Andy Little directs a reflective one-shot promo for Far Caspian, where singer Joel Johnson is the quiet centre of an increasingly unhinged office party. The video is a slow reveal of a downbeat Johnson in the midst of an oblivious group of revellers, performing the song Following The Trend to a retreating camera. The video captures the increasingly chaotic happenings around the singer, but does not distract from his quiet and poetic presence.The understated, naturalistic aesthetic adds to the authentic vibe of the concept - and it's more than likely viewers could pick any of the characters in this video and relate them to someone they know from their own awkward work parties.

Indy Hait directs a blazing promo for Alex Clare's Why Don't Ya. Shot to resemble one continuous camera move, the video glides seamlessly between two apartments: one belonging to a couple, the other with Alex Clare performing.The couple in the apartment next door are struggling to show their emotions, apathetically sleepwalking through their routines, while the whole place is, quite terrifyingly, in flames.This contrast of danger and ennui is beautifully realised - and the fact nearly all of the fire effects are practical and in-camera adds a real sense of tension to the piece.Hats off to the actors to keeping their cool on that fiery set...

Happy-go-lucky character Ricardo is on an ultimate quest to become an air marshaller, in NAVS's wonderfully daft promo for James Vincent McMorrow.Following his aspirational journey in a series of hilarious vignettes, we see Ricardo - played by Nicolas Arturo - try his utmost to achieve his dream by reading the Air Marshalling Manual, visiting the local model aeroplane store, and breaking onto airfields to direct plane traffic.Skilfully shot and directed, NAVS brings out an indie film-style vibe across the short runtime, and perhaps sows the seeds for a longer form project down the line...

Jack Savoretti travels from supermarket to countryside in a freewheeling trolley, in Calum Macdiarmid's glossy promo for Secret Life. Escaping the hustle and bustle of the city with a bottle of wine and a thirst for adventure, Savoretti calmly traverses various obstacles to get to his final destination, and does so with style and flair. The slightly bonkers idea is grounded by a sense of optimistic calm, and the very real yearning for some time away from day to day life... and the clever gag never once looks fake or forced.Now where do we get a set of these adventurous wheels?

George Moore and Jack Pell bring the retro vibes in his animated promo for David Guez. The video for The Corners Of Your Mind is a creative collaboration between Moore and animator Jack Pell, and follows a chase within someone's brain - as the chase ramps up, memory and reality begin to fracture. Achieved through the use of a greenscreen treadmill and some After Effects trickery, the video takes inspiration from a host of references, from the title sequence of Catch Me If You Can and the shifting Escher staircases in Labyrinth, to the aesthetic of early Vectrex games consoles and the digital landscapes of Tron.The retrofuturistic aesthetic feels very much in tune with our contemporary obsession with 80s and 90s nostalgia, and the glitchy graphics touch upon an uncharted world that exists only in science fiction and old video games.

Fiona Godivier celebrates the joy in the everyday, in her hopeful promo for Paul Weller. Heading to the Mediterranean, Godivier presents a series of interconnected vignettes, offering snapshots of day to day life in various character's worlds.Exploring the small moments in life that make the difficult times worth it, the video explores connectedness, relationships and the beauty of crossing paths with strangers, projecting a feeling of optimism and hope. Godivier anchors each of the stories to a striking location, using her keen architectural eye to backdrop the narratives and create the feeling that in every one of these places, a million other special moments are unfolding.

Floria Sigismondi continues her longstanding collaboration with singer-songwriter Lawrence Rothman for Thrash The West.Shot in an old coal miner's house on 16mm and 8mm film, the video shows the artist performing in a handful of still, poignant vignettes. Intercut with a variety of static cutaways of various household items and representations of nature, the video is a metaphor for healing and coming to terms with one's past, and is shot in a beautifully desaturated and naturalistic manner. Reflecting not only on personal issues but that of the United States in a post-Trump era, the video is the first release from Lawrence Rothman’s forthcoming album, Good Morning America.

Keith Turner & Luke Galloway take viewers on a rip-roaring journey through the Wild Wild Web, in their video for Slow Walk's Hangman.Diving into a world where an unsubstantiated rumour, a misinterpreted comment or an unpopular opinion can get you instantly hanged, the song and video are inspired by online witch hunts, trolling and bullying. The video sees a stickman escape a game of Hangman, before being pursued across the internet by online trolls. Utilising some of the ingenious, lo-fi spirit displayed in previous video Sherlock Holmes Would Know, the animation is both charming and fun, whilst the concept overall tackles quite an important and serious subject.