Sam Spruell (Fargo, The Hurt Locker and The Gold) performs alongside actress Erza Sejdiu, bringing an expressive story to life through movement, in this cinematic collaboration between Dutch band Yīn Yīn and director Sharif Abd el Mawla.In the mysterious video for In Search Of Yang, Spruell falls to Earth, then maneouvres through the streets and buildings of Pristina in Kosova, eventually discovering his soulmate in the equally intense Sejdiu (the eponymous Yang) and finding release through dance. The film was shot by DoP Daan Bukman, whose camerawork grounds the story in texture and movement. The visual world was designed by Jose Tirado (The Beasts, Rosalía), with choreography by Mès Lesne (Morning Interlude, Core, Domons).Produced by Bonkers Unitied in partnership with new-land and serviced by Horizon-T in Kosovo, the video was shot on location in the streets of Pristina and inside the city's iconic Grand Hotel, where Sharif Abd el Mawla and his collaborators let rhythm, place, and performance converge in the search for Yang.

Michael Kearney's video for Glasgow-based indie outfit Declan Welsh & The Decadent West delivers a stark, socially charged visual statement exploring power, class and the breakdown of civility.The video for Feeble adopts a stripped-back, confrontational approach, using strong visual symbolism and controlled performances to mirror the track’s urgency and sense of moral tension.Purposeful and uncompromising, the video positions image and sound as a response to real-world crisis, reinforcing music’s ability to engage directly with the moment it exists within.

Joe Dixon directs an evocative black and white promo for Alexander Wolfe, his third and final visual for his album Everythinglessness.The video for the album's title track finds Wolfe in a studio environment, performing as textural projections spill over the walls and his body, offering visual context to the lyrics. Both cinematic and intimate, it is pure performance, also featuring dance work from the charismatic Malin Edmondson, who also featured in the video for The Toughening that kicked off this three-part collaboration between Wolfe and Dixon."The song is an intimate exploration of the pressures facing young men today, and it’s a story that resonates with my own experiences going to a pretty rough London state school." explains Dixon. "It was also written during a period of serious mental health struggle for Alex and although it is fictionalised, it traces his own recovery."Dixon adds that he has worked closely with Wolfe across the three videos. "Alex has been incredibly collaborative, and together we found a raw, unvarnished aesthetic that runs consistently through each video," he says."I’ve loved working so closely with Alex across these films, as well as on a series of short conversations with his close friend, the comedian Spencer Jones - which are well worth checking out."

Almost 45 years after the release of the original, The Specials' Ghost Town has been covered by Irish alternative folk outfit Lankum in spine-tingling fashion. Leonn Ward's hugely atmospheric video pays homage to the mood of this new version while also paying homage to the classic original video. Just as in the 1981 video for The Specials, this visual for Ghost Town finds the band performing in a car, eyes to camera as the environment shifts around them - in this case, it's rural Ireland. Shot by Robbie Ryan, with breathtaking landscape shots and powerful cutaways, it's a disarming visual that hits you right in the core. “The first time I heard the track it floored me - pure emotion and strength," Ward explains. "The fractured world we live in today is in plain sight."There’s a weight and uncertainty more than ever, in my lifetime anyway. So it was important to both myself and Lankum to create a piece of work that felt honest; one that didn’t shy away from vulnerability yet carried lightness and perseverance all at once without overpowering it."It’s not about despair, it’s about resilience. The track holds immense power and I wanted to echo that, creating something with a real sense of endurance and resistance, a reflection of how people try to hold on to meaning in a collapsing world."I centred the band in the car as a nod to the iconic original video. And there was something powerful about these two scenes together; the strength from the band performing in the car merged with the man’s solitary journey, they begin to speak to one another. And though they never meet, there’s a sense that they’re sending each other something; strength, endurance, hope.”