality of the TV coverage - and this really works in order to make its bigger point about the timeless appeal of JLS - who indeed look and sound in fine fettle.&nbsp;[imgtoken data:1]

Ian Roderick Gray

Luke Goodrich

Matthew Emvin Taylor

Lea Aubigne

Steve Cameron

Zenon Clements

Georgia

Kai Sawyerr

Nadia Altinbas

CHEAT

Marisa Garner

JLS 'Eternal Love' by Ian Roderick Gray

Jls-'Eternal-Love'-by-Ian-Roderick-Gray

Ben Brook mashes together anachronistic live action setups, resulting in&nbsp;the high-energy promo for Janset's Oh Yes.&nbsp;Jumping between contemporary setups in an industrial studio space and several lo-fi vignettes, the video boasts punchy performances&nbsp;and flashy cinematography.&nbsp;Interspersed with elevated moments of choreography and camera trickery, the visuals are fresh and vibrant."Tabikide gelecek means 'good things are on the way'," explains Ben Brook. "Janset is facing forward, in an optimistic, performance lead video anticipating the good times and energy, following a tough year."

Ben Brook

Jamie Harding

Bethany Fitter

Ray Miller Davis

Dan Delgado

Busayo Ibrahim

Connor Coolbear

Electric Theatre Collective

Red Bull Records

Hip Hop

Janset 'Oh Yes' by Ben Brook

Janset-'Oh-Yes'-by-Ben-Brook

Arlo Parks takes centre stage in Jack Lightfoot's&nbsp;understated live video for Black Dog, shot in collaboration with Spotify.&nbsp;Based inside the Hackney Round Chapel, the laidback promo is as minimalist as they come - only Parks and a guitarist inhabit the space - and puts the entire focus on the music&nbsp;and the experience.&nbsp;Relaxed camera movement perfectly complements the breezy performance, with an overarching feelgood vibe that jumps from every frame."I'd been really keen to work with Arlo since a friend introduced me to her music earlier in the year, so I was so excited when Spotify offered me the opportunity," says Lightfoot. "This is one track from a three track set. We based ourselves in the stunning Hackney Round Chapel, and really wanted to showcase as much of the venue as possible, so favoured a lot of sweeping wides."The weather was on our side too - half the light coming through the window is film lighting, but the other half is natural sun beams. I thought 'that's lucky', but Mike [O'Connor, DOP]&nbsp;insisted he had strategically planned this!"&nbsp;

Richard Scott

Dan Moran

Transgressive, Beatnik, Pias

Indie pop

Arlo Parks 'Black Dog (Live for Spotify)' by Jack Lightfoot

Arlo-Parks-'Black-Dog-(live-For-Spotify)'-by-Jack-Lightfoot

Jamie Thraves shows the benefit of reaching out directly to artists you admire with this charming video for Bristol-based singer-songwriter Katy J Pearson.Shot around Bristol with a small crew - including DoP Catherine Derry - featuring simple performance set-ups of Pearson and her band, and some apposite goofing around, Thraves's video for Something Real harks back to the early 'pre-music video' era of the pop promo.It's rather like a Beatles performance sequence from Help! - and that has to be a good thing.

Jamie Thraves

Thomas Jacob

Singer-songwriter

Katy J Pearson 'Something Real' by Jamie Thraves

Katy-J-Pearson-'Something-Real'-by-Jamie-Thraves

Frederick Lloyd directs a thrilling cinematic video for Hurts' Redemption.&nbsp;Contrasting brooding performance shots and conceptual cutaways, the visual crescendos to a fiery SFX setup that you won't be able to pull your eyes away from.

Frederick Lloyd

Seven 7 Management

Joe Ramsden

Enzo Volpe

Blindeye Fims

Hurts

Synth Pop

New Wave

Hurts 'Redemption' by Frederick Lloyd

Hurts-'Redemption'-by-Frederick-Lloyd

X-Factor winners Rak-Su party in an underground club in Jack Lightfoot's video for La Bomba.&nbsp;Packed full of colour and luxury styling, the high energy promo is a vibrant showcase of the group's performance and choreography skills. Balancing sex appeal and a sense of unabashed fun, it's a whirlwind from start to finish, carried by the group's confident personalities and quickfire editing.&nbsp;

Vivian Nwonka

Lock It In

Samantha Cox

Alternative, Hip Hop

Rak-Su 'La Bomba' by Jack Lightfoot

Rak-Su-'La-Bomba'-by-Jack-Lightfoot

Tom Walker gives a poignant live rendition of Better Half Of Me, directed by Jack Lightfoot.&nbsp;The performance is powerful and emotive, and the use of East London's George Tavern as a location is a match made in heaven,&nbsp;full of character and timeless beauty.&nbsp;Matt Vahey utilises the abundant natural daylight and huge windows to compose a soft and warm aesthetic, which matches the laidback pace of the track perfectly. Great work from the team, who have previously worked with Walker on live videos for Just You And I and Leave A Light On.&nbsp;

Matt Vahey

Tan Moye Khan

Evance

Richard Sloan

Lauren Newman

Laurence Dawes

Hannah Colson

Tom Walker 'Better Half Of Me' by Jack Lightfoot

Tom-Walker-'Better-Half-Of-Me'-by-Jack-Lightfoot

Cult pop-punk band Neck Deep retreat to their native South Wales (Rockfield Studios)&nbsp;for this old-school performance video, directed by Our World is Grey.It has become incredibly fashionable to mine ’90s rock performance videos as a reference. The improvisational approach of videos for Breeders, Pixies and early Weezer, as well as the cheap 16mm aesthetic of grunge, has become oddly aspirational. So it’s great to see a video that looks authentically like the post-rock videos it is channeling. And appropriate for a young, regional band carrying the DIY spirit of that era.DOPs Jamie Harding and Daniel Broadley&nbsp;deserve&nbsp;a special mention. Their period look, shot on 16mm and Super-8mm, gives the video a homegrown, lived-in quality.&nbsp;

Our World Is Grey

Daniel Broadley

Joshua Halling

Hopeless Records

Pop-punk

Pop-punk, Punk

Pop Rock

Neck Deep 'She's A God' by Our World Is Grey

Neck-Deep-'She's-A-God'-by-Our-World-Is-Grey

Neil Hannon and the Divine Comedy are back with Queuejumper, a jaunty takedown of boorish behaviour, and the video from Jack Lightfoot is an unpretentious homage to early&nbsp;music video aesthetic: white syc, lyric-appropriate props, the&nbsp;band in suits... and of course, shot on video.We&#39;re talking things like <a href="https://m.youtube.com/watch?v=gPoiv0sZ4s4" target="_blank">this</a>...

Dicky Howett

Robert Shears

Alice Howlett

Lock it in

Natalie De Pace

Alternative

The Divine Comedy 'Queuejumper' by Jack Lightfoot

The-Divine-Comedy-'Queuejumper'-by-Jack-Lightfoot

Jack Lightfoot&#39;s latest live session video sees him capture this year Brit Awards&#39; Best Newcomer winner Tom Walker performing his touching love song Just You And I.To get into the mood, Lightfoot and team dressed the stage at Bush Hall, London with armfuls of lilies, which really does ramp up the romance.&nbsp;

Louis Catlett

Editor

Videos featuring Louis Catlett

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2020 (4)

2019 (4)

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