Flohio heads out on a road trip in Aiden Harmitt-Williams' bouncy promo for SPF. Shot at Elmley National Nature Reserve, the video jumps between sun-kissed daytime shots and fiery nighttime setups, all shot on Kodak 35mm for a vintage, timeless feel. Interwoven with degraded digital footage to contrast the performance, Flohio brings out the summer vibes just in time for another heatwave. “Making this music video was truly a labour of love on my part and if I can speak for my majestic team: I’m sure it was for them too," says Harmitt-Williams. "We went through the fire to make something great but luckily we were wearing our SPF.”

Peter Haueis directs a bewitching promo for The Offline's Plages Des Casernes. The video celebrates a sense of analogue nostalgia, which complements the artist's atmospheric, cinematic soundscapes. Several techniques were used to create the melancholic, dreamlike aesthetic - Super8 material filmed by the artist in France was screened on Sony Trinitron vintage TV Sets, creating vivid, raw images. MiniDV cameras were then plugged into the TV sets, with video feedback and CRT TV-effects generated until The Offline loses himself in the looping images.

Hold on to your horses as two disco divas unite on the dancefloor - via the magic of music video - as Kylie gets together with none other than Gloria Gaynor, of I Will Survive fame, in Sophie Muller's dazzling video for Can't Stop Writing Songs About You. On a glittering runway, it's vintage disco vibes as we see Kylie and her crew strut their stuff under scintillating lights, with a lo-fi aesthetic that looks ripped straight from the clubkid era. Gaynor appears in a separate performance vignette, backdropped by the night sky and overlaid with hypnotising effects and soft pastel silhouettes - which feels reminiscent of another iconic Muller video, for No Doubt's Simple Kind Of Life. And its art directed by her longtime collaborator, production designer Alison Dominitz. Once again Sophie has also teamed with Theo Adams, whose company of performers provides Kylie's world with that extra pinch of pizzazz, and the result is a powerhouse visual for an irresistable track, pairing very nicely with previous Muller-Minogue videos for her other collabs on the new version of her Disco album - with Olly of Years & Years on A Second To Midnight, and with Jessie Ware on the telenovela-style Kiss Of Life.

Riccardo Salvi directs a bold, suggestive promo with a heart of gold for Italian duo Ditonellapiaga & Donatella Rettore."The song is about sex, and the artist requests were very clear - fun, provocative and with 70's styling," says Salvi about the video for Chimica. And he has more than hit the brief on this one. Celebrating body positivity and breaking the stereotypes of how sex is usually portrayed on-screen, we see a cast of varying ages and shapes get into some wild positions, show of their assets and jiggle and bounce the day away. Some clever art direction elevates the racy vibes of the visual, and the vintage styling and decor adds a certain eccentricity to the whole concept.

Maxim Kelly directs a genre-bending epic for Mercury Prize-shortlisted rock band Black Country, New Road. Cleverly balancing an abstract narrative with anachronistic imagery, the focal point of the story is an alien who has crash-landed to Earth, who gets a less-than-welcoming treatment from the humans who capture him.Spanning a six-minute runtime, the video is peppered with a vast array of references, from vintage sci-fi films through to low budget B-movies and classic drama films. And the Concorde plane is in there too. Flanked with archival footage, the video is ambitious and wide-ranging, but never once feels stretched too thin, which is a remarkable achievement for a concept that covers so much ground in it's comparably short runtime.We took the 6 minute-plus runtime as an asset.“On the surface, the concept was straightforward," says Kelly. "But for a band who namecheck everyone from Scott Walker to Kanye West, and the pronounced mix of genres in their music, it felt right to take an analogous approach with the visuals. Throw as many references together as possible and see if we, too, could get it all to hold together as a piece."We took the 6 minute-plus runtime as an asset. It gave us the time needed to weave as much as possible into the film. A walking video in parts, but also with a narrative running through... combined with miniatures and VFX. "The band were so supportive and amazing. They gave us the encouragement to just go off on one! And being a massive fan of their music, it was a genuine pleasure to work with them on this film.”

Philip Andelman presents his own trippy spin on the Spaghetti Western genre, in this offbeat promo for Khruangbin and Leon Bridges.Following their collaborative EP Texas Sun, released last year, Khruangbin team up with American soul singer Bridges once again, and in Andelman's video for B-Side, the trio jetting in on a vintage style spaceship before facing off with Bridges, who's arrived in a classic car, in a nostalgic Western set. As they face off, gunslinger-style, and then perform the song, the video enters its psychedelic stage. We watch the sky turn into mesmerising oil art, as the group casually keep on playing in the chromatic glow of the peculiar weather event."This one was a real labour of love," says Andelman, who also directed the video for Texan Sun. "The shoot itself was a real trial, with a major lighting storm and torrential rain keeping us inside for most of the afternoon, a skeleton crew and broken 16mm film mags that ate up twelve solid minutes of footage and two hours of work."Andelman reveals that Bridges was also taught how to learn a 'stick-shift' car on set by producer Keeley Gould, as the shoot day ticked away."And then there was five months of post as we waited for friends to free up and help us colour, create flying saucers, and film coloured oil in vinegar for the skies. But through and through we all had a blast!"

Morgan Harper-Jones enlists Alfie Johnson to craft the emotive visuals for her latest single All I Do.The promo combines stock footage with live-action plates, aiming to make the audience feel more connected in such a disconnected time.The contrast of vintage visuals and custom-shot footage creates an anachronistic aesthetic which blurs time and space, whilst the use of repetition and replication of selected compositions helps connect the past and present.

Mae Muller takes centre-stage in Tom Dream's '70's throwback promo for Swedish producer NEIKED's Better Days. Complementing the dreamy, upbeat production of the new single, we see Muller in a world of soft pastel colour schemes, whilst simultaneously embodying various characters on TV. From weather girl through to music presenter, Muller shows off her talents as both a performer and an actor, whilst cameos from fellow performers NEIKED and Polo G round off the concept with a glossy polish.“When I met with Tom Dream I knew he’d be able to make something great - and this is really what that is, something great," says NEIKED. "A big shout-out to Mae and Polo G for putting on a sick performance too. I have been working hard on my upcoming music this year and now is a perfect time to finally share the first piece of the puzzle."Mae Muller adds: “This is my favourite video I’ve done so far!! The pastel colours, to the set design, to the hair and make-up, I am literally quite obsessed with it.”