Peter Kent directs a vibrant multi-format promo for The Egyptian Lover.The video for Dirty Passionate Yell is a love letter to London and its landmarks, interwoven with retro-futuristic vignettes and textural post effects. It's a charming, uplifting promo with plenty of visual appeal."We shot across three stormy days last August, aside from the Paris dream sequence, which was shot on 8mm the year before," explains Kent. "Luckily the Lamborghini owner didn't mind the rain, which ended up adding to the wet down look."We also captured a great cloudy pink sunset closing shot, just after shooting the green screen (plus bonus fork lightning shot in the same spot by the DOP James Moriarty). Made for close to no budget, but a lot of fun and plenty of ideas to play with in post-production."

Lauzza takes London R&B artist Natanya into a strange, videogame-inspired version of her own reality in the video for Angel.From chilling and writing her diary in her bedroom, Natanya appears to leave the house and start to walk down her London street. But things are a bit weird and off-kilter, as she walks past glitching, frozen figures, the details of her surroundings start to pixellate - and Natanya herself increasingly takes the appearance of a character in an old-school videogame. It takes a little time for her get used to her new reality - but she does. But did she ever leave her cozy bedroom?Lauzza creates an intriguing world in which Natanya to express herself. And when the credits appear at the end you get an insight into how it was achieved.

Jordan Rossi takes Craig David into a colourful surrealist adventure for his video for My Heart's Been Waiting For You.Craig performs this garage-influenced club hit in a serious of increasingly surreal settings, with outer space encroaching into modern-day London. And periodically everything then suddenly ramps up into another dazzling visual dimension."The brief was wide open," explains Rossi. "All that was stated was they wanted a green screen video that had the vibe of Craig's tour footage. I took that and ran with it, and wanted to craft a luminous surrealist fantasy that was equal parts Dali with Craig's R&B-pop aesthetic."Craig was the best collaborator a director could ask for. Hugely respectful of the art but always wanted to push the boundaries creatively. It meant that what was a green screen video became a smash of reality and illusion in the most entrancing of ways. The final result is a fantasia of colour and other worldly scenarios. All seemingly familiar but with a twist."