Colourist

Richard Fearon

Piers Dennis celebrates the awesomeness of Rebecca Taylor - aka Self Esteem - through a heady mix of documentary footage and composed performance for The 345.Dennis' fifth video for the artist&nbsp;features candid backstage footage that he has filmed over the past year during her rise to alt-pop stardom, capturing her most exuberent, and most tender moments.[imgtoken data:1]The energy and emotion&nbsp;expressed by Taylor in this revealing footage is cannily counterpointed by a simple head and shoulders shot of Taylor, shot in the style of a classic Hollywood portrait, in which she performs this momentously moving song.&nbsp;&nbsp;&nbsp;Beautifully made, the black and white aesthetic creates a timeless snapshot of the last twelve months, and is a perfect showcase of Self Esteem's journey so far. Bloody marvellous.

United Kingdom

Piers Dennis

Laura Clayton

Riff Raff Films

Connie Meade

Richard Scott

Jack Worrall

Dominika Besińska

Lauren Bell

Byron

Asher Lloyd

Black Kite Studios

Alternative Pop

Alternative

Rock

Self Esteem 'The 345' by Piers Dennis

Self-Esteem-'The-345'-by-Piers-Dennis

A love story blossoms in the most unlikely of locations, in Fred Rowson's playful promo for Mae Muller.&nbsp;The video for I Just Came To Dance plays out like a Gucci shoot on a golf course, with a bit of The Virgin Suicides thrown in for good measure, and sees Mae attract the attention of a golfing guy with gorgeous looks but&nbsp;a flatlining personality.[imgtoken data:1]Mae can’t decide whether she wants to get with him or kill him. So, instead, she toys with him.Conceptually opposite to the lyrics of the track - you are definitely not meant to be busting moves in the middle of a golf course, but that doesn't&nbsp;stop&nbsp;Muller and friends -&nbsp;the video is imbued with director Fred Rowson's comedic, slightly surreal style, and it will keep viewers on their toes throughout.&nbsp;&nbsp;

Lucy Cooper

Kharmel Cochrane

Naomi Weijand

Darcey Simmons

Curtisha Kruythoff

Oluwatosin Omotosho

Sarah Adewunmi

Jade Denne

Soki Mak

Fred Rowson

Tara Sadeghi

Blink

Emily Tedrake

Ryan Delahunty

Jack Reynolds

Laura Northover

Lizzie Jones

Kerry Green

Josh Brooks

Juan Minotta

Mark James

Claudimar Neto

Ross Kwan

Zara Ali

Samuel Marr

Kelvin Chim

George Leo Manby

Mae Muller 'I Just Came To Dance' by Fred Rowson

Mae Muller - I Just Came To Dance (Official Video)

Will Hooper and Max McLachlan take Bally Gill on a surreal journey into the desert for Raining In LA, the first collaboration between the directors and London soul combo Franc Moody for the upcoming new album.It starts with a lo-fi&nbsp;info-mercial, featuring the band, about the joys of a new tavel agent, FM Travel. Then the gullible working guy played by Gill signs up and takes a suspicious coach journey into the desert to escape his mundane existence. But he finds himself in a very strange, upside world, and facing a very odd fate...Hooper and McLachlan are working&nbsp;for the first time as a directing duo on the project, having created visualisers for each of the five tracks on Into The Ether, the new Franc Moody album. Over several months they produced a slew of info-mercials, teasers and easter eggs which paved the way for the full-length music video for Raining In LA.&nbsp;

