Colourist

Simone Grattarola

The third video from the Arctic Monkeys latest album The Car continues in the same vein as the previous two - like a viewing a random mix&nbsp;of old film footage of a Seventies band, that rather magically hangs together.The band's longtime collaborator Ben Chappell follows Brook Linder (with <a href="https://www.promonews.tv/videos/2022/10/06/arctic-monkeys-body-paint-brook-linder/78633" target="_blank">Body Paint</a>) and band frontman Alex Turner (with <a href="https://www.promonews.tv/videos/2022/09/09/arctic-monkeys-thered-better-be-mirrorball-alex-turner/78221" target="_blank">There'd Better Be A Mirrorball</a>) in helming the video for Sculptures Of Anything Goes, and it's another gorgeous experience, revelling in the irreplaceable quality of working in the medium of film, allowing the aesthetic to do the heavy lifting.It also has to be the coolest way to&nbsp;frame Turner's intent&nbsp;to be regarded as a modern-day crooner. That might just pay off.&nbsp;&nbsp;&nbsp; &nbsp; &nbsp;&nbsp;

Ben Chappell

Matt Cronin

Zackery Michael

James Kerr

Graham Feast

Mia Saunders

Time Based Arts

Dan Kreeger

Negativeland

Arctic Monkeys 'Sculptures Of Anything Goes' by Ben Chappell

Arctic Monkeys - Sculptures Of Anything Goes (Official Video)

The first taste of the Arctic Monkeys new album The Car comes with a video directed by frontman Alex Turner. It's very cool indeed.This is the first video that Turner has directed for the band (we think) but he's known to be a keen devotee of film&nbsp;and that really shows here. It's a lovely cinematic rendering of the band recording the song, which both appears to be verité-real yet also has its own artful, impressionistic&nbsp;sensibility. It echoes the classic style of both pioneering rock documentaries for the Sixties and Seventies, and Nineties&nbsp;MTV-era videos, and that really compliments&nbsp;the unhurried, slow-burning There'd Better Be A Mirrorball.Turner is credited as one of the camera operators on this, together with longtime collaborator Ben Chappell - formerly of directing duo Focus Creeps -&nbsp;and the overall effect is somewhere between Godard, Focus Creeps and a great music video director (who, like the band, also came from Sheffield) Peter Care.&nbsp;

United Kingdom

Alex Turner

Mark Bull

Rock

Arctic Monkeys 'There'd Better Be A Mirrorball' by Alex Turner

Arctic Monkeys - There’d Better Be A Mirrorball (Official Video)

Leo Leigh's debut video,&nbsp;for Thom Yorke and Jonny Greenwood's new project The Smile, is a singularly intense experience. Leigh more or less dispenses with the causes of a trauma to confront the viewer with the harrowing results. You can only watch and wonder why - while listening to the altogether more gentle Free In The Knowledge.There are a couple of remarkable performances in the video, demonstrating distress and anguish in such visceral ways that it's hard not to think that some genuinely bad stuff happened just prior to when the camera started to roll.Halfway through, there are glimpses of exposition, snatches of other characters, and a ritualistic ceremony, suggestng the power dynamic of&nbsp;this haggard forest tribe. But it's those first two minutes that leave the most powerful impression.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;

Lucie Red

Leo Leigh

Maddy Perkins

Krunel Saadrani

Olan Collardy

Maëva Demurger

Clara Paris

Holly Rebecca

Natasha Lawes

Dave Davis

Andre Reid-McKinley

Scott Wright

Kodak

Trim Editing

Rupert Hornstein

Alternative

The Smile 'Free In The Knowledge' by Leo Leigh 

The-Smile-'Free-In-The-Knowledge'-by-Leo-Leigh-

The Weeknd heralds his new album Dawn FM with a spectacular and nightmarish promo from Matilda Finn.&nbsp;The video for Gasoline is dripping in Finn's harrowing, hyperreal aesthetic, and follows an elderly version of the artist, who crashes his car into a stop sign and descends into a Hellish realm.&nbsp;He regains consciousness in a crowded room, where sinful beings are grappling for whatever physical pleasures they can acquire -&nbsp;sex, drugs, violence... it's all on the cards in this place.&nbsp;The crowd begin to show their true colours, as their faces distort into monstrous forms, and The Weeknd has a face-off with a younger version of himself, ending in another death.&nbsp;This is an enigmatic expression of existential despair in Matilda Finn's signature style, and it's&nbsp;outstanding work. The video touches upon life, death and addiction, and does so with sublime style - and lots of creepy crawlies.&nbsp;

