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Florence + The Machine returns and reunites with Autumn de Wilde, with the epic video for King - steeped in religious imagery and most poignantly filmed in Kyiv weeks before Ukraine was plunged into war.Florence Welch appears to a troubled young man (played by Jack Riddiford) as a floating vision in a purple shroud, in the manner of the Virgin Mary. From this gripping beginning,&nbsp;de Wilde allows an extraordinary set-piece to play out, with the help of choreographer Ryan Heffington and a visual effects department led by Denis Reva.Florence is joined by her female followers within the grounds of a half-built building, and she and her disciplines eventually, breathtakingly, take to the air, reflecting the characteristically Florence-like nature of the song, striving for a higher,&nbsp;transcendent level.[imgtoken data:1]It's the second time Autumn de Wilde has worked with Florence + The Machine, following the UKMVA-winning video for <a href="https://www.promonews.tv/videos/2018/06/22/florence-machine-big-god-autumn-de-wilde/53767" target="_blank">Big God</a>. This shares the exquisitely composed quality of that video, on a more ambitious scale, and also that strong sense of female solidarity&nbsp;between Florence and a group of dancers who become personalities in themselves once they arrive on screen.&nbsp;A powerful video. But now&nbsp;many of the people involved in making the video, from the production company Radioaktive and other freelance film crew, are&nbsp;now fighting for the survival of their country, and their lives. A truly terrifying thought. Our prayers are with them and their fellow citizens.

United Kingdom

Autumn de Wilde

Ryan Heffington

Kate Mulleavy & Laura Mulleavy of Rodarte

Eric Stern

Juliet Naylor

Jamie Feliu-torres

Miky Wolf

Denis Reva

Company 3

Jean-Clement Soret

Yoomin Lee

Anonymous Content

Peter Aluuan

Fiona Hicks

Odile Gilbert

Sarah Reygate

Final Cut

Radioaktive Film

Kate Galytska

Serafima Kutsenko

Yura Galitskiy

Alina Yatsyk

Vladimir Radlinskiy

Florence + The Machine 'King' by Autumn de Wilde

Florence + The Machine - King

Lewis Knaggs and Rob Sinclair collaborate&nbsp;with MØ on the turbulent visual&nbsp;for&nbsp;new single Goosebumps.&nbsp;"The idea was to shoot a video in the aftermath of a live show, once the crowd has left the venue," say the directors.&nbsp;"This post-gig no-mans-land is where we wanted it to be set - where the stories and memories of the night could come back to life."The concert footage&nbsp;was filmed the night before at Den Grå Hal in Copenhagen, and perfectly captures the heightened, feverish energy of a live crowd. MØ's haunting&nbsp;performance in the aftermath hints at an almost supernatural experience, which adds an enigmatic layer to the concept.&nbsp;

Rob Sinclair

Lewis Knaggs

Lucy Abraham

Wilkie Wilkinson

LSK Productions

Sinclair Wilkinson

Kasper Andersen

Natalia Syrik

Dominic Phipps

Kai Newton

Monarch Artists

Sony Music

Sebastian Stigsby

MØ 'Goosebumps' by Lewis Knaggs & Rob Sinclair 

MØ - Goosebumps (Official Video)

Luke Seomore and&nbsp;Joseph Bull focus on gentle moments of connection in their new film for Blessed Are The Hearts That Bend - a follow-up to their film last year featuring the ambient band's track Palace.&nbsp;Unfolding over one day, the video explores a multitude of lives across the capital, revealing unseen and hidden moments of introspection and connection.A visual representation of devotion, this is a celebration of daily life in all its messy&nbsp;humanity. Presented in cinematic, painterly vignettes - once again shot by Luke and Joseph's longtime collaborator David Procter -&nbsp;every frame is emotional and beautifully composed, elevating the theme of the concept.&nbsp;

Luke Seomore &amp; Joseph Bull

Adam Farley

UNIT9 Films

Adam Dolman

David Procter

Chris Rogers

Norbert Varjasi

Dennis Mabry

Steffan Perry

Chris Anthony

Kharmel Cochrane

Instrumental

Blessed Are The Hearts That Bend 'Cactus' by Luke Seomore & Joseph Bull

Blessed-Are-The-Hearts-That-Bend-'Cactus'-by-Luke-And-Joseph

Guido Gallo Fabris directs a playful one-shot video for Macy Gray&nbsp;&amp; The California Jet Club.The video is a&nbsp;captivating exposé&nbsp;which&nbsp;depicts the importance of love and community, as the unmistakeable Macy Gray and the band members finally reunite for a studio session, after months spent in lockdown, to perform Thinking Of You.Taking inspiration from iconic videos such as Weezer's Island In The Sun, the visual has an overarchingly captivating aesthetic, with just a touch of something unusual and abstract, as we hear Fabris's voice directing the performers before the song takes over.Completely immersed in their performances, Macy and the band eminate a sense of communal energy and passion, and it's a beautiful way to reintroduce the musicians to the public.&nbsp;