Laura Little

Anna Kennedy

Bruce Langfield

Carlota De Molina

Max Mclachlan

Will Hooper

Rosie Brear

Connie Mead

Becky Tong

Nico Aguado

Carlos Feher

Ana Gámiz

Alex Esteve

Ianire Beriain

Alberto Gil

Jorge Fortes

Sam Allen

Bally Gill

Awal

BORNEO

Franc Moody 'Raining In LA' by Will Hooper & Max McLachlan

Raining in LA - Franc Moody

Ellie Goulding is trapped in a simulated dreamworld, in Sophia Ray's spectacular promo for Easy Lover, featuring Big Sean.&nbsp;The eccentric promo was shot in Sofia, Bulgaria, and explores a world whose characters aren't quite what they seem. In fact,&nbsp;they are Sims-like videogame characters that have found themselves in un-virtual reality...[imgtoken data:1]"It was inspiring to get the initial brief from Nathan Klein -&nbsp;Ellie's Creative Director - for this video, as he really mapped out the creative mood he wanted to take this new era for Ellie in, and gave me a lot of visual references to latch on to," says Ray."The concept of the video is based around these mysterious sim-like creatures, called Skins. These Skins are being controllable game-like characters - that live out bizarre 'realistic' lives in what appears to be a 'real' world. How and what is controlling them, however, remains unclear."The more the audience watch, the more we see the world and these Skins start to glitch and malfunction, giving the impression of a synthetic wider world where nothing is quite as it seems."The expansive world is created through stylish set design, otherworldly locations and a sense of enigmatic mystery, which perfectly encapsulates the artificial world Goulding inhabits.&nbsp;[imgtoken data:2]"Ellie wanted to play a few of the Skin characters in this world, where she could have a bit of fun with her styling and characterisation," continues Ray. "It was so cool to work with her and see these playful sides of her come out as she got into character."It was such a fun three-day shoot, as we travelled all over Sofia, Bulgaria shooting in crazy locations and finishing on a more chilled studio-build day, where we shot our game cube 'dollhouse' set up. Massive thanks to the production team, and Partizan, Mayling and Ayo for making the process so seamless and fun, Katie Dolan who trusted us implicitly and supported us along the way, and also the amazing Four Elements service team in Bulgaria."

Lyubika Georgieva

Valeria Obretenova

Joana Nwamerue

Valentin Georgovski

Grozdan Mihalov

Nathan Klein

Sophia Ray

Lyubo Yonchev

Mayling Wong

Mouthpiece

Partizan Darkroom

Katie Dolan

Peter Kostov

Nikita Popkov

Rosen Savkov

Ayo Alli

Rosen Ignatov - (bulgaria)

Krasimir Hazarbassanov

Hristo Genkov

Eduard Moskalenko

Genadi Kirov

Simeon Kirov

Remi Black

Todor Soviv

Amidat Giwa

Milen Ivanov

Lyudmil Ivanov

Alina Manova

Francesca Brazzo

Velislava Velkova

Anuar Bazargeldi

Post Tribe

Nadya Konakchieva

Chan Chung

Kasin Wang

Polydor

Four Elements, Bulgaria

Ellie Goulding ft Big Sean 'Easy Lover' by Sophia Ray

Ellie-Goulding-Ft-Big-Sean--'Easy-Lover-'-by-Sophia-Ray

A tube train carriage&nbsp;transforms into a coruscating disco wonderland in David Wilson's flamboyant promo for Zach Witness.&nbsp;The intimate video&nbsp;pays homage to two queer icons - Frankie Knuckles and Larry Levan - and transports viewers back&nbsp;to 70’s New York, to celebrate the LGBTQIA+ roots of dance music.Exuding a hyper-confident, sexy aura, Zach Witness&nbsp;moves and shakes his way through the glorious track, creating countless iconic moments in just under three minutes.&nbsp;An intense&nbsp;visual feast from David Wilson - directing&nbsp;his first music video since pre-pandemic times -&nbsp;that deserves a tonne of attention.&nbsp;

David Wilson

Ajay Arora

Bernie Prentice

Brian Fawcett

Olly Ginelli

Frank Hellebrand

Jeff Vine

Christian Swaine

Rachel Hopkins

Darcy Wallace

Lucy Upton-Prowse

Chloe Rose

Meg Thorne

The Quarry

Zach Witness

Cinelab Film and Digital

Dance

Zach Witness 'Frankie And Levan' by David Wilson

Zach-Witness-'Frankie-And-Levan'-by-David-Wilson

Eliza prowls the forest at night in the video for Heat Of The Moon - her latest collaboration with Charlie Robins.Shot in a variety of formats, Eliza and her dancers perform in a lushly green setting, spotlit in the darkness, often captured in&nbsp;heat-sensitive 'night vision' as they perform&nbsp;the Noughties-influenced soul number.Other visual techniques add to the sense of mystery, sensuality and trippiness...&nbsp; &nbsp;