United States

Matilda Finn

Stink Films

Ryland Burns

Cole Santiago

Eli Raskin

Ari Schneiderman

Jon Chema

John Richoux

Armen Harootun

Black Kite Studios

Mayte Avina

Jesse Hays

MrMr

Nomad Art + Design

TJ White

C Prinz

Mike Marino, Prosthetic Renaissance

Malina Stearns

Chelsea Delfino

Esprit Casting

Hugo Saunders

Kyle Bryson

Charles Tae

Matthew Henson

Christine Nelli

Marcela Osegueda

Sharif Poston

Ntombi Moyo

Mark Hills

James Teninty

Erick Aguilar

Benjamin Verhulst

Nick Decell

Factory

The Weeknd 'Gasoline' by Matilda Finn

The Weeknd - Gasoline (Official Music Video)

After the intense dramatisations of life for black Londoners in their&nbsp;powerful films&nbsp;for Trouble and Teardrops, Kano and&nbsp;Aneil Karia offer a complete change of pace, and setting,&nbsp;with A Blessed Place.It's a short film about Kano's inspiration behind the new Duppy White rum he has created following him on a return ot Jamaica. As he tours the island, from countryside to downtown, it reveals another side of the London rapper - the strength of&nbsp;bond to his Jamaican roots and love for the island.And with Karia's unobtrusive observational direction, this is a brand film that could hardly feel more like a documetary - which also features some wonderful music.

Aneil Karia

Nathanael Baring

Somesuch

Scott O'Donnell

Korsshan Schlauer

Marco Alonso Monedero

James Forbes Robertson

Dancehall

Kano 'A Blessed Place' by Aneil Karia

Kano-'A-Blessed-Place'-by-Aneil-Karia

For their previously unreleased song Follow Me Around, Radiohead have a wonderful new video by directing&nbsp;duo Us -&nbsp;Chris Barrett and Luke Taylor - starring Guy Pearce. He plays the hapless victim of a particularly tenacious insect - and we, the viewer,&nbsp;are that pesky bug.&nbsp;A simple idea is transformed by Barrett and Taylor's brilliant employment of up-to-the-minute tech. And indeed, minute tech: the entire video is shot on a&nbsp;tiny drone&nbsp;that speeds through London streets, and through tiny spaces, and finds its way to Pearce's East London home - where the relentless attack&nbsp;by the bug begins. Everything we see comes from insect-POV, as we witness Pearce's increasing desperation and panic.[imgtoken data:1]Us were inspired to look through the mini-critter's eyes, having spent a summer combatting mosquitos. They were also inspired by&nbsp;footage of tiny drones that can go through anywhere at speed.&nbsp;With the brilliant casting of Pearce, Barrett and Taylor have also elevated the concept further, adding a level of ambiguity&nbsp;where surveillance, paranoia and the humble mosquito meet.&nbsp;The formatting of the camera was made to emulate both the period of the song, with its lo-fi 420p resolution, and also the idea of surveillance cameras, as well as the erratic and somewhat flailing camp of vision one imagines a mosquito’s to be. Married with Guy Pearce’s outstanding acting, the sparse visuals are meant to make the viewer feel as uncomfortable as the character on the screen.&nbsp;[imgtoken data:2]And why is Pearce being targetted?&nbsp;We really can only guess, as the one thing we cannot see is the attacker itself - is this actually an insect, or perhaps another form of Bug...It is of course perfect for the lovely song Follow Me Around, a live favourite which dates back to the era of OK Computer,&nbsp;that Radiohead are only now releasing, on the new Kid A/Amnesiac sessions project. This one goes direct to the pantheon of great Radiohead videos.&nbsp;&nbsp;

Us (Chris Barrett & Luke Taylor)

Medb Riordan

Georgina Smith

Academy Films

Maurizio Von Trapp

James Sharpe

Molly Manning Walker

Bill Rae Smith

Mark Connell

Katie McGoldrick

Terry Grisdale

Joe Guest

Final Cut

Sean Ewins

Mishaal Memon

Guy Pearce

Mouthpiece

XL Recordings

Radiohead 'Follow Me Around' by Us

Radiohead-'Follow-Me-Around'-by-Us-(chris-Barrett-&-Luke-Taylor)

