Thom Kerr directs a dazzling performance promo for singer, songwriter and dancer Alice Chater. The video for Bed Of Lies is the second release in Chater's recent comeback campaign, and features the artist as a nightclub dancer looking to transcend her current situation and leave behind all the drama - including a very grubby boss.Infused with Michael Jackson-esque choreography and diamond-encrusted outfits, its a stunning visual, and Alice Chater thrives amidst the mix of performance and dance. It's a bold and playful vision from director Thom Kerr, which complements the nostalgic track, and a great showcase of Alice's on-screen charisma.

Myriam Raja directs a promo for Gustaffson's collaboration with Bear McCreary, combining wistful narrative with a moving dance performance.The video for Flowers starts in the modern day, as a solitary man (played by Jamie Harris) he carries out his daily afternoon ritual in his local pub. As he sits down with two pints to complete his crossword, flower petals rain down onto his newspaper, and then he is magically transported back a few decades.The man's memories are stirred as he witnesses a thrilling dance sequence, performed by Hamish Longley and Jade Longely, within the walls of the pub. It's effectively a modern ballet, packed with emotion and character, as Raja brings the personalities of the young dancers to the forefront through their performance.A cleverly constructed, beautifully performed visual, full of nostalgic yearning, it's athat encapsulates the themes of the track to strongly resonate with viewers.

Long-time Manic Street Preachers collaborator Kieran Evans directs a wistful promo for Manic Street Preachers.The video for Hiding In Plain Sight takes viewers on a nostalgic journey through the years with bassist/lyricist Nicky Wire - providing lead vocals for the first time on this track – as he reflects on the band’s legacy, leafing through historic photos and some of his iconic costumes.As well as looking back at the past, there is a celebratory energy which permeates the moments of introspection as much as it does the performances. With a naturalistic look and an inspired grade - which transitions from the 'everyday' to a glossy look at the end - it's a gloriously energetic visual, which teases the band's fifteenth studio album and a brand new UK tour.

Grajper and Maverick Sabre explore a topical subject with considerable wit for You Don't Even Need It.Sabre is alone in a suburban home - but there are people pressed against the windows, obsessed with his every move. And then they invade the house, subjecting the soul singer to various indignities which he endures with calm resignation.It's a strong metaphor for an issue raised by several pop stars recently about fans going too far in their sense of ownership of their idols. But by various means, from Sabre's understated performance, to the director's imaginative range of visual ideas - at one point, a model of Sabre's house bursts into flames - it's also well executed entertainment. Tied together by a gentle edit and naturalistic colour grade, the You Don't Even Need It video succeeds in touching upon on big issues of contemporary life, including mental health and regret, but it's not weighed down with self-importance. And Grajper shows more of the impressive visual virtuosity that marked out his recent, UKMVA-nominated video for STONE.