Martin J Pickering presents the second of a trilogy of promos for Morcheeba, this time for enigmatic track The Moon.Following on from the watery depths of their previous promo for Sounds Of Blue, Morcheeba's Skye Edwards emerges from the waves and embarks on a hauntingly beautiful journey through a moonlit landscape. Only the lunar powers that be can decide where she will end up…The cinematography of DoP Luke Biggins, and the VFX work of Matt Bowmer, pays homage to Sin City and gothic aesthetics, and the performances are top-notch. Keep your eyes peeled for the final part of this absorbing and haunting project.

After releasing high resolution greenscreen footage at the beginning of quarantine, Grimes gave video creators the opportunity to create something as they saw fit, using post-production and effects.Brent Bonacorso has stepped up to the plate, and this is his vision for the concept - exploring technology, myth, conception and creation. It is a mighty effort of VFX skill, and he also pays to due homage to Grimes, pregnant when created the greenscreen footage, becoming a mother for the first time during the production process. Breathtaking textures collide with distorted shapes, creating an aesthetic that falls somewhere between The Matrix and I, Robot. Grimes' otherworldly performance fits perfectly within this dynamic, a soft and ethereal being in a dark abyss of futurism and refined brutalist structures. To get from greenscreen performance footage to this video is a huge achievement, and a testament to Bonacorso's creative ingenuity.

Charlotte Rutherford takes us back to the future in the wondrous video for Ashnikko's Daisy. Teaming up with Beats headphones and the TikTok community, Ashnikko launched the #BeatsDaisyChallenge, inviting users on the platform to submit footage to potentially be part of the official visual.Responding to the colours Glacier Blue, Spring Yellow, Cloud Pink and Lava Red - the colours of the new PowerbeatsPro headphones - the response was phenomenal, and you'll notice a range of striking looks in the backgrounds of the various setups. The video itself also takes its cue from the colour options, bouncing back and forth between hyperstylised vignettes, overflowing with vibrance and sass. Paying homage to early 2000's retrofuturism, the props and styling sees Charlotte Rutherford putting her stamp on Ashnikko's striking, fearless persona, and the VFX environments fall somewhere between Crazytown's Butterfly and Gaga's latest album cover. There is no stopping Ashnikko now.