As we welcome in the new year, here's a personal perspective of the unprecedented&nbsp;one that has just passed into history, from poet&nbsp;Hussain Manawer, brought to the screen by Jake Polonsky BSC.A cinematographer&nbsp;who has worked on hit TV show&nbsp;Billions&nbsp;over the past few years,&nbsp;Polonsky returns to shortform&nbsp;- where he made his name as a DoP on music videos in the late Nineties and early Noughties- to direct this visualisation of Manawer's personal account of lockdown, and his strategem to deal with its effect on his mental health.As the poet reads in a recording studio, a sole dancer begins to perform in a huge, empty space - The Troxy in East London, looking glorious, and prepared for its next live show before an audience, whenever that may be. The dancer works his way through the room, and the neat rows of seats, to make for the stage...Shot by Haris Zambarloukos BSC, with Polonsky filming other London venues, all designed to serve a specific community - a primary school, a mosque, a synagogue, and various other important&nbsp;live music venues - 2020 Vision was shot on the <a href="https://fujifilm-x.com/global/products/cameras/gfx100/" target="_blank">Fujifilm&nbsp;GFX100 large format camera</a>, and the film was made possible through finance by Fuji as well as support from a variety of bodies, from Time Based Arts and Panalux to the Music Venues Trust and Save Our Venues.&nbsp;It certainly serves to show how important those venues are to our collective wellbeing.&nbsp;

Jake Polonsky

Kat Armour-Brown

FRIEND

Luke Jacobs

Elliott Tagg

Caswell Coggins

Haris Zambarloukos

Dom Cheung

Johannes Lohmann

Sabrina Corda

Nick Allix

Marc Cattrall @ Fujifilm

Andreas Georghiades @ Fujifilm

Maxine Doyle

Will Thompson

Poetry

Hussain Manawer '2020 Vision' by Jake Polonsky

Hussain-Manawer-'2020-Vision'-by-Jake-Polonsky

Paul Mescal makes an emotional call to his girlfriend at the beginning of the video for The Rolling Stones' Scarlet, directed by Chris Barrett and Luke Taylor - aka Us.&nbsp;So far, so Normal People.&nbsp;But then we notice that Mescal is living in the lap of luxury. In fact he has the run of Claridge's Hotel, no less.&nbsp;After leaving a half-drunken love note to his girlfriend, Mescal&nbsp;(the sensitive Connell&nbsp;in TV hit&nbsp;Normal People) spins this previously unreleased track from The Stones' early '70s&nbsp;album&nbsp;Goat's Head Soup,&nbsp;proceeds to drink his body weight in whiskey, dance cheesily in the mirror, have an emotional breakdown and trash the hotel room.&nbsp;And then he heads down to the hotel lobby - which is even grander than the one in that other famous deserted hotel video, Weapon Of Choice.&nbsp;The video was made under social distancing guidelines, and clearly it could not have happened at any other time - and probably for no other band in the world. It's certainly a treat for the growing legion of the Mescal fans - and for fans of Barrett and Taylor too.

Gemma Priggen

Benji Edwards

Mauro Chiarello

Barney Batchelor

Stephen Finberg

Sara Sensoy

Lucie Blundell-Jones

Supple Nam

Ellie Johnson

Tenthree Editing

Paul Mescal

Semera Khan

Polydor

The Rolling Stones 'Scarlet' by Us

The-Rolling-Stones--'Scarlet-'-by-Us-(chris-Barrett-&-Luke-Taylor)

