We commission and create impactful music content, branded work, moments of culture, music videos and sessions.

Production Company

Bad Bones Films

Joy Crookes self-directs the promo for Perfect Crime, and gives a marvellous performance in the incredible setting of Dhaka, Bangladesh -&nbsp;the country of her mother’s birth.&nbsp;The video sees Joy in various locations around Dhaka - including riding atop a moving train. Throughout she pays homage to her heritage, the rich cultural life and vibrant spirit of the Bangladesh capital, while giving a characteristically charismatic and charming&nbsp;performance of the song.With outstanding work of DoP Donny Johnson, Joy inhabits each well-considered location in a way that reflects her name. Without missing a beat of how a performance video should look and feel, this does give the sense of someone coming back to their roots. And what a place this is.The fact that Joy directed the video followed on from having co-produced Perfect Crime for her forthcoming album Juniper&nbsp;with Harvey Grant. When her idea for the visuals crystallised, she wanted to carry the ownership of producing the song through by directing the video.“The choreography was intended to be quite simple and repetitive but against a foil of something that was almost overstimulating," she explains.&nbsp;"The location wasn’t even really a question. Dhaka, Bangladesh was the ideal backdrop. The city’s imperfect beauty and chaos imbues the video with an atmosphere that can’t be emulated or recreated. It was a perfect pairing.”[imgtoken data:1][imgtoken data:2][imgtoken data:3][imgtoken data:4][imgtoken data:5][imgtoken data:6][imgtoken data:7]&nbsp;

United Kingdom

Ashit Roy Ameyo

Katie Harris

Raeann Hayden

Joy Crookes

Hasib Mahmud

Fayed Khan

Kat Cattaneo

Topu Shaha

Donny Johnson

Ahsan Shujaat

Shopon Kumar Day

Md Ab

Meshach Henry

Luca Brewster

Renäta Fabri

Electric Theatre Collective

Insanity Records

Joy Crookes 'Perfect Crime' by Joy Crookes

Joy-Crookes-'Perfect-Crime'-by-Joy-Crookes

Joseph Delaney builds a genuinely creepy atmosphere in his slow-burning gothic chiller for Manchester rock&nbsp;band Witch Fever.&nbsp;Delaney generates an intense&nbsp;sense of foreboding through lead singer Amy's increasingly unhinged performance, in the bare room of a large house, striking editing and in-camera effects. The&nbsp;use of sudden single frame edits in Jed Darlington-Roberts'&nbsp;richly colourful cinematography is particularly unsettling.&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;'Had so much fun mining my favourite gothic stories, delving into the depths of hysteria and further indulging my pyromania for northern metal coven Witch Fever’s incredible new release&nbsp;The Garden,” says Joseph Delaney."Inspired by the symbol-laden lyrics and emotive push and pull of their new music, we imagined a northern gothic story that treads the line between the supernatural, psychological torment and the blurred line that can exist between them in a mind that’s in the midst of a moment of unhinging - something I’m not all too unfamiliar with…"Thanks to Witch Fever and team for having us, to my team that threw themselves into this (and were possibly latched onto by a sinister spectre along the way) and watch this space for more soon." &nbsp;

Nuha Mekki

Matt King

Joseph Delaney

Daragh Mccann

Joanna Asia Szyczewska

Charlie Relph

Jed Darlington-Roberts

Laurence Warder

Joe Starrs

Sam Smith

Viktoriia Kostruk

Martina Derosa

Johnny Richards

Thomas Mangham

Black Kite Studios

Music For Nations

Rock

Witch Fever 'The Garden' by Joseph Delaney

Witch-Fever-'The-Garden'-by-Joseph-Delaney

Sarah Dattani Tucker directs a&nbsp;cinematic visualiser for Jade's Acoustic version of FUFN.Focusing on JADE's expressive performance and movements, the video plays with texture and light to create a&nbsp;lo-fi daydream.&nbsp;In the spirit of JADE's previous visualisers, it's a stripped back, lowkey affair, anchored by brilliant direction and an impassioned performance at its core.

Jamie Tate

Sarah Dattani Tucker

Lily Roberts

Mary Kalecinska

Henry Gill

Harry Coleman

Aaron Carlo

Sophia Sinot

Megan Lee

JADE 'FUFN (Acoustic)' by Sarah Dattani Tucker

Jade-'Fufn-(acoustic)'-by-Sarah-Dattani-Tucker

Harv Frost directs a gripping promo&nbsp;for indie rock outfit Black Honey where lead singer Izzy Baxter Phillips is a prisoner, confronted with&nbsp;a barrage of distressing&nbsp;scenes.Rather than Hitchcock - as the songtitle might suggest - the&nbsp;video for Psycho&nbsp;pays homage to&nbsp;Kubrick - in particular the notorious 'aversion therapy' scenes in A Clockwork Orange. Like Alex in the movie, Izzy is similarly strapped to a chair, repeatedly forced to watch a fast-cut montage of&nbsp;traumatic imagery, monitored by Establishment males, played by her bandmates.&nbsp;&nbsp;&nbsp;Izzy falls into a hallucinatory cycle,&nbsp;catching eye of a shocking image - and it is quite a shock - as she is led to the chair. She gives a captivating performance as her&nbsp;mental state deteriorates, and then escapes her captivity to find the paraphanalia driving her torture.But is she a Psycho? Harv Frost draws the viewer&nbsp;closer to Izzy and keeps the viewer guessing right till the end.&nbsp;[imgtoken data:1]&nbsp;

