Yoni Lappin's return to music videos has been a while coming and it also marks a change of image by the artist formerly known as Koffee, now as Orignal Koffee. And together they make her homeland of Jamaica the real star of the show.In the artful, documentary style of portraiture that was Lappin's signature back in the day, with Mura Masa's What If I Go? and others, the video for RAPID FYAH was shot over four days in Jamaica following extensive location scouting. Filmed entirely on 16mm by DoP Jermaine Edwards (My Father's Shadow, Ish), the video's main subject are the locals - fishermen, schoolgirls, bikers, a marching band and cheerleaders - placed within a series of jawdropping landscapes on the island.Featured artist Skillibeng is also strongly present in the film - a contrast to the laidback almost anonymous figure of Original Koffee - and the video was shot largely on the artists' home districts: St Thomas Parish and Spanish Town, Kingston. Through the alluring combination of the visuals and the music we become immersed in the authentic sense, atmosphere and rhythms of Jamaican life.

Directing duo Broken Antenna reunite with Hak Baker for his collaboration with Ezra Collective member Joe Armon-Jones's new project to create not just a terrific promo but a hugely powerful short doc about gentrification in London's East End.As Armon-Jones and Baker's song Wrong Side Of Town is about being priced out of a traditionally working class quarter of London, the video sees Baker cycling through the area he grew up in, observing the effects of gentrification, but also the surviving parts of a working-class community that continue to define the city.Myles and Gustav of Broken Antenna have addressed this subject with righteous passion and considerable skill. With their experience in mixed media, they use various tools to augment the already excellent camerawork capturing Hak's cycle journey. And they continue to introduce new elements to grip the viewer to their subject - even as the track follows an appealing laidback reggae rhythm - leading to a stirring final section involving interviews with some proud East Enders.Giving more context, Hak Baker says: “All our lives people have been looking down their noses at us but we used to have the safe haven of the estate, blocks and high roads to commune and be human. Now, we hardly have that. The wealthy come to our area to take over and not take part, shoving us outwardly looking down their biased beaks."Nah mate, not round here. I think it’s time to scream and shout that we’re here to stay and if you don’t like it, you must be on the wrong side of the town.” Ultimately this is a film which potentially transcends its nominal purpose as a pop promo to reach a wider audience, to raise awareness and emotions, putting the issue of gentrification on the political agenda. Something like that does not happen too often. Bravo to all involved.

Melody Maker explores freedom and restrictions in her hallucinatory promo for Greentea Peng. Locked inside an apartment building, we see the artists isolated from the world outside, unable to connect with anything outside of the four walls that encase them. The hazy cinematography blurs into a surrealist dreamworld, as the artists appear as giant döppelgängers, staring at their true selves through the window glass as if they were experimental guinea pigs. It's a clever commentary on the extended period of time we have been trapped away from each other, and the ongoing severance of our natural ties to the world and our true purpose.