Rich Hall takes a classic cinematic scenario - a car steadily filling up with water - and gives it a different spin for Moss Kena.

Hall's reflective take on a situation usually associated with extreme peril is distinguished by great cinematography by Tristan Chenais, and editing by Ben Corfield at Homespun.

RICH HALL:

"Moss wrote something that was very emotional and weighty, so the visual needed something that both simplified these emotions, but represented them also. The idea to fill a car half full with water and rock it whilst attached to a complicated rig in Artem's back lot has absolutely nothing to do with anything I just mentioned, but it looks great."