Billy King directs a darkly comedic promo for Sasha Keable, who is going to extraordinary lengths to not feel numb any more. The video for Feel Something features Sasha performing from inside her overturned car following an accident. Billy King - who recently signed to CANADA for music videos and branded content - gives this catastrophic scenario another playful twist.Not only covered in cuts and bruises, Sasha may not have made it through the accident alive. No wonder she would like to feel something... With surreal doppelgangers, abstract backdrop vignettes and a tongue-in-cheek approach, it's a visual feast that places Keable front and centre, and is very effective indeed.

Polish director Grajper directs a very cool, clever and weirdly gripping video for Liverpool indie-rock band Stone, featuring two versions of frontman Fin Power.In the promo for Queen - the director's first UK video - Grajper presents a concept of the Stone vocalist and his döppelgänger hanging out, doing weights, letting time pass as they go through an everyday routine. It is filmed in a naturalistic, candid way on film, with great camerawork and unforced performances, so the conceit is entirely seamless. Unfeasibly real, in fact. Looking great, with fine cinematography by Louis Evennou, and skirting that line between everyday reality and the uncanny, whilst also retaining the energetic charm of previous Stone videos - like the UKMVA-winning video for Left Right Forward - makes this video a really impressive achievement.

Anne-Sofie Lindgaard reveals the yin and yang of Orla Gartland in all its messy glory in a charmingly eccentric video for Little Chaos.Lindgaard draws us into a domestic space where the Irish singer-songwriter - dressed in red - sits on a bed aware of another presence in the house. Cut to Gartland, in blue, busily destroying the multiple notes with 'I'm Your Girl' written on them (by her red-garbed döppelgänger), by any means at her disposal.in her first video since joining DOGEATDOG, Lindgaard has created an effective visual metaphor for the confusion, frustration and 'chaos' expressed in the song about Gartland's struggles with different sides of her character. It's smartly executed within modest means, through Jed Darlington-Roberts' cinematography, art direction by Greg McLaren, styling by Francesca Russo, a great edit by Geri Docherty, and by Orla Gartland's punchy performance of her dual personalities.And it highlights Lindgaard's talent for offbeat but impactful storytelling. It offers a premise for the audience which keeps us guessing, wanting to know more, and draws us back for a further look.