Is there still space for a revolution in a world dominated by social media? That's the question Alessandro Amaducci poses in this raucous promo for Kris Vanderheyden, aka Insider. The video is a pulsating, hyperactive blend of stock footage and lo-fi effects, which reflects the overwhelming stream of content we experience on a daily basis. As the video builds to a climax, references to revolution are peppered into the mix, suggesting another direction we could move in as a society.The video works on several levels, and there's plenty to dig into here, which makes it an even more fun experience to watch.

Ja Humby explores the lengths some bands will go to for success, in this rip-roaring satire on the modern day music biz for shame. The video for Fingers Of Steel reveals the 'truth' behind the group's hype... it's the work of evil genius front-man Charlie Steen, who has forcefully enlisted his bandmates in a click farm operation generating fake likes and comments on their own social media posts. Steen plays the villainous role to perfection, bare-chested and manic throughout, as self-obsessed as he is demanding, as he bullies his bandmates into submission. And their musical instruments go unplayed as they churn increasingly outlandish comments online. Blending narrative with glitchy animation and a 90's thriller-esque colour scheme, the video is sharp, funny and works really well with the track - remarkably it was apparently turned around in a week - and Steen's hip thrusting will stay in your mind long after watching... It also represents a triumphant reunion between the band and Ja Humby, who worked together on the faux doc and live performance film, Live In The Flesh for the director's Molten Jets project."Conceived and delivered in one week with very little sleep, the frontman was somehow more narcissistic off-camera than he is on it - humping thin air between barrages of punches," claims Humby. "His hips would spasm when he caught himself in the mirror, despite the tantrum-induced snot bubbles no one dared to point out."Huge thank you to everyone involved in this brutally honest depiction of a modern band’s struggle for fame."

Willow Kayne takes on the social media opposition in the most entertaining way possible - courtesy of directing duo Bedroom - in the dazzling video for I Don’t Wanna Know.Bolshy Willow vents her fury on her online haters by launching herself from her own colourful bedroom right into the internet itself, blasting down the information super-highway to cause chaos and confusion - with some darkly comic results. Along the way, this gives Bedroom the opportunity not only to exercise their signature DIY approach to art direction and set design, but also Soren, one half of the team, has created the illustrations and animations that populate Willow's fantastic voyage of hilarious revenge. A wildly imaginative ride indeed.

Petr Simon calls for a self-love revolution in his powerful promo for Danitsa's Let Go. The digital rat race and our social media-obsessed society are examined under an abstract lens, reinterpreted as frenetic dance scenes and surreal, otherworldy set pieces, as the artist isolates herself in nature to try and gather her thoughts. Broadcasting the message that our self worth should not be influenced by our digital perception of others, the concept is a plea for self-validation and staying true to our own character, and is beautifully visualised through a succession of innovative setups. DoP Konstantin Mazov intertwines a nostalgic, almost vintage aesthetic with notable reminders of the modern world, and does so with masterful flair.

Dan French directs a heartfelt promo exploring body image and self esteem, for rising pop artist Declan J Donovan. Casting from a pool of actors with their own personal experiences with the subject matter, the video is an authentic representation of the growing sense of anxiety that stems from modern technology. Shot in a stylised yet understated way, we see a string of vignettes depicting the darker side of social media - and its effect on several young adults - before the film u-turns into an empowering display of positivity, disregarding societal standards and confidently stepping up into their true selves.

Róisín Murphy has released another self-directed video for Whatever, a companion piece to her previous video for Ten Miles High.Róisín walks through central London in her own little world, surrounded by social-mediafied people, whose heads have been replaced with emojis and Snapchat filters. And unlike her seamless integration into the bustle of the city in Ten Miles High, the artist's melancholic musings take on a particularly self-reflective quality, as individuals' faces turn into homogenous smilies and massive location pins loom large and ominous.Off-kilter and idiosyncratic as ever, Róisín delivers a wholly modern take on lost love and disconnection in a hyperconnected world.