German EDM pioneers Scooter have released their first AI-generated music video, marking a significant step in their ever-evolving artistic journey.Directed by Paul Gerwien & Jacob Ipsen, the video for Gimme That Noise features an interstellar twist—replacing rural landscapes with cosmic scenes and surreal, AI-driven imagery.In the video, a golden spaceship replaces the iconic Ford Granada, while the 'Blitzy Special' - a fictional Scooter-branded energy drink - serves as the catalyst for life on a barren planet. The planet becomes inhabited by creatures featuring frontman H.P. Baxxter’s signature traits: blue eyes, a platinum blonde hairstyle, and his iconic eyebrow piercing.Bursting with retrofuturistic flair and a strangely 90's vibe, the video is a throwback to the group's larger-than-life appeal, with plenty of standout visual moments.

In Alexandre Do's video Jianbo and Skydaddy spend the day like you'd expect from two aristocrats from the 18th Century: getting their portrait painted, hunting game and arguing about which country to colonize next.Filmed at Shuttleworth House in Bedfordshire, Alexandre Do stresses the juxtaposition between the grand, period setting and the message in Cradle 2 The Sky, bringing the two together via the classically-influenced music track behind Jianbo's rap performance - with Skydaddy backing up on guitar. "What ultimately inspired this video was that grindset culture that many of us adopt," says Do. "The idea that we can't possibly succeed in this day and age without grinding 24/7 towards a goal that constantly shifts further and further away. [Where] 'making it" is an illusion."

Following two visceral live action videos, Chunks and Snails, Martyn Thomas now creates a hypnotic mixed-media digital collage for Bristol alt-rock band Mould. The video for Wheeze is a textural explosion of colour and raw expression, building upon the artwork for the band's EP Almost Feels Like Purpose - which was designed by the band's bass player Kane Eagle. It's a breathtaking display of multi-format creativity. "We wanted this video to be a moving version of the record sleeve, while also featuring a performance by the band," explains Thomas. "Kane sings lead vox on this so it really felt right to be referencing his artwork and creating something that linked the video to the release."The main note from the band was 'just make it dirty' - so I spent a couple of days walking around London hand-scanning hundreds of textures and looking for anything that reminded me of Kane's artwork and fell into the 'dirty' category."These textures informed the whole look of the video, so once all the rotoscope line work was done the digital paint layers were added with colour swatches that were picked directly from the scans and some from the EP artwork. The swatching helped the whole piece feel a little more cohesive and a little less random."

A pulsating performance by Japanese emo rock outfit ONE OK ROCK is captured through a sense-assaulting array of techniques by Masaki Watanabe.As the band power through C.U.R.I.O.S.I.T.Y. - with the help of guests Paledusk & Chico Carlito - Watanabe's box of tricks involves dynamic transitions, super-intricate editing and relentless visual trickery.It's a powerhouse of a video, with nods to classic FX-enhanced performance promos like the Alex & Martin-directed Seven Nation Army for The White Stripes, whilst set in an endless black void reminiscent of Tim Saccenti's legendary video for Battles' Atlas.