Nat Zangi

Hiromi Toyooka

Jon Johnson

Charlie Robins

Joseph J Goldman

OB Management

Agile Films

Krunal Saadrani

Peter Bishop

Precious Mahaga

Sana Khan

Abbey Valentina

Beau Pritchard James

Orlando Omahoney

Aida García Vega

Tommy Stayton

Molly Portsmouth

PIAS

Eliza 'Heat Of The Moon' by Charlie Robins

Eliza-'Heat-Of-The-Moon'-by-Charlie-Robins

Brock Neal Roberts's new video for Sam Fender - his second for the South Shields singer-songwriter, after last year's&nbsp;MVA-nominated&nbsp;video for&nbsp;Seventeen Going Under - elevates an everyday story of teenage friendship&nbsp;with a clever visual device.&nbsp;In the video for Getting Started, we see four friends work their way down their tower block, picking each other up on the way as they prepare to head for a night out. And each stage is mainly presented as a three dimensional photo, the camera tracking through the boys as they are caught static,&nbsp;in the moment.[imgtoken data:1]Brock has mainly used&nbsp;in-camera effects to create this sense of hyperreality, with the young actors freezing their bodies in a physical way&nbsp;rather than achieving the effect in post-production - identical twins were used to play the same characters, to bring the complex blocking to life.&nbsp; Imaginative art direction assists to make this work, such as the spray of a deodorant can and smoke from a cigarette created with cotton wool.Sam Fender's performance&nbsp;is the final piece of the jigsaw, walking through the same night-time streets, the unseen narrator of the boys' lives. In the Director's Cut we are featuring here, he is slightly more incidental to the action than&nbsp;in the official release. Ultimately, it is a charming and positive representation of youth and young male friendship.[imgtoken data:2]

Louis Simonon

Bardha Krasniqi

Holly MacDonald

Brock Neal Roberts

Manoela Chaibai

George Telfer

Semera Khan

Vini Curtis

Smera Kumar

Elle Lotherington

Nick Teulon

Barney Batchelor

Chris Starkey

Katya Bourvis

Kiloh Falby Clark

Ed Cooper

Assembly Rooms

Digital Orchard

Sam Fender 'Getting Started' (Director's Cut) by Brock Neal Roberts

Sam-Fender-'Getting-Started-(dc)'-by-Brock-Neal-Roberts

It's a dance to the death in Sophia Ray's blinding promo for Regard, featuring Olly Alexander of Years And Years.&nbsp;The video places Olly&nbsp;as an apprehensive contestant&nbsp;at the centre of a dance marathon, where he has to sweat, pant, dive and dance his way to an exhausted victory - all driven by Meshach Henry's trailblazing choreography. Meanwhile, Regard lingers as a mysteriously sinister driving force behind&nbsp;the&nbsp;scenes of this dark competition."The concept for the video was inspired by the 1969 Sydney Pollack film They Shoot Horses Don't They," explains Sophia Ray. "We wanted to take the themes from this cult classic and then give the video our own creative spin on them, setting it in a contemporary, perplexing, dystopian space."The video is a&nbsp;tour de force&nbsp;of creativity, wrapped in vibrant layers of choreography, post-apocalyptic styling and futuristic art direction, and emanates a minacious yet playful tone throughout. There is certainly a nod to&nbsp;Squid Game&nbsp;in there too.&nbsp;"It was such a pleasure collaborating with Olly again - as always - and really fun getting the opportunity to work on set with Regard," Ray continues.&nbsp;"It was great to showcase two totally different characters in the video when it came to both artists' involvement in the narrative. It was a labour of love from the whole team to bring this one together - and I am so grateful for the team's hard work."[imgtoken data:1][imgtoken data:2]

Ash Halliburton

Kiera Liberati

Letizia Maria Allodi

Nick Royal

Ayomide Alli

Kat Cattaneo

Hélio Ribeiro

Aidan Robert Brooks

Karl Hui

Nina Mangold

Max Roach

Meshach Henry

Coco Hirani

Ryo Narushima

Joe Brooks

Jordan Markov

Immersefx

Ministry of Sound

Regard ft Years And Years 'Hallucination' by Sophia Ray

Regard-Ft-Years-And-Years--'Hallucination-'-by-Sophia-Ray

Brock Neal Roberts directs a chilling black comedy about urban youth in his latest collaboration with&nbsp;Jeshi.The video for Generation, the rapper's pin-sharp critique of a troubled society,&nbsp;explores the complex issues facing the youth of today - from drugs to violence&nbsp;to&nbsp;an unhealthy reliance on digital technology -&nbsp;cleverly encapsulated in a fly-on-the-wall aesthetic.&nbsp;From a vantage point high above the ground, the camera settles on a series of&nbsp;unfolding narratives, before quickly panning away and seeking out the next moment, involving one or more early-teen boy engaged in activities more usually associated with young men, or to Jeshi himself as on-the-spot commentator.[imgtoken data:1]The concept is lived out by a group of young boys, who light cigarettes for strangers, throw&nbsp;rocks at takeaway food delivery riders&nbsp;and ignore parents whilst engrossed in their phones.The cyclical nature of the concept is cleverly rounded off in the end scene, where the boys begin to throw rocks at a random neighbour's house, and the perspective switches from third person to first person, proving that we aren't only witnesses to the problems facing society, but very much a part of the tapestry.&nbsp;

Richard Fearon

Colourist

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