Caviar

Executive Producer

Eleri Evans

Denisha Anderson teams up with Purple Disco Machine, Duke Dumont and Nothing But Thieves for cinematic collab Something On My Mind, to create a Pulp Fiction-like narrative within an intriguing time loop structure.&nbsp;For the video, Anderson was inspired by Maya Deren's Meshes Of The Afternoon,&nbsp;and wanted to create a fantasy romance, using a time loop pattern of confusion and lust.&nbsp;With each loop, the storyline unfolds as the&nbsp;lead protagonists go on a&nbsp;whirlwind trip joyriding in a Porsche&nbsp;and robbing diners.[imgtoken data:1]It's a big and very successful leap into bigger concepts for Denisha Anderson, who navigates a hybrid narrative / performance promo with flair, cleverly interweaving the storyline with enigmatic shots of the artists - Tino Piontek aka Purple Disco Machine, and Noting But Thieves&nbsp;tied up in a basement.&nbsp;"It couldn’t have&nbsp;gone any better, despite it being the first time I had no contact with the artists prior to filming," explains Anderson."Day 1 was a remote shoot with our team filming Purple Disco Machine in Berlin. He was an absolute gent to work with whilst being tied up and placed in the back of a boot with myself and my DOP directing him via a laptop from London.&nbsp;"On Day 2 we shot Nothing but Thieves in person, and again it was such a pleasurable experience. The whole band had&nbsp;great energy and Connor (the lead singer) was up for anything and everything I threw at him.[imgtoken data:2]"For this narrative video, I got for the first time to choose professional actors which was a luxury for me.&nbsp;I needed people who were confident, comfortable and convincing for the roles I had written. I had an amazing casting director who managed to get around 130 to audition for our lead roles; it was a long day of tape watching, but to our joy we knew we had found our protagonists in Bonina and Seamus. And after our rehearsal day, I felt excited and confident that they were going to deliver and they went above and beyond."As a director you have memorable moments on set and for this one it was the end of Day 2 which was Hot Rod Diner.&nbsp;I know it sounds cheesy but I thought to myself:&nbsp;'Sh*t the bed I’m really living my dreams'.”

United Kingdom

Denisha Anderson

Ayomide Alli

Jed Darlington-Roberts

Steven O’Eniraiyetan

Isabel Alsina

Chris Wilson

Homespun

Andi Chu

Electric Theatre Collective

Hands 

Michael Lewin

Sony Music

Dance

Purple Disco Machine, Duke Dumont, Nothing But Thieves 'Something On My Mind' by Denisha Anderson

Purple Disco Machine, Duke Dumont, Nothing But Thieves - Something On My Mind

Mahalia and JoJo join forces to bring down a bad boy in Boma Iluma's dazzling promo for Cheat.&nbsp;The video sees the artists come to the realisation that they're both dating the same man - the two-timing rat - and it's clear from the get-go that he absolutely needs to be taught a lesson.&nbsp;Leaning into the nostalgic vibe of the track, the video oozes early Noughties vibes, with plenty of fisheye lens action, vibrant set-builds and a garish MySpace-style website, that heightens the anachronistic, Y2K aesthetic.&nbsp;It's an inspired collab which brings the best out of both artists, and Iluma's obvious affinity for the time period helps blend everything together seamlessly.&nbsp;

Boma Iluma

Emmanuella Zachariou

Pili Weeber

Jess Mustascio

Andrew Nisinson

Meilin Gray

Josh Morse

Pyramyd Studios

Kim Jarrett

Doug Webster

Corey Hess

Karina Milan

Camille Thompson

Dhairius Thomas

Karl Payton

Jamie McFarland

Ryan Davis

Reid Currie

Jonathan Alvarado

Tom Fenaille

Atlantic Records

Mahalia ft JoJo 'Cheat' by Boma Iluma

Mahalia - Cheat (Feat. JoJo) [Official Video]

