Graham Michael Roberts directs a lively promo for London-based indie rock band The Flitz. We open in the back of a taxi, with the band headed to a show in town, drinking champagne and living it up.The gig itself is an unusual affair, as it transpires they are playing to antagonistic doppelgängers of themselves – and the lead singer's Mum.Probably not the worst audience a band has had the pleasure of playing to in their early careers.

An indie record shop is the place to be in Elliot Simpson's promo for Tinie Tempah, featuring Maia Wright. Sampling the iconic DJ Pied Piper track Do You Really Like It, the track is a breezy collaboration which begs for a feelgood visual, and Simpson delivers just that. Transitioning from the shop space to a real dancefloor, the concept is full of energy, and focuses on movement, good vibes and a brilliant central performance.

Director Oscar Sansom delivers another striking visual work for Biffy Clyro, this time in the form of a ten-minute long concept encapsulating two tracks. The first segment of the video is a paint-drenched performance concept, featuring the group in an industrial warehouse, playing whilst kicking, throwing and splattering blue paint everywhere. The second part of the video takes a more abstract, surreal turn, narratively exploring a cult-like group in the forest, with glitchy vignettes of people running away, circling the group and the appearance of enigmatic black squares floating in the atmosphere. A regular collaborator with the band, Oscar has created a truly striking work here which features some incredible visual moments, intriguing storytelling, and explosive (and at times extremely messy) band performance.

Pedro Takahashi experiments with multiple visual formats in his punchy promo for Shame. Opening in the middle of a field - like many great videos do - Takahashi plays with match-cuts and lo-fi textures to create a maximalist aesthetic, gradually building in pace as the video progresses. Mirroring the dichotomy of isolation and overexposure that is omnipresent in modern society, the group's spontaneous performance setups are intercut with a barrage of snapshots, depicting our obsession with technology and its effects upon us."I decided to explore how it is possible to be physically present yet simultaneously in multiple locations at the same time," says Pedro Takahashi. "The internet and our phones mean we are always hooked up to a global network, allowing us to be connected to people and places all over the world. It is becoming increasingly difficult for us to switch off and exist solely in the here and now. I wanted to take these ideas and have fun with them - whilst allowing the band’s inimitable energy and charisma to take centre stage."

"I'm terribly sorry, I appear to have lost an eye!" A man tries to ignore his crumbling body in Jamie Gyngell shlocky narrative video for Beach Baby.The man starts to fall apart - literally. He can’t even order breakfast without disgracing himself, vomiting some very nasty looking black goop down his front. Haunted by a band of silk-shirted ghouls, he tries to find a way back to normal life. But after losing his teeth in the sink and finding one in the bathtub, he realises he is damned to life in a silk-shirt of his own, in the purgatorial “limbo lounge”.There is something about rock and roll and Video Nasties. Misty Miller, Jamie T, King Krule and Wolf Alice have all had an '80s horror moment. But Gyngell's visual, shot entirely on Super 8mm, looks like it really could be part of the pulpy genre it pays tribute to. A distant cousin of The Evil Dead, or its madder cousins - with titles like Nudisty Colony of the Dead and A Polish Vampire in Burbank.

Baked beans, charades and human brains... James Slater takes us on an unholy day-trip to the seaside with a charming cast of Hammer Horror monsters for Blossoms.Band frontman Tom Ogden plays an amorous werewolf (replete in double-denim) lusting after the Bride of Frankenstein - his best friend’s girlfriend.James Slater has a preoccupation with mixing horror tropes into the ordinary and domestic. It began with a band turning into zombies for Jamie T, and continued into his stately home giallo movie for Circa Waves. Your Girlfriend is the latest pastiche in this loveable series. As always, his regular collaborator Natasha Lawes is close-at-hand with some fantastic prosthetics.