FKA Twigs 'Sad Day' by Hiro Murai
David Knight - 31st Aug 2020
After making the era-defining This Is America, Hiro Murai's next music video project was always going to be a big deal. And this does not disappoint. Murai's collaboration with FKA Twigs is an action-packed epic affair, embracing Chinese martial arts. It is a brilliant, and beautiful - and brutal - showcase for the artist's unique talents.
In characteristic Murai style, and with the help of regular collaborators like DoP Larkin Sieple and colourist Ricky Gausis, the grittily mundane is transformed into something breathtaking. As with so many of his music videos, this is shot entirely at night and again Murai shows his mastery of the specific atmosphere that night creates in the quieter parts of a cityscape. And in this case, the city is London.
In a late night café, Twigs encounters a male alter-ego (played by Teake), and their assignation quickly becomes violent. A terrifying swordfight begins within the cafe, with Twigs' and her rival's athleticism taking them headlong through its shopfront window. Then their fight moves across quiet suburban streets, via the swooping, sensual movements of Wushu martial arts - so the conflict begins to hint at a complex backstory to their relationship/rivalry. But within the café again, at close quarters it gets brutal again and there is an extraordinary outcome - arguably not for the fainthearted.
This climactic moment, where Twigs is divided by a samurai sword, is the most obvious contribution of VFX in a piece which, as with much of Murai's work, employs extensive VFX without drawing huge attention to itself. He worked in close collaboration with a team at MPC in Los Angeles to create those crucial sequences. Not only the choreographed fight sequence across buildings, epic smashes through shop windows, and that dramatic final scene, but digital matte painting was also used throughout to enhance the gritty backdrops.
The result is a majestic piece of work, a reminder of Murai's phenomenal body of work in the medium. The same applies to Twigs. It is further evidence that she is a great action hero(ine) in the making.
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David Knight - 31st Aug 2020
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Credits
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Production/Creative
- Director
- Hiro Murai
- Producer
- Jason Cole
- Producer
- Danielle Hinde
- Producer
- Brad Weston
- Producer
- Anita Gou
- Producer
- Hiro Murai
- Producer
- Nate Matteson
- Producer
- Michael Stirton
- Producer
- FKA Twigs
- Production Company
- DE
- Service Co Exec Producer
- Luke Tierney
Camera
- Director of Photography
- Larkin Seiple
Editorial
- Editor
- Luke Lynch
- Editing company
- Parallax Editing
Grading
- Colourist
- Ricky Gausis
- Colour grade company
- MPC
VFX
- VFX Company
- MPC
Misc
- Production Services
- F
- VFX Director
- Michael Gregory
- UK Producer
- Nicole Powell
Other credits
Sound Design/Mix
Trevor Gates
Executive Producer
Elexis Stearn
Senior VFX Producer
Nicole Saccardi
VFX Coordinator
John Edson
Production Manager
Sanchit Soi
Production Coordinator
Sririthika Iyer
VFX Supervisor
Toya Drechsler
CG Supervisor
Corinne DeOrsay
VFX Set Supervisors
Zdravko “Zee” Stoitchkov, Jim Radford
Bangalore Head of 2D
Siju Murugan
Prep Lead
Ragesh Ramachandran
Roto Lead
Mahendranatha Reddy
MPC VFX team:
Tracking Lead
Siva Priyan Seetharaman
FX Artist
Jinguang Huang
Lighter
Mason Dash
Modeler
Christian Sanchez
Compositors
Andy Roberts, Navid Sanati, Hector Cabrera, Luis Artigas, Peter Ulukpo, Balakrishnan Ramadoss, George Gijo Peter, Nanda Kumar Perumal Pillai, Stevenson G
Prep Team
Alex J., Arulanandhan P, Jaswan Vishnu Prasath Balla Mohan Rao, Jayakumar R, Padmapriya K, Veerapandiyan Devendhiran
Rigging
Gretchen Asmar
Roto
Ravisankar S, Suvojit Ghosh
Tracking
Ankit Dheraj Toppo, Gayathri Sakthivel, Muruganantham T, Muthyalakrishnaiah Doddi, Nithin T K, Sathya Narayanan, Shridhar Bhat, Sreenivasa Aditya, Tejashwini N, Vishal Bhaskar Darkunde
Executive Producer, Colour
Meghan Lang Bice
Colour Producer
Sasha Pace
Colour Assistant
Sam Ziaie
David Knight - 31st Aug 2020