Label

Parlophone

Jake Erland and Ella Kenny direct a sweet and sunny&nbsp;promo for&nbsp;Rachel Chinouriri.&nbsp;Shot in LA, the video has a spontaneous home-video vibe, and features the artist posing in front of various sun-soaked backdrops, whilst enjoying a laidback trip through various locations.&nbsp;The lo-fi cinematic aesthetic feels nostalgic and celebratory, and focuses purely on performance and the beautiful setting.&nbsp;

United Kingdom

Shannen Ward

Jake Erland

Ella Kenny

OB Management

Olivia West

Dan Bassett

Katie Dymmock

Soul

Rachel Chinouriri 'All I Ever Asked' by Jake Erland, Ella Kenny

Rachel Chinouriri - All I Ever Asked (Official Music Video)

Claire Arnold's latest video for Ashnikko&nbsp;depicts Ash in three paradisiacal settings while they perform to camera.“I wrote this song pre-pandemic when I was on vacation," Ashnikko has said about&nbsp;Panic Attacks In Paradise. "I had been working really hard, just going going going... When I actually stopped to be with myself and be still, I didn’t know what to do. I was having really horrible mental health problems and I ruined my vacation for myself; so I quite literally had a panic attack in paradise.”

Claire Arnold

Ben Pengilly

Ground Work

Aaron Z. Willson

Anna Butler

Elicia Lotherington

Stefan Yap

Devan Clarke-Sheward

Dan Howe

Massimo Filippi

Ellie Koslowsky

Finn Sullivan

Holly Wood

Claire Moore

John Allan

Georgia Olive

Tom Chick

Adam Clarke

Fatima Ouklilane

Butterscotch Post

Sam Seager

Warner Music

Jake Whitehouse

Ashnikko 'Panic Attacks In Paradise' by Claire Arnold

Ashnikko-'Panic-Attacks-In-Paradise'-by-Claire-Arnold

Jamie Whitby takes on a trip to the Psychedelic Views Hotel in his video for Sad Night Dynamite - a hallucinatory POV journey, where logic falters and goats roam free...Whitby references previous SND videos - the ones where they roam around in a stretch limo - and brings a strangeness to proceedings through clever use of visual effects and animation, to enhance the woozy, sleazy atmosphere.

Jamie Whitby

George Telfer

Agile Films

Sana Khan

Precious Mahaga

Kevin Cheung

Ty Hack

Jamie Harding

Karl Hui

Nina Mangold

Jorge Higgins

Jabez Bartlett

Suzie Walsh

Lauren Webster

James Bradley

Alex Gregory

No.8

Agile Studio

Ellen Wilson

Kit Falck

Sad Night Dynamite 'Psychedelic Views' by Jamie Whitby

Sad-Night-Dynamite--'Psychedelic-Views--'-by-Jamie-Whitby

Sekou Abineri directs a stylish visual to accompany Rachel Chinouriri's collaboration with Hak Baker on the wistful November.As Chinouriri's emotive lyrics capture the&nbsp;intense memories and nostalgic nature of the track, Abineri's video does a great job in presenting the personalities of the performers and the sense of ease and friendship between them, within beautifully art directed settings.[imgtoken data:1]An&nbsp;empty swimming pool is one of the locations that help to create an aspirational sensibility to frame both the individual and joint performances. These are mainly focussed on the glamourous Chinouriri, but also give Baker his moment in the spotlight, to present a more pop-friendly image than previously.It all works well with the dreamy soundscapes of the track, Chinouriri's&nbsp;sultry and delicate vocals, and&nbsp;the yearning nature of the lyrics.

Sekou Abineri

Charlie Scannell

Partizan Darkroom

Mayling Wong

Paolo De Battista

Terrence Wilkins

Luke John

Harrison Newman

Louis Simonon

Naomi Barling

Amrita Mudan

Joseph Taylor

Nigel Tadyanehondo

B.art

Claire Stubbs @ Mouthpiece

Rachel Chinouriri ft Hak Baker 'November' by Sekou Abineri

Rachel-Chinouriri-Ft-Hak-Baker-'November'-by-Sekou-Abineri

Co-directors and Rascal Post owners Markus Lundqvist and Gareth Brannan build fantasy worlds around Swedish producer/singer A7S and his female counterpart in the VFX-fired blockbuster for Nirvana.Lundqvist and Brannan create an enigmatic tension between the pair - as she traverses a hostile landscape and a city that is collapsing upon itself - harnessing the animation and grading talents in Rascal's bases in Stockholm and London, and across the globe.[imgtoken data:1]

Markus Lundqvist

Gareth Brannan

Carl Linder

Rascal Post

James Beck

Katarina Tjernstrom

Robin Falck Loven

Fredrik Bäckar

Christian Norman

Joel Brunskog

Peter Övgård

Ola Martensson

Anton Marrtini

Johanna Norlander

Rich Woolway

Homespun

Dan Levy

2d : Richard De Carteret, Brad Wood,  Gareth Brannan,   Markus Lundqvist,  Unreal :  Russel Tickner, Gatis Kurzemniesk