United States

Guido Gallo Fabris

Caroline Khouri

Chokolate Llc

Macy Gray

Arushi Garg

Lucas Preti

Noah Berlow

Alfredo Peralta (lighting Designer)

Linda Stokes

Richard Grant

Hyewon Ahn

Beau Leon

Andrew Mcklintock

Paolo Colagrossi

Moonslice Records

Larry Frazin

Charyn Harris

Angela Bures

Jared Lee Gosselin

Soul

Macy Gray & The California Jet Club 'Thinking Of You' by Guido Gallo Fabris

Macy-Gray-&-The-California-Jet-Club-'Thinking-Of-You'-by-Guido-Gallo-Fabris

Anne Marie and Little Mix celebrate in style, in the epic video for Kiss My (Uh-Oh), directed by Hannah Lux Davis.&nbsp;There’s a lot of fun to be had, as the&nbsp;gang travel on a party plane, do shots, dress up in wedding attire and get serenaded by a group of strippers.&nbsp;Shot whilst Leigh-Anne and Perrie were pregnant, the group are split between the hotel room and the club, and it leads to a series of hilarious events.&nbsp;Bold, vibrant and action-packed,&nbsp;this has Hannah Lux Davis' glossy trademark style written all over it, and proves why she is one of the most in-demand music video directors of this generation.&nbsp;

Hannah Lux Davis

COMPULSORY

London Alley

Kiran Mandla

Brandon Bonfiglio

Luga Podesta

Andrew Lerios

Dan Curwin

Kim Jarrett

Joseph J Goldman

Steve Wingrove

Ben Keswick

Joe Mulvihill

Carlos Veron

Hugo Holford

Tilly Gerard

Hoody Fx

Cal Laird

Ivan Ovalle

Tanner Jackson

Steve Cameron

Beaumont Pritchard-James

Ollie Hogan

James Middleton

Neil McCarrick

Dani Vitale

Lane Casting

Hannah Ashby Ward

Holly Shearn

Anne Marie x Little Mix 'Kiss My (Uh-Oh)' by Hannah Lux Davis 

Anne-Marie & Little Mix - Kiss My (Uh Oh) [Official Video]

A compelling tale of transgression&nbsp;and obsession for DJ-producer David Lindmer by DRUST - aka Tristan Hefele.It begins with a young man aiming to confront a couple in a club - and then spinning back to his past, as a troubled kid and psychiatric patient who falls for his doctor, who cannot resist her urge to&nbsp;reciprocate. A steamy affair begins...DRUST's skilled direction of the sex and drug-fuelled narrative, and his excellent lead actors, sets the tone for the climax&nbsp;of the video, when&nbsp;the young man confronts the doctor and her partner. By this point, anything&nbsp;is possible and something unexpected certainly happens.[imgtoken data:1]"The starting point for the Omen video was to explore the theme of ‘doomed relationships’ and witness the nuanced moments where things take a wrong turn," explains Tristan Hefele, aka DRUST."Bringing emotion to the forefront of the viewers’ experience was key to the storytelling and a big part of the reason why the track was so great to work on."David was a fantastic artist to engage with because of his openness to the collaborative effort of the whole piece. Early on we decided that the images shouldn’t feel like they’d just been tacked onto the track, but that there should be a reciprocal process, where the pictures enhance the music and vice versa. The feeling of both being fully bedded together was of primary importance to us."

DRUST

Barney Gee

Monastery

Marti Guiver

Dominika Besinka

Nick Brown

Matt Nolan

Tom Jacobs

Issy Martin

Evan Williams

Jay Gomez

Nicholas Martin Dunn

David Lindmer ft Johanson 'Omen' by DRUST

David-Lindmer-Feat.-Johanson-'Omen'-by-Drust

Pedro Takahashi directs a&nbsp;disorientating trip through Chubby and the Gang’s world, in the promo for Coming Up Tough.&nbsp;The punchy performance video lives up to its title, charging ahead at breakneck speed with energetic transitions and intimidating wide angle shots of the band, reflecting the concept's focus on rebellious youth.&nbsp;Unapologetic and daring, the visual is riotous fun, and harks back to early punk videos, albeit with a more polished, contemporary aesthetic.[imgtoken data:1]&nbsp;

