Wendy Morgan continues her run of successful collaborations with Lous And The Yakuza, with the dazzling promo for Kisé. Balancing a lo-fi aesthetic with slick performance vignettes, the video plays out like a fashion film, packing a wave of abstract visuals into a super-short timeframe. The transition between nostalgic home-video effects and glossy setups is achieved through match-cuts and a breakneck edit, whilst the experimental layering and frenetic camera movements add a distinctive, textural vibe to the concept.

Oskar Gullstrand and Tove Berglund direct a glossy promo for Show Me Love. Paying homage to fashion, culture and sex, Tove Styrke says: ”The video consists of three parts. The performance, where I wanted to channel classic starlets from the silver screen and pay homage to voguing. The fantasies, where the mass scenes and the birth of Venus to me are representations of sex and feminine energy. And lastly, we have the Rapunzel guitar solo as a metaphor for masturbation."Indeed. The soft pastel colour scheme and vintage art direction create an absorbing, nostalgic world which blends fantasy and reality, and it's clear that Styrke is having the time of her life bringing these visions to fruition. "This is one of my absolute favourite videos I’ve made." continues Styrke. "It’s fun and weird and serious at the same time, and I think it really shows how I feel about this song.”

Rodrigo Inada directs Put It On Your Face!! - an all-singing, all-dancing extravaganza created for Swedish lifestyle brand Byredo andVogue Italia, with original music by Danny Harle and Isamaya Ffrench.Featuring Ffrench with members of the Theo Adams Company - with Adams acting as performance director - this centres around the power of makeup, in particular the new line of makeup that Ffrench has developed with Byredo. Highly theatrical and dripping with slick styling and, of course, flawless makeup by Ffrench herself, the fashion film blends a number of different aesthetics and an eccentric sense of anachronism, to create something daring, original and collaborative.

Willvisions directs a slick monochromatic promo for Harun Rune. The video for Moschino is a glossy studio affair, focused on fashion, performance and personality. Glitchy animation and smooth transitions add an energetic flair to the concept, which acts as a great introduction to the London-based artist.

Sparks fly and chaos reigns when Kylie comes to Jessie Ware's restaurant, in Sophie Muller's brilliant Telenovella-style video for Kiss Of Life. Kylie plays a mysterious dinner guest, secretly a critic out to deliver the verdict on the place run by the indominable Jessie, among an outrageously larger-than-life bunch of fellow diners. The mini-dramas of the women's rivalry plays out like an '80s Latin soap opera, with further nods to early Almodovar, and a bit of silent comedy for good measure - plus a cast from a Fellini movie - shot on authentic video camera equipment from the period, for that genuine oversaturated look. Phew.Muller's latest video for Kylie is also her second collaboration with creative director and performance director Theo Adams, after the Kylie and Years & Years video for A Second To Midnight, and together they have a devised this delicious scenario in which both Kylie and Jessie play their parts - and perform the song - with suitable relish. In fact, could this be Kylie's first role in a soap since leaving Neighbours...?Adams says of collaborating on the music video with Muller: “It all happened quite organically between us both sitting at her kitchen table cackling away coming up with this fever dream of chaos!"Adams was responsible for recruiting the amazing cast of performers in the video, including nightlife royalty Princess Julia, among others. They are indeed the Theo Adams Company, and they play such a crucial role in bringing effervescent chaos to proceedings - shot in a real Italian restaurant in London's Covent Garden, the garishly maximalist Ave Mario's.As a result of the location choice, the whole video was shot overnight, when the restaurant was closed. And the shoot itself was undertaken rather like an episode of an 80s Telenovella, as Sophie Muller explains. “The video was all shot on an 80’s news camera - the ikegami 79D three-tube 1980’s colour portable - at a hair raising speed," she says. "And considering the hellishly late night/early morning hours of the shoot, everyone contributed their finest performances.”Apart from the necessary element of chaos - which was possibly quite easy to achieve - the whole kaboodle plays to the artists' strengths. The food connection works for Jessie Ware (cookery writer and podcaster as well as consummate soul singer) and the outrageously camp scenario obviously fits the Kylie iconography like a glove. But not only is this arguably the campiest video she's ever done, she looks utterly iconic in this. And she is funny. As has been pointed out elsewhere, the video is also a haute couture spectacle - with the leading ladies decked out in Saint Laurent and Valentino - and this certainly involved a larger than normal glam squad. And it culminates with a rare music video monologue from Kylie, who reads out her five-star review of the restaurant as she types it up on an old typewriter. Well, she's tapping the keys anyway...It's so good. And after this, apparently there's a Kylie collab with disco queen Gloria Gaynor to look forward to...

Max McLachlan directs a wild, winding promo for Bingo Fury's new track.Boiling over with unabashed chaos, the video for Happy Snake starts with the artist trapped in a dark void, sat alone. However, as soon as Bingo's pen hits the page, we are treated to a wave of mystifying images following a snake-like young man, who slithers towards a siren in flamingo-pink, only to be lured in and hunted by the stomping silhouette of a cowboy/girl.Shot in intense black and white - with contrasting bursts of colour - the video is both a treat for the eyes and a shock to the system. Eagle-eyed fans of Drag Race might recognise the Heart Look by designer Bruna Ignatowska, previously worn by Bimini Bon Boulash and artists such as Rina Sawayama and Josie Man.Totally and utterly surreal (in the best way), the video falls somewhere between a fever dream and a forgotten memory, and is an excellent visual accompaniment to the track."Weirdly the visuals for Happy Snake all came quite naturally," says McLachlan about the conception of the video. "When I heard that opening rattle, paired with that funk-riddle bassline, I knew we had to have someone genuinely slither to the beat."I have known Bruna for a while and have been hunting for the project to put her designs in, and same goes for my friend October [who features in the video]. The connecting dots formed themselves, and we were lucky enough to put together a fantastic team to bring this to life."

Luke Biggins brings the upbeat summer vibes in his lively promo for S1mba ft Tion Wayne & Stay Flee Get Lizzy.Centered around a catwalk and a buzzing press area, the concept exudes luxury and a sense of unabashed fun, and features a supporting cast of stunning models and charismatic influencer cameos.The high-energy performances paired with Kaz Ove's quickfire edit creates an engaging viewing experience, whilst the feel-good vibes of both the track and video are a welcome kickstart to a much-anticipated summer season.

Caroline Hajny's promo of Maison Bent's AW21 collection, premiering during London Fashion Week, features Leah Weller - a Londoner of St Lucian and English heritage - performing her fourth single Strangers.Maison Bent celebrates Caribbean style with the new collection, echoing the working class fashions of Generation Windrush - a direction that was inspired by Bent's conversations with her grandfather about life for Black people in London in the 1960s.Caroline Hajny approaches the film visuals using vivid colour schemes to contrast with the neutral hues of the collection. A distinctive fish-eye lens creates a vintage universe of bold and exaggerated optics, with Weller's performance intercut with the presentation of the collection.