Alma Helgesson

Dance

A7S 'Nirvana' by Markus Lundqvist & Gareth Brannan

A7s-'Nirvana'-by-Markus-Lundqvist-&-Gareth-Brannan

Greg Hackett directs a neon-lit, conceptual fantasy for Sad Night Dynamite.&nbsp;The video opens with the duo traversing the city in a white limo - a repeating&nbsp;metaphor from previous visuals - as a night of fun soon spirals out of control, leading them to an unplanned destination.&nbsp;Adric Watson's cinematography combines artificial lighting with unfamiliar angles and composition, creating an elevated yet garish aesthetic. And that is perfectly suited to the abstract concept.&nbsp;

Greg Hackett

Tom Birmingham

Spindle

Stitch Richardson

Jack Filtness

Philips Nortey

Adric Watson

Jon England

Josh Tilley

Jakob Gierse

Poppy France

Tim Swaby

Simon Bourne

Framestore

Mouthpiece

Cinelab Film and Digital

Experimental

Sad Night Dynamite 'Krunk' by Greg Hackett

Sad-Night-Dynamite-'Krunk'-by-Greg-Hackett

Tinie Tempah, Yxng Bane and Poundz team up with rising star Ivorian Doll to create a track that leaves us all wishing for more - and a steamy video directed by Kevin Hudson.The explosive chemistry between the up-and-coming female artist and Disturbing London’s biggest names is brought to the fore in this vibrant, fun and polished video.Taking the song’s title to the max, the theme of water is creatively explored in a new way for each of the artists’ verses. Whether it’s fish, flooded rooms or fizzing champagne, this promo overflows with energy.

Kevin Hudson

Melissa Massey

Yellow Fish Group Limited

Luke Biggins

Talor Hanson

Luke Goodrich

Daniel Deighton

Nicholas Di Matteo

Leopold Naessens

Lottie Toon

Nayaab Tania

Keisha Moore

Esther Edeme

Jon Dobson

Wash

Grime

Ivorian Doll, Tinie Tempah, Yxng Bane, Poundz 'Drip' by Kevin Hudson

Ivorian-Doll,-Tinie-Tempah,-Yxng-Bane-X-Poundz-'Drip'-by-Kevin-Hudson

Milo Blake ponders upon the duality of our minds, in his promo for&nbsp;Rachel Chinouriri's Darker Place.&nbsp;Opening with a high-angle shot of the artist adorned in&nbsp;striking emerald and baby pink fabric, the visual sinks into a fascinating surrealist vision, carrying the colour schemes over to two dichotomic set pieces.&nbsp;It's a beautiful piece of work, with showstopping cinematography from&nbsp;Alex Denning, who gives each setup its own distinctive look and feel, and some killer choreography.&nbsp;

Milo Blake

Jordi Estapé

EM Films

Liam Wallace Cook

Alex Denning 

Ethan Lodge

Joe Vickerstaff 

Jimmy Van Twest 

Evanne Alarnah

Charlie France

Lena Turnier

Halo Post

Patrick Finn

Alternative

Indie

Rachel Chinouriri 'Darker Place' by Milo Blake

Rachel-Chinouriri--'Darker-Place-'-by-Milo-Blake

A woman thrashes out her painful memories in Joshua Thornton-Allan's video for singer-songwriter Jack Curley.The visual for I'm Here For You depicts a heartbroken woman trapped in her head, screaming at nothingness and trying her best to move on with life. Intercut with Jack's performance, she backtracks over snapshots of love and loss.But finally, she finds the power to take back control - with a magnificent moment of catharsis.