Pedro Takahashi

Natalie Roloff

Somesuch

André Reid

Luke C. Harper

Joe Edwards

Partisan Records

Dan Huntley

Jonny Boomer

Shay Khelifa

Eloise Grohs

Punk

Pub Rock

Chubby And The Gang 'Coming Up Tough' by Pedro Takahashi

Chubby-And-The-Gang-'Coming-Up-Tough'-by-Pedro-Takahashi

Greg Hackett directs a neon-lit, conceptual fantasy for Sad Night Dynamite.&nbsp;The video opens with the duo traversing the city in a white limo - a repeating&nbsp;metaphor from previous visuals - as a night of fun soon spirals out of control, leading them to an unplanned destination.&nbsp;Adric Watson's cinematography combines artificial lighting with unfamiliar angles and composition, creating an elevated yet garish aesthetic. And that is perfectly suited to the abstract concept.&nbsp;

Greg Hackett

Tom Birmingham

Spindle

Stitch Richardson

Jack Filtness

Philips Nortey

Adric Watson

Jon England

Josh Tilley

Jakob Gierse

Suzie Walsh

Lauren Webster

Poppy France

Tim Swaby

Simon Bourne

No.8

Mouthpiece

Sam Seager

Parlophone

Cinelab Film and Digital

Experimental

Sad Night Dynamite 'Krunk' by Greg Hackett

Sad-Night-Dynamite-'Krunk'-by-Greg-Hackett

Luke Seomore and Joseph Bull's film to accompany 'post-rock' outfit Blessed Are The Heart That Bend's track Palace, follows a young paramedic as he leaves hospital after his shift, and then experiences a rollercoaster of emotions.&nbsp;Rising actor Daniel Ward gives a moving performance as the paramedic who struggles with post-shift fallout as he walks the streets of London, occasionally encountering the characters on the streets at night, but mainly struggling with the impact of his job: the vestiges of adrenaline, the memories, the cathartic release.&nbsp;Filmed around the streets and edglands of East London at night, captured in luminous cinematography by DoP David Procter, this is an insightful study of the psychological impact upon&nbsp;health service workers at times of crisis. It could hardly be more timely, this year of all years.&nbsp;

Unit9

Mark Couzens

Ben Stell

Daniel Ward

Casarotto

Ambient

Post-rock

Blessed Are The Hearts That Bend 'Palace' by Luke Seomore & Joseph Bull

Blessed-Are-The-Hearts-That-Bend-'Palace'-by-Luke-&-Joseph

Thomas Davis directs NOISY's latest video for Where's Your Head?, shot during lockdown in the band's hometown of Worthing.&nbsp;Captured on 16mm Kodak film and Super 8mm, Davis and DoP&nbsp;Luke C Harper were the only crew during filming, lending an experimental, guerilla-style approach to the shooting.&nbsp;Spanning outdoor sports areas, corner shop interiors and a trip around the Worthing FC grounds, the group pay homage to their roots whilst showcasing a newfound confidence and sense of showmanship.&nbsp;Intimate yet hyperactive, this is another great collab between the group and Davis, after the visuals for <a href="https://www.promonews.tv/videos/2020/02/06/noisy-bring-drums-back-thomas-davis/63136">Bring The Drums Back</a> and <a href="https://www.promonews.tv/videos/2020/04/01/noisy-oi-atm-thomas-james-davis-noisy/64094">Oi (ATM)</a> earlier this year.&nbsp;

Thomas Davis

Luke C Harper

Dom Phipps

Island Records

alternate pop

NOISY 'Where’s Your Head?' by Thomas Davis

NOISY - Where’s Your Head?

Jacob Anderson's latest outing as musical alter ego&nbsp;Raleigh Ritchie has prompted this thought-provoking&nbsp;video for new track Aristocrats, directed by Anderson himself.&nbsp;It is a family portrait through British history, that switches through different time periods through appropriate costumes,&nbsp;from the times of the Crusades, to Victorian times and the 1960s. But in Aristocrats, this great British family are black, as Anderson laments the one-sided teaching of British history, switching out the&nbsp;overwhelmingly white British aristocracy with a more diverse set of characters.Switching between periods, the barriers between the periods begin to break down.&nbsp;As the camera draws closer to Raleigh,&nbsp;these scenes become more confused and&nbsp;mixed up&nbsp;- a manifestation&nbsp;of the artist's frustration at being served up a skewed version of history.Through motion control,&nbsp;DoP&nbsp;Joel Honeywell&nbsp;utilises simple tracking shots to bring the focus to the characters and costumes, punctuated by exaggerated closeups as the concepts builds towards its frenetic and haunting climax. Editor&nbsp;Jo Lewandowska cleverly intercuts the different setups to create seamless transitions, with the switch-up in pace in the final few moments a genius balance of tension and emotion.&nbsp;

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