Dylan Friese-Greene directs a darkly surreal promo for Amy Michelle. In the video for Welcome To The Sidelines, the artist appears alongside her own evil twin in a saccharine dollhouse world, taking a whirlwind journey that ends up in a fiery climax. The soft pastel colour palette, doll-like styling and enigmatic concept echoes influences such as US artist Melanie Martinez, but with a fresh, contemporary take and a wonderfully disturbing central performance from Michelle.

Alex + Plex Studio direct a trippy animated promo for No Label's Torazine. Centred on a feast of unappetising foods and creepy table decorations, the abstract video unravels in a series of clever camera movements, with an increasingly surreal aesthetic straight out of a drug-fuelled fever dream. Mesmerisingly colourful and effervescent, the alluring textures make you want to grab out and touch everything on screen, though it's probably best that this world is contained in a fictional dimension - any more than a few minutes would be dizzying (in the best way possible).

Moon's video for UK singer-songwriter Mimi Webb spans four minimalist vignettes, which conceptualise the track Reason's themes of jagged self-reflection and introspective struggles. DoP Francis Lane uses fractured framing, lucid lighting and dazzling on-camera, practical filters, to personify Webb's demons, creating a nightmarish vision cloaked in glossy pop aesthetics. Moon's disjointed, frantic edit conveys the whirlwind of internal emotions and the rollercoaster journey in the artist's head.

An enigmatic protagonist tries to traverse a nightmarish hellscape, in Ben Ib's return to music videos for iconic rock outfit AC/DC. A versatile director of videos in the Noughties (and creator of the satirical Secret Diary Of A Music Video Director comic strip in PROMO magazine) Ben Ib is now working in animation, well known for his CG work for artists such as Kylie and Calvin Harris. Now this video for Demon Fire captures the incendiary energy of the legendary Aussie rockers in every frame, with the aesthetic landing somewhere between the Doom video game franchise and Queen Of The Stone Age's Go With The Flow. The world Ib has created is breathtaking, drawing on the band's iconography, with plumes of fire crashing underfoot, futuristic neon HGVs and an army of pissed-off bikers circling around the high-speed chase scenes. The videogame style perfectly suits the typically aggressive track, allowing Ib the opportunity to pull from a variety of references with abandon, and mould them into something exciting, engaging and rip-roaringly fun.

A man tries to escape his demons before embracing them head-on, in Balázs Simon's gripping promo for David Guetta & MORTEN.Action-packed and cinematic, the video for Save My Life opens in an everyday family home. It's late at night, and remnants of the day are shown in quick cutaways - smashed glass surrounding a child's toy, a woman sleeping in bed. The abstract patchwork of memories soon transition into a frenetic chase scene, which echoes the opening of zombie thriller 28 Weeks Later. A surreal and conceptual chain of events lead our protagonist to a worrying revelation, which he tries his best to rectify... but is it too late? With a dizzying display of slick camera moves and a wonderfully effective colour palette boasting desaturated blues and yellows, DoP Bence Szemerey transforms the aesthetic into something reminiscent of both a dream and a nightmare, an ethereal space between reality and imagination... and it's as devastating as it is absorbing.It's also an impressive step into full live action direction by Budapest-based Balázs Simon, best known for his work in animation for Leifur James and Bronson.

Thomas James directs a necrotic POV promo for Ghostpoet's new single I Grow Tired But Dare Not Fall Asleep. Speeding through a hellish trip from life to death, the video employs a unique visual style, which flickers from POV to out-of-body, third-person snapshots. Ending with burning landscapes and ghoulish monsters, every frame of the visual elevates the growing tension, and DoP Morgan Sinclair's atypical use of colour adds a sense of doom to the unravelling narrative. Bold and innovative, the concept is a perfect match to the enigmatic track, and a source of nightmare fuel for anyone who tunes in.

Ewan Jones Morris and Casey Raymond make one of their more 'mainstream' videos for High Contrast's Questions. That still means that anything could happen.In this case, a young lad wakes up in the middle of the night in a cold sweat, tormented by weird thoughts about a sexy girl. Cue a stream of oddball, quasi-Freudian symbolism straight out of the Casey & Ewan handbook of weird thoughts: doors of perception leading to hearts drained of blood and pencils floating through doughnuts, via love as a pinball game.It all represents the lad's subconscious anxiety of losing the temptress Polyhedra to a buff-bodied airhead. Well, if you must go on Tindr just before bedtime.

London-based French producer and songwriter Sara Hezen has received this thought-provoking visual treatment for her song The Girl You Want.Directed by Alice Seabright, it's quite the unsettling and nightmarish clip, and sees the singer on an operating table in a blacked-out room. She is vulnerable - with sealed eyes and a gaping abdomen - but more worrying still is her surgeon, who stops mid-operation for some wistful and sensuous dancing before contemplating her subject...