Josh Thornton-Allan

Jake Parker

Guido Cavaciuti

Joe Edwards

Chloe Rose

Chris Walker

Marshall St Editors

Andi Chu

Electric Theatre Collective

Zoe Wheeler @ Eureka Productions

Marta Lune

Jack Curley 'I'm Here For You' by Joshua Thornton-Allan

Jack-Curley-'I'm-Here-For-You'-by-Joshua-Thornton-allan

Aella Jordan-Edge puts new indie-pop combo The Snuts through their paces in the video for Elephants, culminating in a suitably mammoth challenge.In this TV gameshow-cum-videogame scenario, the bandmembers progress through the rounds, from group dance routines to solo moves, and then the big one: the bucking elephant.No, that's not a misprint. The production's piece de resistance is the elephanine&nbsp;makeover of a mechanical bull. Created by production designer Lucy Cooper to be a delightful patchwork-made creature it indeed has true elephant-like qualities: very loveable, but no man can match its power.As Jordan-Edge and producer Lily Ashton explain below, this was achieved under the strict guidelines for post-lockdown shooting, which created its own set of previously unknown challenges. They have done a great job in the circumstances.&nbsp;&nbsp;[imgtoken data:1]AELLA JORDAN-EDGE:"Let’s be honest, the almost comically cheery nature of this project was just what we all needed after months of hibernation,&nbsp; confusion and anxiety. The Snuts were absolutely lovely to work with, one of the most hard-working and dedicated bands I’ve had the pleasure to make a music video for. Never having danced before they put their all into the dance routine created by amazing duo KZ Creatives (Nat and Kane). I was super impressed!"One of the funniest ways lockdown restrictions affected the shoot was watching the band rehearse the choreography via zoom. Nat and Kane were having to teach them this intricate dance routine while they jiggled, pointed and side stepped in their kitchens and living rooms."So my first shoot in a post-Covid world, wasn’t without the additional stresses and strains of factoring in all the extra health and safety: social distancing;&nbsp;Tier 1 and Tier 2 PPE;&nbsp;a one way system to move around in the studio;&nbsp;all food in self contained boxes, staggered meal times...&nbsp; The whole studio smelled of hand sanitiser and the presence of a Covid officer who took everyone’s temperature every few hours and swapped out our masks for new ones meant we couldn’t forget that it wasn’t “all back to normal”. However I was surprised how quickly we all adapted. Soon it just felt like another factor among many we already had to contend with. It’s amazing how over emphasising with your eyebrows over the top of a mask, or ducking out of the way when someone comes too near becomes normal. We all just get on with it. The show must go on![imgtoken data:2]<blockquote>I don’t think I fully knew if the elephant was going to absolutely 100% work&nbsp;until I saw the first crash zoom.</blockquote>"Overall it felt like we’d done our absolute best to keep everyone as safe and healthy as possible during the shoot and I’m super-grateful to Charlie (1st AD) and Lily (producer) for implementing it all with such grace and charm."Ah yes, now we come to the elephant. The idea of a mechanical bull re-upholstered as an elephant was originally conceived by lead singer Jack. I ran with the idea and turned it into a Sesame Street-cum-Muppets-cum-Elmer the Patchwork Elephant creature. Then production designer Lucy Cooper designed and hand-built the most beautiful beast, and what we liked to refer to as the “Elephantasy”. I don’t think I fully knew if the elephant was going to absolutely 100% work until I saw the first crash zoom Nathalie (DP) did with all the lights and set behind it… and I was like YES. IT F**KING WORKS! It was a crazy idea and it not only worked, it totally stole the show."Later, in between takes when bassist Callum was doing some BTS videos he referred to it as Patricia, so that’s what it’s now called! The boys took her home with them so I’m hoping we will see more of Patricia in the future! Fingers crossed her journey isn’t over and she’ll have a long life ahead of her to entertain, buck and spin her googly eyes to her hairy hearts content."[imgtoken data:3]LILY ASHTON:"Our goal was to make sure we didn’t compromise on creative or safety; but instead work in a smart way to ensure that the elephantasy could come to life within the new normal of post-pandemic filming. Aella’s treatment provided a great starting point; creating a wonderfully bonkers ‘world’ without relying on complicated sets or locations, and focusing on the performance and personality of the band, instead of using additional talent."We were very lucky to work closely with Maryland Studios to create a safe working environment for all crew using the APA Covid-19 Guidelines as a basis for our plans, as well as responding to the specific needs of the space. These plans included one-way-systems to prevent pinch points, temperature checks on arrival &amp; a great deal of anti-bac! We also worked to reduced crew numbers, which allowed us to socially distance within the space.[imgtoken data:4]<blockquote>Plans included one-way-systems to prevent pinch points,&nbsp;temperature checks on arrival &amp; a great deal of anti-bac!</blockquote>"Every department had to adapt to these reduced numbers and new practices; from our DP, Nathalie Pitters, using in-camera effects instead of practical special effects, to our choreography team, KZ Creative, conducting remote zoom rehearsals. We were lucky to work with a super smart team who threw themselves into all of the challenges and found clever solutions which allowed us to work safely without compromising the creative."In some ways it feels like a lot has changed, but in the end the success of the shoot lay, as ever, in a clear creative goal, good communication between different departments &amp; a pinch of common sense!"&nbsp;

Aella Jordan-Edge

Lily Ashton

Tonic

Alan Traquair

Charlie Killick

Nathalie Pitters

Jerry Prandon

Sasha Imani

Hélio Ribeiro

Lucy Cooper

Bo Dube

Robyn Rowan

Carrie Sutton

Liv West

Nat Zangi

Kane Klendjian

Maryland Studios

Meg Thorne

Cut+Run

Megan Lee

The Mill

The Snuts 'Elephants' by Aella Jordan-Edge

The-Snuts-'Elephants'-by-Aella-Jordan-edge

Will Hooper applies his trademark offbeat surrealism to Sad Night Dynamite's new visual for Spending Money.&nbsp;Having turned Declan&nbsp;McKenna into a glitchy Sims character in&nbsp;<a href="https://www.promonews.tv/videos/2020/01/31/declan-mckenna-beautiful-faces-will-hooper/63032">Beautiful Faces</a>,&nbsp;Hooper turns his creative eye to hypermasculine womaniser and poker player Dan Bilzerian.&nbsp;Stuck on an endless loop format most often found in the weird, meme-heavy corners of YouTube, the video shows a computer-animated Bilzerian crying as he eats cake. For three hours.&nbsp;It's daft yet absolutely brilliant, falling somewhere between a simulation and a rudimentary pre-vis storyboard - and most importantly, it works really well with the track too.

Will Hooper

Sad Night Dynamite 'Spending Money' by Will Hooper

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