Aneil Karia directs a harrowing narrative set in a dystopian&nbsp;Britain, for Riz Ahmed's The Long Goodbye.&nbsp;Taking place&nbsp;in a nondescript town in Surrey, we are introduced to a British South Asian family in a bustling household- one son is trying to teach his Dad -played by Ahmed- dance moves, whilst the other is cosied up on the sofa with his girlfriend, playing games and chilling out. Several other family members are spotted around the house, with a group of girls getting ready upstairs, and the grandfather&nbsp;trying his best to catch the news on the TV, amongst the flurry of activity.&nbsp;In the midst of the chaos, we see moments that are universally relatable -&nbsp;trying to manage different family members and their short tempers, moving furniture around to accommodate more people for a party. Small snapshots of everyday life to paint a picture of the family dynamic. Having stumbled around with an old chair for several minutes, to the dismay of several family members, Ahmed sets it down in a cramped room, before noticing an alarming scene unfolding across the road.&nbsp;In broad daylight, a group of white men in black uniforms are forceably removing people from their homes. The tone of the video shifts as Ahmed screams for everyone to run for cover, exclaiming "This is it. It's happening now". The uniformed gang catch up to Ahmed and his loved ones, in a truly haunting third-act.This near-future dystopia is conceptualised brilliantly by director&nbsp;Aneil Karia, <a href="https://www.promonews.tv/videos/2019/07/24/kano-trouble-aneil-karia/59936">who won an MVA last year for his collaboration with Kano</a>, and is known for his work on TV series such as Top Boy. Uncomfortable and confrontational, this isn't an overly exaggerated narrative with tonnes of creative license. This is one or two missteps into the future, the potential result of the current political climate and events such as the ongoing Windrush scandal. The surreal&nbsp;transition from happy family&nbsp;to mindless murder on the street is made only more harrowing given its basis in reality.&nbsp;DoP&nbsp;Stuart Bentley creates an authentic aesthetic through the use of natural daylight and documentary-style camera movement, succinctly&nbsp;matching the tone of the project. This is a concept very much based in the real world, and Bentley ensures the cinematography is as unobtrusive as possible.&nbsp;Karia is an exceptional talent bringing important stories to the forefront, and a perfect match to such a visceral concept and track. A one-take monologue at the end of the video depicts Ahmed rising with a newfound strength, confronting the camera directly with the deplorable reality that is staring us all in the face:&nbsp;“Don’t question us about our loyalty, our blood and sweat’s enough / Born under a sun that you made too hot for us / Kidnapped by Empire and diaspora fostered us.”• Behind The Scenes feature on The Long Goodbye on <a href="https://wepresent.wetransfer.com/story/riz-ahmed-the-long-goodbye/" target="_blank">WePresent</a>

Riz Ahmed

Tom Gardner

Tim Nash

Sally Campbell

Seth Wilson

Saskia Whinney

Caroline Reason

Hayley Williams

Stuart Bentley

Amanda James

Shaheen Baig

Roxanne Farahmand

Ruth Crawford

Lisa Mustafa

Chloe Slattery

Amrit Sahotay

Marc Cass

John Street

Nadine Richardson

Paul Davies

Andrew Stirk

Alternative, Hip Hop

Riz Ahmed 'The Long Goodbye' by Aneil Karia

Riz Ahmed - The Long Goodbye

The two-part film, co-directed by Harry Barber and Kano, explores the London rapper’s Jamaican heritage and influences, and culminates in the most humble but important of gatherings - the coming together of friends to eat and drink.In&nbsp;this fly-on-the-wall-style documentary, <a href="https://www.youtube.com/watch?v=q7vANW3jaAM" target="_blank">the first part of the film</a> serves as a prelude to the actual video for Kano's collaboration with Jamaican superstar Popcaan on Can't Hold We Down. Kano discusses his numerous trips to Jamaica since childhood, before he heads down to favourite East London shops with his mum to prepare for the feast - where they are joined by Popcaan, just arrived from Jamaica.&nbsp;In <a href="https://www.youtube.com/watch?v=4fCQ4drZkOE" target="_blank">Part 2 of the film</a>, we are back at Kano's mum's place, and the documentary dovetails smoothly into the music video. As Kano and Popcaan perform, dinner is cooked and served to friends, family and these legends of grime and dancehall. But not before mum blesses the table.&nbsp;

Harry Barber

Kano

Amalia Rosen-Rawlings

DadBod Films

Rob Wildsmith

Ed Melech

Aaron Adrian Rogers

Ali Baines

Sam Seager

Grime

Kano ft Popcaan 'Can’t Hold We Down' by Harry Barber & Kano

Kano-'Can’t-Hold-We-Down-(feat.-Popcaan)-'-by-Harry-Barber-&amp;-Kano

Back with their first music video since 2014, Will &amp; Dylan of Thirtytwo make a massive&nbsp;impact in their team-up&nbsp;with the formidable&nbsp;Idles. It's unquestionably a head-banger.The video for Mercedes Marxist follows a depressed office worker, who expresses his misery in a way we can all understand. We may think it, but he's doing it - even as he progresses from office to supermarket to pub.&nbsp;But then Will and Dylan then&nbsp;deliver the angst and anger that lies behid the universal act of frustration in a memorable interlude of furious mayhem.&nbsp;The pictures tell you everything you need to know.

Simone Grattarola

Colourist

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