Experience the dizzying emotions of a night out in directing duo MILTON's dazzling promo for Sorry. The video for Let The Lights On sees the two vocalists of the group letting loose within different settings, whilst backgrounds distort, glitch and get superimposed in unique ways. "We wanted create an intimate connection with the audience, utilising a Snorricam and direct eye contact," MILTON explain. "Lighting choices were used to morphically illustrate those feelings."

A man experiences time slips as an elusive woman pops in and out of his vision, in Jay Walker's mesmerising promo for Diplo and Sonny Fodera. Playing with themes of sanity, time and the very fabric of reality itself, the video moves at a breakneck speed, as the protagonist tries his best to maintain a sense of normality. DoP Anna Smoroňová uses lasers and strobing light effects to match the frenzied energy of the concept, and intermixes static establishing shots with handheld camerawork and subtle Snorricam footage to reflect the abstract vision.

It's all a matter of perspective in Hannah Berry George's latest promo for Baby Queen. Shot across three different formats - on Alexa, DV cam and Snorricam - with Bella Latham (aka BQ) and friends on location in a deserted Margate - the video for Raw Thoughts meditates on expectation versus reality, and the twists and turns of everyday life. It's a dynamic, spirited visual, mirroring the highs and lows of the track, and elevated by DoP Kia Fern Little's multifaceted cinematography.

Director Kris R visualises a wild, hazy night with severe consequences, in the video for Aquilo's Moving On. Featuring actor Nathan Welsh, the video uses clever cinematography - with excellent use of the SnorriCam - to take viewers along for the ride, focused on every facial expression and emotion as the events unfold on screen. Though minimalist in its execution, the visual has an exciting and dynamic style, which is anchored by an incredibly realistic performance from Welsh, and a handful of situations that we have all no doubt experienced on our more drunken nights.

Kodaline vocalist Steve Garrigan shows life through his perspective, in Mike Baldwin's intimate and canny video for Sometimes. Utilising a SnorriCam rig, the camera is focused on Garrigan's face throughout his daily routine, from band practice, drinks in a crowded bar, a walk on London streets, and including the inevitable lower moments that we all suffer from. The focus on his face at all moments is representative of anxiety, and having expectations of who you should be and what you should be doing, because it feels as though someone is always keeping check.Characteristic of many of Mike Baldwin's videos, this is simple in its concept, but turns out to be a very well-judged visual accompaniment to the powerful lyrics.