Charlie Sarsfield directs an intense, mostly black & white promo for rapper Jordy's collab with JME.Split between the artists' performances, the powerful video for Wonderkid uses old CRT TV screens and backdrops to add visual intrigue, transcending the studio environment to create something artful and fresh - featuring a cameo from Jordy's younger brother.It's a well structured visual for two powerhouse artists, imbued with Sarfield's confident direction and visual style, and nicely shot by DoP Courtney Bennett. It benefits from restraint, in getting the most from a few strong set-ups. “The visual is all about perspective," Sarsfield explains. "I wanted to create a visually intriguing backdrop to stage the performance of Jordy and JME, causing the viewer to question what was and wasn’t really there."We tried out some experimental techniques on set to create the subtle illusions you see, and both artists were a joy to work with throughout. Very glad to be a part of this one.”

Colin Solal Cardo follows his hypnotic promo for Kimbra with something much more down to Earth, in this breezy, uplifting piece for Noel Gallagher's High Flying Birds. The video for Easy Now features Milly Alcock (of House Of Dragons fame), and sees her character move from despair to euphoria, as she tears up the streets of London.Watched over by Gallagher himself - who chills on the sidelines, in a brief yet very welcome cameo - the video is anchored by a wonderful performance from Alcock, as she jumps on cars, disrupts groups of pigeons and eventually does a victorious run down the middle of the road, full of glee. A poignant concept which cements the fact that music has the ability to transcend, elevate and pull you out of yourself on the darkest of days.

Director Charlie Sarsfield continues his collaboration with Kojey Radical with the video for Payback, featuring Knucks - and adding a few more famous faces too, at a swish dinner party. The dynamic visual perfectly encapsulates the high energy track, bringing to life a sumptuous aesthetic that sees the artist and his friends breaking bread and partying in style, dripping with luxury styling - with classic Saville Row suits adorning each of the artists.Kojey and Knucks are joined by Wretch 32, Cashh, Shae Universe, Niko Omilana and more, at a spectacular location, for a contrasting follow-up to Sarsfield's previous collab for Kojey Radical - the reflective, domestic-set video for Gangsta.“It's been a real joy to work closely with Kojey on our second consecutive visual," says Charlie Sarsfield. "We spoke of wanting to build on Gangsta, pushing that aesthetic. Our tag line became, 'If Gangsta was the journey, Payback is the fruition’. Maintaining our portrait approach to performance, emphasis was put on careful framing again.“Kojey asked me to watch a film called Climax which inspired the high angled shots. We then paired this up with inspiration from old school music videos by the likes of Beastie Boys and NWA with low angled framing, which helped to create a really dynamic visual across the board. We felt this ‘old school’ backbone matched and elevated the sound that Swindle masterfully pieced together."It was an honour to quite literally dance with Kojey again and it was my first time working with Knucks, who is such a great artist and someone I'd admired from afar for a while. It wasn't without its trials, but the payback has been all worth it."

Travis Scott, White Trash Tyler and Jordan Hemingway join forces to direct the video for Franchise. Featuring M.I.A and Young Thug, the ambitious promo follows Travis Scott through Michael Jordan's LA mansion, with an array of Jodorowsky and Warhol-inspired imagery. With cameos from Michael Jordan himself and the Clermont twins, the visual is an homage to pop culture in all its glory - and of course the brilliance of Jordan, as documented in The Last Dance. Jordan Hemingway’s directing contribution comes in the shape of a thousand sheep surrounding a flower-adorned M.I.A. in an impossible scene of esoteric prowess. Never one to do things by halves, M.I.A is electrifying in her presence, effortlessly pulling off the Midsommar-inspired outfit whilst handling an unruly wave of farm animals. Stunningly bonkers and high concept, the visual is a testament to its many collaborators and creative minds - totally sporadic and spontaneous, but everyone contributing to the ultimate vision.