Niko B is the paperboy on a special mission, and bringing colourful vibes to the neighbourhood, in LAUZZA's effervescent, Noughties-inspired video for Why's This Dealer? Channeling the golden age of MySpace aesthetics, LAUZZA brings the past to life through bold graphics and animation, exaggerated edits, and a very playful sense of humour.The video follows Niko B as a paperboy on his round, slipping in CDs of his upcoming album with the local rag through his neighbourhood, capturing the raw, DIY spirit of an era that celebrated quirky self-promotion and creative expression.It's delightfully vibrant and authentic, with a heavy dose of LAUZZA experimentation and characteristic wit, with a wide range of entertaining scenes and ideas all working for the premise for the video.

William Miller directs a reflective promo for Headie One. The video for The Last One was released alongside his debut album last month, and acts as a portrait of Headie and his work, visually representing the various stages of his career and the elevation to the position he is in now.The evocative visual is a blend of film and music promo, transitioning through different abstract vignettes with a mix of spoken word and music. Every frame of the video feels arresting and inspired, from nostalgic home video segments through to cinematic, gently surreal visual moments representing the journey so far.

Sarah Sey is tormented by her own demonic alter-ego, in Annie Harmeston's dazzling promo for the French singer. Evoking the retrofuturistic style of the early 2000s, the video for Ton Égo is a vibrant and conceptual vision, complete with shimmery art direction and killer styling. It's an ambitious feat, elevated by Sey's willingness to completely dive in to the role and Harmeston's obvious affinity for nostalgic pop culture moments.

After a successful first collaboration, Callum Lloyd-James teams up with Crawlers for a second time with an effervescent promo for Kiss Me.The video centres around an epic party, fizzing with the excitement of a new romance. Rightfully unashamed in its celebration of queerness, the video rolls back the tape of a first kiss amidst the party chaos.“I wanted to make it feel raw and exciting, capturing the moment where two people meet each other for the first time and every little detail about them is exciting," says Lloyd-James. "The way they smell, a mole on the back of their neck, finding your rhythm with each other and just letting your inhibitions go.”A raucous house party comes back in vivid, glossy, reversed snapshots and flashbulb moments, masterfully shot by Director of Photography Carmen Pellon.“The party footage was inspired by early 2010s Tumblr culture," adds Lloyd-James. "I wanted to try and create the feel of disposable flash photography in a moving image, giving the film an edge of nostalgia.”Amongst the party shots are pensive, quieter shots of the band the morning after the night before - bathed in that unmistakable, cold, gut-wrenching daylight that brings the impending reality of the next day."I wanted this film to feel like you were retracing your steps through what happened at a party the night before, capturing the flickering memories that you piece together the next day.”Mission accomplished, as anyone watching will certainly be pulled back into snapshot memories of past dancefloors, wild parties, and memorable first kisses.