A sea of disembodied hands grapple with Kesha's face, in Vincent Haycock's striking visualiser for Eat The Acid. The comeback hit is taken from upcoming album Gag Order, and comes equipped with an organic yet entirely surreal one-shot visual, with fingers sliding over the artist's face and inside her mouth, eventually trapping her in a tight link of flesh. The uncomfortable, claustrophobic nature of the video reflects the haunting soundscapes in the track, and makes for a staggering video, which teases a strong concept for the new album.

Adam Smith and Marcus Lyall, collectively known as Smith & Lyall, have unveiled a captivating new visualizer for the latest single No Reason by The Chemical Brothers.With a longstanding collaboration spanning over 25 years, the duo has been instrumental in crafting the live shows and has contributed to various aspects such as stage design, lighting design, and filmmaking. Once again, Smith & Lyall were summoned to bring their distinctive vision to the project.The video for No Reason features a set of hyper-vibrant characters who march and move in an abdurdist way, multiplied into a hypnotic pattern on-screen.Smith and Lyall's inspiration for this visualizer - dubbed the Neon Marching Band Video - draws from multiple sources, including the rhythmic drum rolls reminiscent of military style, the iconic musical film Sweet Charity, the comedic absurdity of Monty Python's 'Ministry of Silly Walks', and the dynamic movements of David Byrne in early Talking Heads music videos.

Amitybloc direct a creative visualiser for Lo5ive's Fahrenheit, cleverly shot in a London nightclub. Under coruscating lights on a packed dancefloor, we follow a model through the night from behind, via a Snorricam setup. "The brief was just a track visualiser, but no one watches those and you can't post it on instagram and hope anyone cares," say Amitybloc. "So we pitched an idea that was a bit better as an introduction for an new artist."(Hair designer) Rooibos shaved the head of a model then dyed a new Lo5ive logo to back of it. We took photos and made the artwork. Later that night, we shot the video. A snorricam set up was fixed to the model, the camera fixed to the back of his head, pointed at the logo. We filmed his experience in the club from this perspective."Most people didn't notice despite the massive bright light. Those that did probably just thought someone was doing a stupid TikTok idea. They were half correct. People who were a bit for intoxitated graviated towards the camera, you can see some fun reactions from them too."

Nicolee Tsin directs a breezy performance visual for Eloise's Enough. A fixed, high-angle camera captures Eloise across several pastel-hued studio setups, as she sings and moves in a mesmerisingly understated manner. The use of shaped lighting adds an extra sense of texture and depth to the concept, creating an alluring aesthetic fit for the pages of a fashion magazine.