Partners in crime, and life, face a fork in the road in Nick Bartleet's bank-robbing marital musical for Briitsh-Asian DJ and producer Naughty Boy.The video for The One heralds the long awaited return to music by the artist otherwise known as Shahid Kahn - and the return to videos by Nick Bartleet with a characteristically intriguing and dramatic narrative.In this case, the twist comes with the revealing of the identiy of the masked bank robbers who break out into dance routines whilst executing a bank heist. It's clear they will never be suspected of their crimes while the partnership is strong - but then internal tensions in a long-running relationship take a hand.

Days before this year's UK Music Video Awards, celebrating all the outstanding creativity that makes it an enduring and important artform, comes a video shows exactly why its still vibrant, why it must be cherished, as Nicolás Méndez introduces the next era of Rosalía. It's a brilliant and inspiring clash of the mundane and the surreal.The video for Berghain (the lead single from her highly anticipated new album Lux) features the Spanish singer moving through her normal day. And whilst cleaning and ironing in her apartment, walking along the street, and travelling on a bus, she is always shadowed and surrounded by a full orchestra.Méndez takes us into a world that is still recognisably Rosalîa - as expressed in numerous videos, including the classics he has directed for Malamente, TKN and more. But her new musical direction, with orchestra, elements of opera, the experimentation that sees her involve Bjork and Yves Tumor, has become the path to employ this wonderful device.In a way, its simple. Crucially, its beautifully executed, with peerless attention to detail, in terms of production and with the bare traces of a narrative, involving a piece of jewellry, which leads us back to explore it again and again.Meanwhile Méndez takes it to the next level. Returning home, as Bjork starts singing, Rosalia's apartment has become a Snow White-esque interior forest, with creatures. An elevation to full-on fantasy. There's humour, and playfulness - and like all good fairytales, a frisson of horror.Shot in Warsaw, CANADA's Nicolas Méndez makes us feel we are in the centre of old Europe, full of history and where a lot of magic is also possible. It's a beautiful way to introduce Rosalia's experimentation in classical music. Méndez is a master of this artform and he makes every frame significant. He has made a classic.

Jianbo slips between diferent realities in Charles Copsey's stylish and slick visual for None Of Us.In the latest in a series of impressive visuals for the London-based rapper, Jainbo plays three characters. The pivot is a victim of gangland torture who's mind splinters into fragments of his personality - a mean gangster and gambler and happy-go-lucky, blue-haired pop star.In his struggle to fight back against his captors, we get a glimpse of the kaleidoscopic identities and traits that together form the artist that is Jianbo. And the smart concept allows Copsey and his team to build a convincing world for the story, as environments are reconfigured to suit each character.

Amber Mark crashes her ex's wedding in Vegas in a Hangover-inspired anti-romcom fever dream by Olivia de Camps, delivered in her distinctive hyperactive style - featuring with cameos aplenty, including Amber's collaborator on the song, Anderson .Paak.The video for Don't Remind Me unwinds through a series of chaotic flashbacks as Amber is interrogated about the events of the night before. A storyline emerges, featuring surreal cameos - including 90s star Carmen Electra as the wedding minister - and other strange distractions that pull Amber deeper into the madness. Anderson .Paak wanders into this scenario to add another dimension of irreverence - while Amber looks unfeasibly sexy, and gives some airtime to the brand that has partnered on the making of the video. Like her previous video for Mexican star DANNA's Khe Calor, this is Olivia de Camps exercising her gift for taking a hugely bold approach in a commercial space, keeping things emotionally grounded while generating manic energy and fun - and giving the audience the pleasant task of unpacking everything that's happening.It's Olivia's genre-blending world where music and fashion collide - and for the length of the video we get to live in it. The video lives in that space between ridiculous and beautiful, the sweet spot where chaos makes sense.“Amber came in with this idea of a Hangover-style night, waking up and trying to piece together the night," she explains. "We wanted it to feel like a Vegas fever dream… bizarre, messy, a little too bright, surreal, and slightly unhinged."When [Amber] crashes her ex’s wedding to an older woman, it becomes this tender satire on heartbreak, that absurd loop of trying to move on and failing beautifully."Working with Amber and Anderson was magnetic. He’s pure rhythm and play. We built a gallery of wild personas for him - his iconic wigs, looks, even a bit of choreo. The whole video lives in that space between ridiculous and beautiful, the sweet spot where chaos somehow makes sense. Exactly the energy we wanted.”