Director James Willis follows up his intimate Denai Moore live sessions by collaborating with indie art house rockers Django Django. Released as part of the band's much anticipated second album Born Under Saturn, he captures Django Django’s complex live set up in a series of smoothly executed one-shots for the tracks First Light, Reflections, Beginning to Fade, and Pause Repeat, photographed by James Rhodes.Here, First Light gets the one-shot treatment...

The directing duo of Harry Israelson and Harry Schleiff pretty much cut their teeth as promo directors with the videos for Toro Y Moi's Too Many Details and Say That a couple of years back. Now, with the video for Lilly - which is part of Ray-Ban's Never Hide Noise strand, HARRYS pick up from where they left off: the same fine eye and attention to detail, but with a bigger vision.From aerial shots of the city, we come down to earth in the parking lot of a supermarket and we enter its near-deserted aisles for some fantastical shopping. A dream-like state pervades and food is soon flying around - which even the pristinely-atttired Chaz Bundick (aka Toro Y Moi) cannot avoid.

Like a locomotive screaming down Mulholland, George Lewis Jr. (aka Twin Shadow) is caught in the crosshairs of an early '90's style action movie trailer called I'm Ready... that's the premise of the promo for I'm Ready by Lance Drake.With great work by DoP Todd Benhazi and grader Gregory Reese it's all high contrast black & white slow motion sequences, dramatic close-ups and hench gangsters. Oh, and an attractive woman sitting on his manly pick-up truck...

In this video for La Dispute's Woman (Reading), Niall Coffey assumes directing duties - he's more usually occupied as producer and 1st AD at Kode Media - capturing dancer Julie Ann Minaai in various locations around London.The draw here is how the shots of this excellent dancer match up, whatever the location. Julie's dmovements - sometimes desperate, sometimes purposeful - are shot in empty parking lots, libraries, forests, rooftops and crowded sidewalks. But no matter how often the location changes, the dance is seamless.