A robot boyband take the world by storm in Maxim Kelly's alternative history of computing and artificial intelligence for Hot Chip - in which music video takes an even more important role...&nbsp;&nbsp;For Broken, taken from the band's recently released eighth album Freakout/Release, we follow the engaging story of Jerry Fairchild, creator of the Fairchild 7000, and its role in turning computer nerds into music video directors (including one named Jon Glazer). That is the introduction&nbsp;to the 'proper' video that features anonymous, frequently multiplying android pop stars, busting moves in a familiar white-syc studio.&nbsp;[imgtoken data:1]As in some of his previous work - perhaps most notably the video for shame's Nigel Hitter - Kelly reworks obscure vintage corporate film footage to create the foundations for his concept.Then he has created his robot boyband by adding cool robot mask prosthetics&nbsp;to a trio of denim-clad dancers presenting them in a pop video, rooted in the classic form. And that is hugely effective for a song that is at the catchy pop-end of Hot Chip's musical&nbsp;spectrum.[imgtoken data:2]&nbsp;&nbsp; &nbsp;&nbsp;&nbsp;“I’m intrigued by AI machines doing artwork," says Kelly. "In the future, robots and computers might make music videos too - and this is what I imagine the first will look like."I referenced the boyband videos I grew up watching on MTV - overly sentimental with emotional and gut-wrenching performances. In this video, soulless androids run through all the motions and cliches of these videos with deadpan robotic precision. It’s a pop video with all the entertaining and watchable bits taken out.”

Maxim Kelly

Sachin Chande

Samira Conteh

Afzal Robbani

Matthew Emvin Taylor

Malte Huebner

Lucy Bradley

Beau Pritchard-James

John Phillips

Laurent Arnaud

Syd Harmony

Robert Smith

Begona F.Martin

Celia Arias

Kloe Dean

Tom Mangham

Black Kite Studios

Steve Shaw

Trim Editing

John Moule

Domino Records

Alternative

Hot Chip 'Broken' by Maxim Kelly

Hot Chip - Broken (Official Video)

A young maid finds herself at a crossroads, in Maxim Kelly's mesmerising promo for Ethel.&nbsp;Waiting hand and foot on a slightly surreal family, we see the main character run errands and try to stay out of the way, as the father figure&nbsp;lip-syncs to the track, getting oppressively close to her wherever she tries to escape to.&nbsp;Ending with a climactic dance in the living room - performing to the awkwardly apathetic parents and daughter - the video is haunting and contemplative, echoing films from French and Korean arthouse cinema. A subtle manipulation of the textures of the image at certain points also heightens the surreality of the concept, which creates an unnerving atmosphere.[imgtoken data:1]“Initially I thought Ethel should be the main character and do the dance at the end, and I always had this image from this French film called My American Uncle, where it’s like a little girl standing up at a table," Kelly explains.&nbsp;"I originally had that image in my head for a rap video, but it didn’t really make sense to the song. I wanted this to feel more like surreal so then as I started finding more imagery. It kind of transpired that maybe the maid was the more interesting character.”

Ginny Kerr

Myana Van Cuijenborg

Dave Frost

Lewes Bridson

Marianthi Hatzikidi

Sam Katz

Riaz Ahmed

Ollie Ford

Sacchin Chande

Phillips Nortey

Milo Brown

Arran Green

Elena Diaz

Vid Price

Stephen Harakis

The Murder Capital 'Ethel' by Maxim Kelly

The Murder Capital - Ethel (Official Video)

