Rupert Bryan directs a slick and pulsatingly energetic promo in his latest collab with Allegra - for the Tiësto remix of Round & Round.Ramping up the energetic vibes of the track, the video sees Allegra and her dancers perform on-stage in a large warehouse space, with floor to ceiling pillars. With a focus on dance, movement and posing, it's traditional pop visuals executed to perfection, with a glossy, cinematic aesthetic."This is a Tiesto dance remix, so we needed to make sure the visuals stood up to the dance powerhouse himself," explains Bryan . "The set ups include a simple theatrical stage, a walkway of astera light tubes and a very shallow pool! We also had four incredible dancers and brilliant choreographer Mark Battershall. Allegra's performance has come a long way since her first release in 2018, so after working with her for almost five years, I have seen a true transformation. "In this video, we see a more mature and sassy side of Allegra, that we have not seen before. We wanted to create a distinctive look using orange and blue theme that gives the video a certain mood and tone, ultimately creating the right feel for the space and for the track. Allegra rehearsed for a month with the dancers to get where she needed to be for the video, and it paid off! There are so many factors that help create a great video and I feel all the elements came together."Working with Simon Rowling for the first time was a pleasure and he is responsible for giving us the great look, so hats off to him and his crew. We discussed the approach (which changed a few times!) but we both are really happy with where it landed. I had some references for the video, which included Little Mix's Sweet Melody and The Pussycat Dolls' React. Having been making music videos for quite a while now, I feel this one has some punch to it and I'm super proud of all the team who helped make it."

Rhory Danniells directs a captivating live video for Christy, shot at the Peckham Liberal Club - in which the Scottish soul singer and his band give a storming performance in front of a disinterested audience of local punters. This palpably live rendition of the soulful number In Denial is an striking display of the artist's vocal prowess and charisma. It's a joyful, uplifting song and the energy on stage is electric, so it wouldn't matter if the audience was empty or facing the other way. But their lack of interest in Christy and his excellent musicians - with the exception of one person - is a nicely daft conceit. The video is the first part of a trilogy of live films, and this one is so well executed - with impressive cinematography by Henry Gill and Steadicam work by Jayy Gomez - that it will be interesting to see how Danniels develops the narrative in this wonderfully atmospheric location, as well as hearing more groovy soul from Christy and the band. Will they eventually win over this typically hard-to-please South London crowd?

Florence has come out the other side of the wreckage. For the final chapter of The Odyssey, the film project created to accompany her album How Big How Blue How Beautiful - and also now available to view in full - Florence and Vincent Haycock have come up with a forward-looking finale.The chapter to accompany Third Eye begins on an image of Florence being carried away from fiery rubble, and this revisits many of the themes from the previous chapters one last time. But Florence is now untethered to the demons that had followed her up till now. The video is just a great closing statement - life-affirming and filled with cheer. It takes place at nighttime on the street in front of a dazzling concert hall, where we follow Florence down into the depths of the basement. There, she gets swarmed by dancers once again, in a scene that is highly reminiscent of What Kind Of Man and Delilah. But quickly the tone quickly turns lively and reverent, and then poignant when Florence is led by a musician back onto the stage.