Tom Hardiman brings some welcome colour and pizzazz to some of the most mundane (and downright grim) places that Britain has to offer, in the guise of the irrepressible Viktor Viktoria and unstoppable A Man To Pet. Drag artiste A Man To Pet's iconic Christmas shows at the Love Affair Basement have become the festive season's must-see show in recent years - attended by none other than Jean-Paul Gaultier himself. And that same brand of unique chaotic drag madness finds its way to the big screen, with Pet accompanied by partner-in-crime Viktor Victoria.The video for I Love To Wear (Jean Paul Gaultier) is a fun-filled, bizarro journey through garden centres, recycling plants, farms, gyms and long-lost theatres, as Viktor and Pet evangelise their love for the one and only Gaultier.Working with the costume designer Lucy James, Tom, Pet and Viktor have now created a series of looks that reference legendary Gaultier outfits throughout the video. But with the additional air of homemade chic – from the toilet paper headdress in A/W 1992’s Europe of the Future to Gaultier’s first orange cone bra shown in his A/W 1984 Barbès collection. It's an utterly incongruous clash of artists and location that works brilliantly. A must-watch to brighten the mood as the nights start drawing in.

Charli XCX revels in an increasingly hellish Fashion Week in a scintillating spectacle created by director duo TORSO.With much of the same frenetic energy and brilliantly chaotic choreography in TORSO's previous collaboration with Charli, the terminal and runway at Charles De Gaulles airport in Von Dutch is replaced by another type of runway here. It's an end-of-days fashion show where Charli is the primary and often only runway model. The film opens with an appearance from former Vogue Paris editor-in-chief Carine Roitfeld, setting the tone immediately: “Fashion won’t save us. But let’s go on the runway and walk.” A manifesto-like statement that captures the video’s intention.The camera drifts somewhere between fashion documentary and pop nightmare, following Charli through a series of saturated tableaux populated by models, stylists, photographers and figures from across the fashion industry. TORSO build on the aesthetic they previously developed for Von Dutch; SS26 is shot like an adrenaline-fuelled sprint, blurring the line between fashion performance, cultural satire and dystopian pop fantasy. Between tense backstage moments, couture silhouettes, orchestrated chaos and blinding camera flashes, Charli moves through a world where glamour becomes a survival mechanism. The aesthetics of Fashion Week are transformed into a fully apocalyptic spectacle. And she is the star of the show, walking a fine line between celebration and mockery...

Palice directs her debut music video, for Sigrid's Jellyfish. The video is a carefree, eccentric performance-focussed concept, shot in Bulgaria. Channeling the song's themes of awkward connection into a dreamy, sun-soaked world, the director's vision of an 'endless summer' day shines through, packed with nostalgic vibes. Leaning into an editorial style, DoP Samuel Hooper masterfully controls the light to create a beautifully soft, fashion-portrait aesthetic, working together with art director Sasha Hilton's eye for offbeat props and styling.Enhanced by Pierre Babbage's playful choreography and DOMA's excellent post work, it's a beautifully surreal video with plenty of standout moments.