Sasha Nathwani launches a new phase of his music video directing career with this scintillating showcase for Tamil-Swiss singer-songwriter Priya Ragu, which combines elements of South Asian cinema and Kill Bill in a eye-catching style the director dubs 'Tamiltino'.Having celebrated&nbsp;South Asian fashion and culture in her previous videos, the video for&nbsp;Adalam Va! - which&nbsp;translates loosely as Let’s Dance -&nbsp;raises the bar in terms of visual elegance, choreography and pure physicality,&nbsp;with Priya mastering an eye-catching array of intense martial arts moves and energizing dance routines, created by the choreographer Supple Nam.The eye-popping action and performance elements also dovetail wonderfully within the striking splendour of&nbsp;Strawberry Hill House &amp; Garden, a place&nbsp;that is also clearly influenced by subcontinent architecture.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;[imgtoken data:1]Adalam Va! is a most vibrant cocktail of electro-pop and soul-stirring South Indian sonics, with Priya’s voice rising like a beacon of positivity. “Adalam Va! is about hope in the darkest of days," she says. "It’s about the fresh energy that emerges out of these times. We wanted to express that feeling through this song and to get everyone on the dancefloor!”And Nathawani's well constructed visual captures the essence of the track with admirable wit and timeless cinematic glamour.“I’ve wanted to work with Priya for a while now," says the director. "This Adalam Va! video was the perfect opportunity. Working collaboratively with Priya and Japhna Gold, we crafted a narrative inspired by classic Tamil films from the 70s and 80s starring Indian film legend Rajinikanth, and fused this with the cinematic flair of Tarantino, coining this combination of styles: TAMILTINO.[imgtoken data:2]"The video tells the story of a Kill Bill-inspired character played by Priya, that liberates a gang of youths enslaved by an evil villain, freeing them through the encouraging chorus line Adalam Va which means Come and Dance."Priya really threw herself into the physical challenge of this video, working closely with choreographer and fight supervisor Supple Nam, she learnt how to use a silambam stick, a South Asian martial arts weapon, alongside numerous dance sequences, inspired by South Asian choreography.”

Sasha Nathwani

Manoela Chiabai

Joshua Noon

Smera Kumar

David Wright

Isusko Garcia

Gary Kent

Joshua Dadson

Felix Wildey

Ciaran Beale

Jake Hunte

Natalie Wilkins

Daniela Alves

Shamara Roper

Tasnim Nahar

Supple Nam

Blaine Pearson

TenThree

Jonny Tully

CHEAT

Kirstin Cruickshank

Warner Records

Priya Ragu 'Adalam Va!' by Sasha Nathwani

Priya Ragu - Adalam Va! (Official Video)

Chrissi's marvellous takedown of an unworthy lover in Lipo gets a charming and witty treatment by Denisha Anderson.Lipo is Chrissi’s ode to body positivity, self-love and the trials of getting to the point where you believe you deserve it. And although the subject is serious&nbsp;she treats it in a smooth, laidback fashion, addressing her ex with an 'this is your problem, not mine' attitude. That makes it all the more impactful.Anderson gets the mood exactly right, by putting Chrissi in a naturalistic situation with her friends, echoing some classic R&amp;B videos along the way. Chrissi and her pals&nbsp;are enjoying each other's company, and aided by the choreography by Claudia Lois, and some fun set-ups, this is playful as it spreads it's serious message.[imgtoken data:1]“When I initially heard the song, I was gassed at the bar 'Fxck your feelings'," says Anderson.&nbsp;"I really felt that, and knew I had to create something which was full of energy yet super empowering."Drawing inspiration from Destiny’s Child’s Bootylicious and Janet Jackson’s That’s The Way Love Goes, I wanted a similar home environment, where we see Chrissi and her friends vibing and enjoying each other’s company, dissecting F-Boys, and saying goodbye to that energy and hello to an evolved version of self."Utilising a variety of set-ups and working with a choreographer for the first time, I think we pulled it all together with smiles, energy and charisma to make a film I am really proud of.”&nbsp;

Liam Wallace-Cook

Nisha Mullea

Ffon Kunz

Stephen Ofori

Jecelnena Gubatan

Sachin Parmar

Claudia Lois

Bethan Dadson

Jasmine Hamilton

Samelle

Rose Moya

Florence Kennard

Ollie Thompson

Olivia Jessop

Quinn Titsworth

Island Records

Soul

Chrissi 'Lipo' by Denisha Anderson

Chrissi - Lipo (Official Video)

