In his latest outing for rapper YT, Lauzza create a fab retro arcade game-inspired promo for the track Prada & Celine. Building on the success of their recent collaborations, the video kicks off with YT stepping up to a Dance Machine in an arcade with a friend. In a seamless blend of reality and arcade fantasy, they find themselves in the game itself, becoming pixel-perfect backup dancers, before the game then exports out to 'real life'.With a nostalgic aesthetic, playful choreography and an infectious sense of fun we're in the territory in which Lauzza excels - and he does it again here. The video has a distinctive lo-fi video feel, harking back to PS1 dance games, infused with bouncy VFX and grungy textures, and witty nods to classic graphics. A thrilling visual with plenty of fun moments.

Martyn Thomas draws the emotion from stripped-back 80s TV style performance by Holly Walker via lo-fi analogue visual effects. The video for Unsung features a wistful performance from the artist, captured through crafted, drawn-out shots. Thomas then adds distortion, glitches and colour saturation to the footage, a new take on vintage TV in-camera FX. "Throughout the whole creative process I was able to work really closely with Holly," says Thomas. "Having that collaboration with the artist, exploring ideas and ultimately defining the visual story we wanted to tell is essential to me."We established early on that we wanted to continue the lo-fi analog aesthetic we developed in our last project together. For Unsung I wanted to use video distortion to suggest the blurred, hazy nature of memory and nostalgia."We went deep on video refs from the 1970s and '80s. Madonna's Live To Tell intro inspired the opening shot; Blondie's (I'm Always Touched By Your) Presence, Dear, played a part in styling; the performance tone was The Carpenters' Superstar; even a scene from Dirty Dancing."Post production got really experimental, coaxing this idea of diffused memory into an almost physical form was a lot of fun. Manipulating the images in real time with circuit bent hardware like a Tachyons+ Vortex or a random kit from the internet, dubbing to VHS and filming an old CRT TV."There is a lack of control with analog glitching, so a lot of happy mistakes occurred - and now I have all this weird equipment in my studio."

Troy Roscoe directs a visual spectacle for Burna Boy, with a clear nod to the great American hip-hop videos of the '90s.The video for Sittin' On Top Of The World balances innovative techniques and filmmaking flair with real charm and star quality and one that perfectly captures the spirit of a bygone era, with the glossiness of contemporary music video aesthetics. it's another brilliant piece of work by Roscoe, in an upwards trajectory of great videos - anchored by a great central performance by Burna Boy."Drawing inspiration from the music videos of that golden era, we infused the video with lowriders, red cups, wide lenses, and a vibrant yet grainy grade - creating an iconic masterpiece with a touch of surrealism for a modern twist," explains Roscoe. "Burna's natural electric and charismatic presence on camera made filming a breeze, allowing us to capture each scene effortlessly and shoot the abundance of scenes in just a few hours."The styling played a pivotal role in shaping the video's outcome, as we aimed to capture the essence of the 90s with baggy jeans and vibrant ensembles reminiscent of that iconic era - so the stylist Annum deserves a honourable mention for her solid efforts."