Jack Whiteley captures the remarkable Rosie Terry Toogood's unhinged rave performance amongst the unsuspecting shoppers of Liverpool city centre for Dogshow.Whiteley's video for the Liverpool brothers' ketty-as-hell new single JellyKet features Toogood ("so good they named her Toogood," says the director) as Jane Kettering from Derby, who has evidently taken a wrong turning on her way to the dancefloor... "When will Jane learn, never mix ketamine and shopping!" declares Whiteley, summing up the premise of the video. And the result is a something to behold, as Rosie/Jane dances, skips and trips over herself in a completely bonkers daytime trip."Dogshow are two brothers traversing the genre-fluid astral planes creating music for dancing," Whiteley explains. And if this song and video are anything to go by, it's safe to say there will be more surprises from them in the near future...

Following their wonderful video for Whenever We Want, brother-directing team The Reids reunite with Mura Masa for another intoxicating portrayal of leisure-time experience for Drugs, featuring the alluring presence of Peruvian model and singer Daniela Lalita.Ostensibly with a similar visual style to their first collab, by mostly focussing on a figure in centre-frame throughout, Drugs changes things up, introducing a different environment in which to enjoy Mura Masa's music, and an element of off-the-wall narrative.It's a houseparty, attended by Lalita, who witnesses a fellow partygoer shrink down into a small golden pill. She picks up the pill and swallows, before putting on her headphones...Cue a hypnotic montage of background transitions, with Lalita transporting through the party in a blissful haze - while remaining motionless and expressing joy and wonder through minimal changes in expression. This central concept, with the artist staying in place whilst the background switches up, is super effective, and Megan Lee's effervescent colour grade accentuates a truly dreamlike vibe.Lalita eventually ends up lying in an otherworldly field for the middle section of the visual - before then returning to the 'reality' of the party. And then, finally, performing her own transformation. A little comic twist on a video that entertains for a full five-plus minutes. Great stuff.

Kimberly Stuckwisch navigates a story of cyclical addiction and depression, in the powerful video for Margo Price's Hey Child. Exploring the scars we carry around from the relentless push and pull of life, and our daily struggle to regain control, the universal themes are stunningly visualised through a heartwrenching performance from Price, and an abstract narrative that traverses drugs, car crashes and jailtime - but ends with a message of hope and optimism. DoP Justin Hamilton uses plenty of visual trickery to breathe extra life into the setups, through simultaneous movement between the character and the artist. It's by no means the first time we've seen the camera moves, but a perfect example of how and when to use them, with a unique, contemporary twist.And the final frame is so important its worth featuring here. Great video.