Colin Solal Cardo directs Harry Styles for the first time, and it turns out to be a match made in Heaven - a joyous, celebratory affair, unleashed via of the brilliant choreography of Ryan Heffington. 

The film blends raw intensity, sensuality and live-performance energy through an immersive and kinetic visual language. In what first appears to be a high school gymnasium - in fact the legendary Pavillon Baltard in Paris - a stylishly-dressed Harry saunters into the space to begin performing with his band, in the round. 

And the track they are playing - Dance No More - starts to become a magnetic force upon the casually watching audience. They are triggered into action, with living, contagious energy. There's an invitation to dance no more, to lose yourself completely, to never want the dance to end. The dozens of audience members act on that impulse - and it turns out that they are all great dancers.

Meanwhile, Harry holds the centre amidst a heaving mass of bodies - losing a few layers of clothing along the way...

It's brilliantly done - a real technical achievement that also maintains a lightness and sense of humour. We get the best of the artist and of the director and choreographer - who last worked together on the UKMVA-winning Wolf Alice video for Bloom Baby Bloom. The result is something special.