Troy Roscoe reunites with social media superstar and rapper KSI for another eye-popping visual blockbuster. And this one might be the biggest of the lot.The video for Catch Me If You Can is a sci-fi spectacular, with KSI materialising in a future city of floating supercars, dicing with a rival driver, playing basketball with a fireball of Earth, arriving on a rooftop to orchestrate a windstorm of cash through the skyscrapers. It's a perfect blend of hyperreal VFX and explosive action with KSI's unassailable charisma, and a blockbuster from start to finish. "Maybe my favourite video to date," says Troy. "It’s rare I get the chance to go all-in on green screen and trust entirely in visual effects - but this one was that dream scenario. With my background in VFX, opportunities like this are what I live for, and I got to pull out every trick in the book."KSI wanted something wild, something that matched the energy of the track - and that gave me the green light to build a world that leans into the lyrics but still feels surreal and unpredictable. We had just three weeks to deliver the full video with heavy VFX, and the team smashed it."Even the shoot day was intense - 12 hours, back-to-back setups, no room for mistakes. It took quick decisions, a clear vision, and a crew that was fully locked in. Proud doesn’t even begin to cover it."

Legendary outfit Suede return to action with a brooding, shoegaze-infused track and a lean and disruptive performance video directed by Chris Turner, aka Favourite Colour: Black. As the moody opening riffs of Disintegrate dissolve into lush layers of synth, the film explores visual erosion in a similar way: beginning with a clean, high-quality base recording, then gradually degrading it through analogue processes until the image becomes abstract and unrecognisable. The video draws from a rich lineage of visual and aural artworks that meditate on decay and transformation, from William Basinski’s Disintegration Loops to Peter Greenaway’s queasy time-lapse sequences in A Zed & Two Noughts, reinterpreted for a resurgent Suede by Turner and his highly experienced DoP Luke Scully. Like a piece of video art in the vein of Bill Viola, Bruce Nauman, and Marina Abramović, Disintegrate centres on painterly still-lifes - rotting fruit in slow, unsettling time-lapse - and the gradual breakdown of the moving image itself.Key moments of the performance were re-shot through CRT monitors using minDV and VHS cameras inside a blacked-out tent, introducing analogue texture and unpredictability. Cables were physically manipulated to create flickering, rolling glitches — percussive visual elements that echo the sonic violence of performances like Nine Inch Nails’ March of the Pigs.This process has been continued in post production. The assembled edit was re-processed and re-recorded in layers, so what begins as a sharply rendered performance ends as something fragmented, distorted, and haunting: a meditation on impermanence, memory, and the beauty of decay."[This was] pretty much my dream brief," comments Chris Turner, aka FC:B, "Fantastic track by a fantastic band. Black and white, lo-fi, performance-based and with visuals that disintegrate as the video plays out. All achieved in-camera, utilising progressively lower quality equipment, shooting and re-shooting from screens as the signal was increasingly interrupted. Worship the glitch!"

Agusta Yr directs a surreal, digitally-rich visual for LA-based pop singer Sam Short, who takes a trip from earthbound reality to off-world fantasy.The video for Earthgirl starts in a nighttime garden, but the Icelandic director begins to disrupt the sense of realism from the start, as the world around the pop singer begins to change. With AI-enhanced VFX, Yr creates a dreamlike world that complements Short’s introspective lyrics. She becomes a mermaid under the sea before leaving Earth entirely, travelling to the Moon. The video is a testament to Yr’s multidisciplinary approach. Known for her innovative use of 3D animation and playful aesthetics, she directed, animated and edited the video - and the result is a visually captivating experience.