Taichi Kimura has teamed up with dance behemoths Lewis Thompson and David Guetta to create a cinematic Tokyo-set comedy - incorporating ingenious dance moves -&nbsp;to accompany their infectious summer anthem Take Me Back.The delightful&nbsp;concept for the video sees a collective of intoxicated salarymen (and woman), rising from their alcohol-induced stupors - from roadsides, flowerbeds, and wherever else they happened to&nbsp;drop -&nbsp;to&nbsp;move&nbsp;in choreographed&nbsp;formation&nbsp;through the nighttime streets of Tokyo, in the manner of zombie-like sleepwalkers being pulled by an invisible force.It's a warmhearted, funny, and beautifully-shot vehicle for the&nbsp;team-up of Thompson - one half of successful DJ/production duo Just Kiddin' - and legendary&nbsp;producer Guetta.[imgtoken data:1]&nbsp;“At first, I thought it was going to be a challenge for me to make a visually cinematic music video with a sense of humour," admits Taichi Kimura.&nbsp;"But I believe we were able to pull it off on this one!&nbsp;I am very proud to make a video with such a unique concept in my home country and ever so grateful to make the visuals for these artists.&nbsp;"Finally, I would also like to thank the Japanese businessmen who have a weak tolerance for alcohol and pass out in the street. This would have never been possible without them.”

Taichi Kimura

Cekai

Taro Mikami

Shin Ohira

Miki Sakurai

Seiya Uehara

Koichi Kitamura

Kakeru Sudo

Wataru Sugimura

Risa Chino

Tim Smith

No.8

RCA Records

Lewis Thompson, David Guetta 'Take Me Back' by Taichi Kimura

Lewis Thompson, David Guetta - Take Me Back (Official Video)

Maxim Kelly creates an off-kilter tribute to '90s rave culture for Belief&nbsp; -&nbsp;the experimental dance music&nbsp;project of Stella Mozgawa&nbsp;and Boom Bip - featuring an impish dance elf who finds himself in an empty office. With a birthday cake.&nbsp;The video for Dreams, sees this intriguing&nbsp;character - played by Mark Crawley - break into expressive moves, as he confusedly comes to terms with his surroundings, and begins to sense&nbsp;the nearby presence of another figure: his somewhat hairier döppelgänger.&nbsp;[imgtoken data:1]In keeping with the era and the mood that he and DoP Arthur Loveday were trying to evoke, Kelly chose to shoot the video on MiniDV - the domestic format that was state-of-the-art back in the early 90s. But it is also composed and lit to make the format look as professional&nbsp;as possible, which gives the footage a&nbsp;distinctive&nbsp;high-end lo-fi quality.Kelly says that the video was inspired by watching rave footage from the 90s, and marvelling at "people looking their worst but feeling their best, and dancing the night away" - and also a certain kind of video from the era.&nbsp;"There’s a sub-genre of music video which became very popular for a time. It’s just one person dancing in a pertinent space. I wanted to make my version of that video. Almost like a parody."[imgtoken data:2]He adds that the&nbsp;decision to shoot on MiniDV was an aesthetic choice, and a homage to 90s rave footage. "Early on, Arthur Loveday and I decided to imagine that we were making a music video with the best technology we had available - and work to make it look as good as possible," he says."People today, when they shoot MiniDV, try to make it look bad, jerky and add glitches. But the technology is still great, and you can get some stunning results if you take the time and care to shoot it appropriately. And, it doesn’t hurt if you have Tom Mangham at Black Kite grading it too!”

Victor Shikhatov

Arthur Loveday

Pearce Crowley

Georgia Olive

Esme Horn

Mark Crawley

Thomas Mangham

Zoe Davis

Lex Records

Electronic

Belief 'Dreams' by Maxim Kelly

BELIEF - DREAMS (OFFICIAL VIDEO)

