Well, what a treat this is. Gorillaz are back and so, of course, is Jamie Hewlett's wonderful cartoon version of the band. Murdoc, 2D, Noodle and Russel are at once familiar, but Hewlett never lets things stay entirely the same. There's always a slight variation on what's gone before - and this in this case he's managed to go both forward and back.In some ways they are more like the original (mostly 2D) version, that popped out at the turn of the century, would you believe. Russel, for instance, is not a 30 foot giant any more. But then they've also entered a whole new dimension - the video comes in two versions, and one of them is the VR/360 version of the adventure that has the band enter what appears like the classic haunted house - again, shades of the original Clint Eastwood video - before slipping through a portal into deep space, next to Saturn.Produced once again through Passion Pictures, the VR version of Saturnz Barz was developed through Google's own VR studio, Google Spotlight Stories - and the video is 'supported by YouTube'. And the VR version really is something to behold.

Amsterdam-based creatives Luna Maurer, Roel Wouters and Jonathan Puckey (AKA Moniker and Studio Puckey) deliver a unique worldwide sketch collaboration with the help of you, the viewer.Following the protagonist Laura through her work day, viewers (referred to here as 'Lines') are asked to help sketch and draw over various parts of the video to help improve things for her. All of your drawings are recorded, and every hour a fresh composite is made from said recorded drawings. That means that every time you watch this video, there's going to be something different, and every hour the video is evolving into something totally new.It's the latest result in a long and highly creative relationship with the Dutch art-rockers zZz, which includes Wouters' masterpiece zZz is playing: grip. Although this being the internet, and the possible number of sketches seemingly infinite, it quickly gets a bit Jackson Pollock.• WATCH HERE

A brilliant foray into the world of 3D and VR here by Debbie Scanlan and Liz Adams, better known as De La Muerte, for Kyla La Grange's Hummingbird.The video - in which a car, a horse and some dancers occupy the infinite beauty of the feathered cosmos in order to battle through various and sundry existentialist quandaries - is a disorientating swirl of colour and dance that plays with the viewers' perception of time. Look one way and you'll be mesmerised by slow motion fluid moves, but flip your head 180 degrees and you'll see a similar looking scene that feels entirely different: played in reverse with choreography designed to feel like a battle.Hats off to De La Muerte - particularly for working so well with a horse in the dark. The payoff comes with some truly epic-looking imagery.

On one level director Maximilian Neimann's video for German rapper Kontra K's An Deiner Seite (Next To You) is a nailbiting Nordic Noir thriller. But it also happens to be much more. Unit 9 have created the first interactive music video where the user is invited to switch between two timelines - the past and present - to uncover clues to solve a murder mystery. It starts with a fisherman coming across a crime scene in the beautiful setting of a lake house, where he stumbles a weapon, a corpse, a blood-stained boat. But by tapping the space bar on the website, or simply tapping your smartphone, reveals the actual, quite terrifying events (in which Kontra K plays one of the protagonists). The video can be watched in linear format, or on a dedicated microsite for the most optimal experience. As viewers investigate the crime scene, they are encouraged to tap their phone or press the spacebar on their keyboards. Viewers can choose to see the present (don’t press space) or the past (press space). There are clues hidden in the video, but viewers must be clever enough to figure out when to look into the past and when to look into the present. They are given visual clues while they’re watching the video so they know to look for a key moment. Depending on how many of them they find, the video can have three different endings.It's clever and unique, and what really makes it work is the standard to which its been achieved. You wouldn't care to know what happens if this wasn't dramatized to a high level, and from the location to the performances, the photography and the technology, its all here.