Jesse May Fisher directs a contemplative promo for Anaiis.Following a rebirth narrative, the video for Be Alright explores themes of entrapment and liberation, whilst proposing nature and movement as tools to self-heal. The cinematography matches the reflective atmosphere, switching between fluid, gentle camerawork and moments of stillness to mirror the absorbing concept.

Jake L. Mitchell directs an engigmatic promo for Brooklyn-based hip-hop collective SPACE CADE7S.The visual explores the connection between mind and body, placing the seven-piece group out in nature, allowing their performances to flow freely in the picturesque setting. It's an evocative concept which draws you in with slow zooms and relaxed pacing, whilst raising plenty of questions with mysterious symobilism and imagery. Mitchell's cinematography shines through in the video, with plenty of breathtaking composition and painterly lighting in the concept.

George O'Reilly directs a riveting video for the team-up of Matt Ryder with Birdy, capturing great performances from the artists being adversely affected by water, for Riverbed.The visual highlights the kinetic energy of the track, using nature as an inspiration, embracing it in all its forms - from the smallest of raindrops to the most powerful strikes of thunder. The desaturated colour palette and experimental cinematography creates a timeless feel, with a dreamy yet surreal aesthetic. But above all, it's Birdy's compelling performance in the video - including a barely credible underwater lipsync sequence - which really sets the tone in this excellent piece of work.

Ali Sofi directs an environmentally-focused music video for musician Nick Peers.Visualising the pressing urgency and importance of protecting the wonders of our planet, the video combines 2D frame-by-frame animation and traditionally painted textures, to plea with viewers to consider the impact of our collective carbon footprint.The video emphasises the contrast between nature and man-made pollution, whilst cleverly using overlays to encourage understanding of our proximity to the earth and responsibility.The stripped-back colour palettes and moving imagery drive home the crucial environmental themes, and highlight the need for collective change.

Claryn Chong directs an absorbing and colourful visual for new artist MaZz. The gentle, serene aesthetic is achieved through understated performance setups, featuring the artist in both a studio and outdoor setting. The use of flowers and nature-inspired art direction ties together the various vignettes, and the minimalist approach perfectly suits the laidback vibes of the track. "This music video felt very special as it was created by a 90% female crew with all female heads of departments," says Claryn Chong. "MaZz herself is very passionate about women's rights - she is part of a creative collective called Canvas 4 Equality that stands up against inequality - and so it only made sense."It was an independent production on a ridiculously low budget, but what a magical outcome."

Nwaka Okparaeke directs an alluring live promo for Olivia Dean's Growth, where the artist performs her EP in its entirety. Backdropped by stunning custom-made sets, Dean is at home in the sunsoaked, nostalgic concept.Incorporating natural elements with elevated structures and decor, each frame of the visual is entirely absorbing, and provides the perfect visual match to the sumptuous pop soundscapes - and the reference to the climactic scene of The Truman Show is wonderfully executed."Working with Olivia on this video felt like the perfect match. We both genuinely connected to the ever-changing journey of emotions within growing," says Okparaeke. "For Growth, I wanted to create a live performance video that looks delicate and beautiful but takes us on a rollercoaster of worlds, reflecting how the songs go back and forth from assured to sombre, vulnerable to optimistic."

Samuel Douek directs an empowering promo for Little Mix's Love (Sweet Love).This is Douek and the group’s third collaboration, celebrating ten years of Little Mix, and is the title track from their forthcoming album.The concept was inspired by the Pre-Raphaelite art movement and the lesser known Sisterhood that romanticised nature and emboldened women through painting.“I wanted to celebrate Little Mix as the regal queens they are; unimpressed by a cohort of Knights that vie for their attention,” explains Douek. The opulent promo is shot in a spectacular orangery-style space, adorned with a mesmerising selection of plants, whilst the styling and makeup create a fantasy world that really bring the track to life. This is one of the first films to come out of CAMP Productions, recently founded by Douek and executive producer Francesca Woods.

Daleya Marohn directs an arresting visual inspired by Ted Hughes’s poem Owl's Song, with music by Berlin-based band Martin Dean.The promo features a man traversing various landscapes, taking a moment to be in nature and reflect on the world around him. The black and white, vintage aesthetic adds a timeless feel to the project, and the abstract vignettes allow viewers to project their own meaning onto the piece.