black midi 'Eat Men Eat' by Maxim Kelly
David Knight - 17th June 2022
Maxim Kelly has created a fabulous fever dream of a Western - shot in blinding black and white - for experimental rock combo black midi.
The song Eat Men Eat - from the forthcoming album Hellfire - is a typically eclectic fusion-jam (Rock meets Flamenco!), with lyrics by vocalist Cameron Picton, about two men and their quest to overcome the cruel captain of a mining facility. That's the starting point for Kelly's interpretation where two prospectors become embroiled a similarly overbearing personality, and their efforts to poison him.
That barely does justice to the sense of abandon and euphoria, laced with doom and destruction, that powers the story. It features a compelling performance by Calvin Cornwall as 'the captain', luminous cinematography by Pieter Snyman, a brilliantly unhinged edit by music video editing legend Vid Price. Kelly also incorporates a characteristic multi-media element, which adds to the strange surreal silent movie atmosphere.
“The story starts in the desert with two men engaged in a desperate search for missing friends," says Cameron Picton of the song. "Their quest leads them to a strange mining facility which, despite a death of natural resources in the area, opens its door for even stranger hosts to welcome them.”
Kelly adds that meant the story was already largely in place when it came to making the video.
"I just worked to visualise that narrative whilst staying true to the band’s vision and songwriting," he says. "So, I had this idea in my head of an old silent movie aesthetic with inter-titles. But every now and then it turns into a 'talkie' with parts of lip-syncing.
"It’s a structurally unusual song, so it’s wonderful when a track like this comes along and forces you to break your usual patterns and habits and push yourself as a director.
“I first listened to black midi in 2018 when my friend recorded a live performance in his studio for NTS Radio. I think this might be one of their first-ever recordings, and it blew me away. So I’m thrilled to have the honour of making their latest music video."
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David Knight - 17th June 2022
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Credits
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Production/Creative
- Director
- Maxim Kelly
- Producer
- Aisha Kemp
- Production Company
- C
- Executive Producer
- Eleri Evans
- Production Manager
- Phin Shaughnessy-Symons
- 1st AD
- Joe Mulvihill
- Production Runner
- Hamish Frew
- 2nd AD
- Bradley Baterip
Camera
- Director of Photography
- Pieter Snyman
- Focus Puller
- Oliver Bingham
- Camera Trainee
- Owen Rumsey
- Camera Kit
- Panavision
Lighting/Grip
- Gaffer
- James Duffy
- Sparks
- Cleo Vogler, Daniel Svilenov
- Lighting Trainee
- Dylan Rogers
- Lighting Kit
- Cinelight London
Art
- Production designer
- Syd Harmony
Wardrobe
- Stylist
- CA
- Hair & Make-up
- Melissa Davies
- Stylist Assist
- Anastacia Malikova
Casting
- Cast
- Captain
Editorial
- Editor
- VP
- Editing company
- TE
Grading
- Colourist
- Tom Mangham
- Colour grade company
- BS
Commission
- Label
- Rough Trade
Misc
- Clapper Loader
- Charlotte Hayde
David Knight - 17th June 2022