Jordan Rossi directs a stylish video for The Script, shot in Barcelona, as part of a series of visuals including Both Ways, released in May. With a simple yet striking mononchromatic aesthetic, the video for At Your Feet is charming and understated, featuring a simple narrative element and band performance. "We were commissioned to shoot three films and PR stills across two days in Barcelona for The Script," explains Rossi. "We already had the concept for Both Ways approved, which was an adrenaline-fuelled high-impact pop-rock visual feast. I wanted to do something completely different for the other two visuals."The intention was to keep At Your Feet stripped back with Danny moving through a location in search of something or someone intercut with a band performance. It wasn't until I saw the location scout that I fell in love with this old vintage three storey apartment with a stunning rooftop. I immediately had visions of Fellini films and old romantic Italian movies."We made the decision to shoot in black and white, not only to differentiate it from Both Ways, but to provide a really dreamy visual landscape."

Harry Richards directs an understated promo for Family Stereo. The video for I Knew I Loved You Then! features an intimate gig which unfolds in the imagined living room of Blake Watt, Family Stereo's singer-songwriter. Watt plays the roadie, setting up the equipment for his friends to play. Initially alienated and withdrawn, his character ultimately finds connection in this moving film.Shot from a single perspective, it's a meditative, relaxed visual which reflects the dreamy soundscapes in the track. “When Blake first sent me I Knew I Loved You Then!, I was immediately drawn to the song’s mesmerising vocals, beautiful instrumentation and rich sonic texture," says Richards."It felt important to let the song breathe, so we kept the video concept simple. Using the same camera setup throughout the video pushed us to really focus on how each frame would advance the story.“Instead of cutting to close ups, we chose to remain in a wide angle and used careful blocking to depict Blake’s character’s disconnection from the space and people around him. As the room swells and empties with partygoers, the emotion of the song builds to a climax, then slips away again.”Family Stereo's Blake Watt adds: “Working alongside Harry on the video was simply a joy. He knew exactly the right direction to give to actors and crew alike. The final product is a perfect visual representation of what I hope to achieve through my music.”

Directing duo NWSPK have teamed up with Jessica Smyth - aka Biig Piig - on an evocative and sexy promo in collaboration for dark synth track Watch Me.The video features an editorial-style montage of high-fashion styling, dramatic performance and elevated art direction, in a feverish stream of dreamy vignettes that are beautifully executed by the directors and their team, including DoP Sam Hooper and stylist Rebecca O'Dwyer."Jess (Biig Piig) was a wonderful collaborator," declare NWSPK. "She came to us with a treatment highlighting the balance of strength and fragility with femininity. We loved the track and ideas and ran with them, working to create visual metaphor and meaning within each setup."One of our favourites was the opening shot of Jess performing the 'iron cross' on gymnastic hoops - an Olympic event that is still reserved for men in a rather archaic fashion. Along with this we hope we captured some badass visual statements that pack a punch that does Jess's vision and track justice."A confident statement with plenty of visual magic from the director duo.

Roxana Baldovin directs a cool bubblegum fantasy with a sense of unabashed fun for singer and hugely successful TikToker Bella Poarch. The poolside promo for Crush is a candy-coloured dream, boasting slick choreography, pastel colour palettes, taking inspiration from J-Pop culture. Tied together with tropical art direction and short bursts of animation, it's an eye-catching video with plenty of standout moments. "Ever since I saw Build A Bitch a few years ago I knew I wanted to create something with Bella," says Baldovin. “Crush is Bella’s first venture into bubblegum pop, so I wanted a music video that felt as smooth and delicious and feel-good as the song did."I have to thank Rio Warner, Bella’s creative director, for advocating for me for this project. She really brought it all together with her Tokyo-inspired looks."