Maxim Kelly has created a fabulous fever dream of a Western - shot in blinding black and white - for&nbsp;experimental rock combo black midi.The song Eat Men Eat - from the forthcoming album Hellfire - is a typically eclectic fusion-jam (Rock meets Flamenco!), with lyrics by vocalist Cameron Picton, about two men and their quest to overcome the cruel captain of a mining facility. That's the starting point for Kelly's interpretation where two prospectors become embroiled a similarly overbearing personality, and their efforts to poison him.That barely does justice to the sense of abandon and euphoria, laced with doom and destruction, that powers the story. It features a compelling&nbsp;performance by Calvin Cornwall as 'the captain', luminous cinematography by&nbsp;Pieter Snyman, a brilliantly unhinged edit by music video editing legend&nbsp;Vid Price.&nbsp;Kelly also incorporates a characteristic&nbsp;multi-media element,&nbsp;which adds to the strange surreal silent movie atmosphere.[imgtoken data:1]&nbsp;&nbsp;&nbsp;“The story starts in the desert with two men engaged in a desperate search for missing friends," says Cameron Picton of the song.&nbsp;"Their quest leads them to a strange mining facility which, despite a death of natural resources in the area, opens its door for even stranger hosts to welcome them.”Kelly adds that meant the story was already largely in place when it came to making the video.&nbsp;"I just worked to visualise that narrative whilst staying true to the band’s vision and songwriting," he says.&nbsp;"So, I had this idea in my head of an old silent movie aesthetic with inter-titles. But every now and then it turns into a 'talkie'&nbsp;with parts of lip-syncing."It’s a structurally unusual song, so it’s wonderful when a track like this comes along and forces you to break your usual patterns and habits and push yourself as a director.“I first listened to black midi in 2018 when my friend recorded a live performance in his studio for NTS Radio. I think this might be one of their first-ever recordings, and it blew me away. So I’m thrilled to have the honour of making their latest music video."

Aisha Kemp

Phin Shaughnessy-Symons

Pieter Snyman

Oliver Bingham

Charlotte Hayde

Joe Mulvihill

James Duffy

Melissa Davies

Rough Trade

Rock

black midi 'Eat Men Eat' by Maxim Kelly

black midi - Eat Men Eat

Denisha Anderson's latest collaboration with Miles Romans-Hopcraft - aka Wu-Lu -features the multi-instrumentalist/producer and his bandmates exorcising their demons in the wide-open spaces of a sun-scorched landscape.Primal emotions are explored in this desert-like environment - actually a quarry in Suffolk - for the video for Blame, from the back of a drifting car and elsewhere. Ultimately, a white-pupilled version of Romans-Hopecraft is buried, neck deep in the rock, by the rest of the band.&nbsp;[imgtoken data:1]“It is about a breakdown in communication between my inner voice and my external voice and a situation that arose which led me to end a relationship”, explains Wu-Lu&nbsp;about the song, which is featured on the forthcoming debut album&nbsp;LOGGERHEAD, which is released in July.“For this video, I was inspired by the films Dogtooth and Paris, Texas," says Denisha Anderson about the video - her fourth for Wu-Lu.&nbsp;"I ran with buzzwords such as road-trip, disconnection, fear and goodbyes to the old self. These themes were used as a starting point for my vision after a long chat with Wu-Lu about where he was emotionally from writing the track."As the song is high energy throughout, I wanted to juxtapose this with stillness, slow movement and negative space. Through this, I aimed to build to the pace of the visual so the viewers are ultimately carried on a journey when watching.”

Meghan Wilcox

Natalie Steiner

Rafael Ramirez

Cameron Sealby

Warp

Wu-Lu 'Blame' by Denisha Anderson

Wu-Lu - Blame / Ten (Official Video)

Cyprien Clément-Delmas directs a thought-provoking promo for Moderat.&nbsp;Consisting of artists&nbsp;Sascha Ring (Apparat) and Gernot Bronsert and Sebastian Szary (Modeselektor), the track&nbsp;contemplates the relationship between love and independence, lamenting how vulnerable we become when the balance between the two tips too far forward towards the former.The video for Easy Prey was shot across two days in Barcelona, and&nbsp;explores our heavy reliance on technology and its consequential fragilities and interconnectedness. The abstract narrative vignettes create a palpable energy, which bubbles with mystery and intrigue, whilst developing the aforementioned themes in a fresh and&nbsp;exciting way.&nbsp;[imgtoken data:1]“The idea of the music video is to talk about our dependence on technology,&nbsp;the vulnerability of our ultra-connected societies,"&nbsp;says&nbsp;Clément-Delmas.&nbsp;"We think we are stronger today but we are somehow weaker. Most of the essentials are now based on technology.&nbsp;"This main character represents the essential workers that make all this happen but are also fed up with society, with what we are expected to be. This is a sort of close dystopia I wanted to create in this film. I think this scenario is not too far away and we might experience something similar sooner or later.”Strikingly executed, with a darkly futuristic vibe and tonnes of atmosphere.&nbsp;[imgtoken data:2]&nbsp;

Eleri Evans

Executive Producer

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