Phillip Youmans brings his raw, immersive vision to Fly Anakin, showcasing two tracks by the rapper, and his guest artists.In the video for The Times and Corner Pocket, Youmans transforms a single elevator into a surreal stage, where Fly Anakin begins alone, stuck between floors and caught in a loop of fear, reflection, and acceptance. As new artists enter - Quelle Chris, then BbyMutha, - tension builds, energy shifts and the elevator becomes full of chaos. Captured in a raw, textural way, the video is a blur of paranoia, hallucination and disorienting camerawork, perfectly capturing the energy of the track. Anchored by slick performances and acting, the video is an extended play, running at six minutes in length - but it's well worth becoming caught with Fly in his unpredictable elevator.

Samuel Douek directs a musical theatre-inspired promo for returning pop icon Will Young. The video for Falling Deep sees Will and a handful of dancers perform some understated yet captivating choreography, as if in a rehearsal for a stage production, touching upon Will's own previous experience treading the boards in musicals such as Cabaret. Shot at the Palace Theatre in Watford, the focus on light, reflections and shapes brings a stylish sensibility to the visual, with mirrored sets and high-angle perspectives to elevate the scenario. And Will's deadpan performance of the disco-inflected track, while the dancers throw shapes in the theatre stalls keeps things suitably lighthearted.A great way to announce the return of a much-loved artist who has always excelled in the medium of music video.

Noel Paul directs an alluring ghostly fantasy for Let's Eat Grandma. Following up his previous collaboration with the indie-pop duo on Happy New Year, the video for Levitation depicts Jenny Hollingsworth from the band on a train ride, peering out of the window on a journey and seeing her reflection - played by bandmate Rosa Walton, mirroring her every move.As the train speeds on, Rosa develops an increasingly separate identity, and the dreamlike quality of the video begins to transcend the material world. Paul develops the train carriage vignette into an exhilarating scene of the pair flying through the skies together, hand in hand.Noel Paul has done a marvellous job with this strongly conceptual performance piece that dares to cast Jenny and Rosa as heroines in the tradition of classic English literature and film - an aesthetic also championed by artists such as Kate Bush and directors like Sophie Muller. It also carries forward the surrealism of the previous visual for Happy New Year - and encapsulates the haunting quality of the song.