Willow Kayne takes on the social media opposition in the most entertaining way possible - courtesy of directing duo Bedroom - in the dazzling video for I Don’t Wanna Know.Bolshy Willow vents her fury on her online haters by launching herself from her own colourful bedroom right into the internet itself, blasting down the information super-highway to cause chaos and confusion - with some darkly comic results. Along the way, this gives Bedroom the opportunity not only to exercise their signature DIY approach to art direction and set design, but also Soren, one half of the team, has created the illustrations and animations that populate Willow's fantastic voyage of hilarious revenge. A wildly imaginative ride indeed.

Petr Simon calls for a self-love revolution in his powerful promo for Danitsa's Let Go. The digital rat race and our social media-obsessed society are examined under an abstract lens, reinterpreted as frenetic dance scenes and surreal, otherworldy set pieces, as the artist isolates herself in nature to try and gather her thoughts. Broadcasting the message that our self worth should not be influenced by our digital perception of others, the concept is a plea for self-validation and staying true to our own character, and is beautifully visualised through a succession of innovative setups. DoP Konstantin Mazov intertwines a nostalgic, almost vintage aesthetic with notable reminders of the modern world, and does so with masterful flair.

Dan French directs a heartfelt promo exploring body image and self esteem, for rising pop artist Declan J Donovan. Casting from a pool of actors with their own personal experiences with the subject matter, the video is an authentic representation of the growing sense of anxiety that stems from modern technology. Shot in a stylised yet understated way, we see a string of vignettes depicting the darker side of social media - and its effect on several young adults - before the film u-turns into an empowering display of positivity, disregarding societal standards and confidently stepping up into their true selves.

Róisín Murphy has released another self-directed video for Whatever, a companion piece to her previous video for Ten Miles High.Róisín walks through central London in her own little world, surrounded by social-mediafied people, whose heads have been replaced with emojis and Snapchat filters. And unlike her seamless integration into the bustle of the city in Ten Miles High, the artist's melancholic musings take on a particularly self-reflective quality, as individuals' faces turn into homogenous smilies and massive location pins loom large and ominous.Off-kilter and idiosyncratic as ever, Róisín delivers a wholly modern take on lost love and disconnection in a hyperconnected world.