Enrica Miller

Harv Frost

Henry Richmond

Mouthpiece

Kode

Jed Clist

Adam Singodia

Nathan Killham

Rowan Hutchings

Omar Ragab

Macy Trieu-Dingle

Dasha Taivas

Tim Smith

Rascal

Black Honey 'Psycho' by Harv Frost

Black Honey - Psycho

Eve Mahoney directs a laidback performance promo for Skye Newman.&nbsp;The video for Hairdressers follows Skye and friends as they get ready to go out, sharing a joint and doing their hair and makeup.&nbsp;Boasting a dreamy, unfiltered vibe, the video is simple in concept but very effective, blending portraiture and performance to create an absorbing vibe.&nbsp;

Eve Mahoney

Vicky Kanji-smith

Polly Withington

Louis Johnson

Chaimuki

Luke De Borde

Columbia / Sony Music Uk

Skye Newman 'Hairdresser' by Eve Mahoney

Skye-Newman-'Hairdresser'-by-Eve-Mahoney

Matt Maltese resists&nbsp;a rival for the affections of his girlfriend in&nbsp;Prasanna Puwanarajah's charming video for Always Some MF.Puwanarajah sets up a love triangle in a country house, where 'The MF' played by Ira Mandela Siobhan challenges Maltese to a fencing duel, to win the hand of the singer's attractive love,&nbsp;Nadia Parkes - to accompany Maltese's performance of a laidback jazz-pop track with a lyrical sting. &nbsp;The video for Always Some MF follows the collaboration between actor/director&nbsp;Puwanarajah and Maltese on the Royal Shakespeare Company's recent stage production of Twelfth Night -&nbsp;directed by&nbsp;Puwanarajah, with music composed by Maltese.&nbsp;&nbsp;“Matt’s a generational artist and it’s been an honour to work with him again on Always Some MF&nbsp;after our collaboration at the RSC last year," says&nbsp;Puwanarajah.&nbsp;"We wanted to create a film that explored the complexities of love and relationships with - we hope - the wit and wierdness that a life with another person requires and yields."Matt’s got a strange and beautiful take on the world, on relationships and the collision of ordinary life, I love his music and our growing collaboration and I hope this song runs and runs.”

James Cotterill

Hannah George

Prasanna Puwanarajah

Adam Tindell At Curtis Brown

Chris Duncan

Adam Trzcinski

Richard Dunton

Liz Ayedele

Abi Jones

Kombat Kate

Diandra Ferreira

Charlie Clinton

Nielsan Bohl @ Selected Works

Ira Mandela Siobhan

Nadia Parkes

The Orchard

Matt Maltese 'Always Some MF' by Prasanna Puwanarajah

Matt Maltese - Always Some MF [Official Video]

Laurence Warder directs an entertaining&nbsp;surreal adventure for Rag'n'Bone Man, where the artist's body and head meet for the first time.The video for Pocket is a colourful and surreal take on the feeling of a first date, and being 'put in someone's pocket' - and it takes Rory Graham, aka Rag'n'Bone Man, in a&nbsp;more lighthearted direction in a video than we have previously seen.With judicious use of VFX - including a head designed by Will Harvey at Monster FX -&nbsp;Warder gives his interpretation of putting oneself back together, as the delivery of a&nbsp;surprise package - Rag'n'Bone Man's head - begins a whirlwind relationship between head and body, set against&nbsp;the backdrop of Margate's seafront.The visual effects and experimental perspectives add a hallucinatory feel to the visual, which ramps up in weirdness right until the climax, where the artist is able to put himself together again.&nbsp;Absorbing and fun, and certainly&nbsp;different to a usual Rag'n'Bone visual, it absolutely knocks it out the park.[imgtoken data:1]&nbsp;

Tanja Martin

Dan Millar

Ollie Riches

Ty Hack

Vlassis Skoulis

Leo Winslow

Murdo Hepburn

Flint J Mcdonald

Sara Buxton

Luka Brewster

Sebastian Ziabka

Darren A Young

We Are Covert 

Will Harvey, Monster FX

Alex Munteanu - Vfx

Ivan Hryhorjuk - Lead Vfx

Giles Toller - On Set Vfx Supervisor

Columbia

Sony Music

Alternative

Rag'n'Bone Man 'Pocket' by Laurence Warder

Rag'n'bone-Man-'Pocket'-by-Laurence-Warder

The bandmembers of British metalcore outfit Bury Tomorrow are transfixed by mesmeric vortex-based event in Ricky Allen's cinematic video.The visual for Villian Arc is a slow-burning build to a series of unsettling, atmospheric&nbsp;VFX-fired moments, twisting the everyday, that supplement the sense of foreboding supplied by the track.As it turns out, it was the mundane everyday that provided Allen with his inspiration for the video.&nbsp;[imgtoken data:1]"To me, this song embodies transformation, for better or worse, whether it's felt within yourself or recognised by others," says Allen. "These changes don't typically happen like in the movies; instead, they often occur during our everyday routines - like doing laundry. You know, the really boring stuff."I found this to be a particularly interesting train of thought. Though, I should remind myself not to start my pitch with, "Yeah, so there's this washing machine…”. That tends to get some concerned looks."I've always had an odd fear of a washing machine's spin cycle in an empty room (feel free to quote me on that). It reminds me of that scene from Home Alone when Kevin ventures into the basement and confronts the furnace. So, when I heard the opening riff of this song, my mind instantly pictured a washing machine spinning and then starting to emit light. This imagery became the foundation for the video."

Bad Bones Films

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