Slow Walk self-directs the lo-fi, VFX-driven promo for Drive.The video explores the somewhat ironic tale of a man with no actual drive, who embarks on a dreamy, cinematic road trip through an endless day.With a greenscreen shoot of Slow in a 70s MG sports roadster, stock footage backgrounds and an overall fun vibe, it's a slightly surreal and psychedelic way to spend three minutes. So sit back and relax...

Gwil Doe directs a high-energy banger for Toddla T, Jeremiah Asiamah, Sweetie Irie, Steflon Don & S1mba. The ensemble of artists have created one of the summer's most exciting new tracks, and Doe's visual treatment perfectly encapsulates the celebratory vibes. Intercutting between low-key performance setups and a clever shot in a car - utilising a 360 degree rotating camera and green screen trickery to switch up the locations - the video is fresh, engaging and a whole lot of fun.

Don Broco enlist directing duo Do Not Entry for another outlandish music video, packed full of wormholes, wrestling and more baby dino action. When punched through time and space by legendary boxer Dave Allen, Rob Damiani - Broco’s lead singer - finds himself in a deadly wrestling match with his evil doppelganger, overlooked by a mysterious masked figure.The cosmic mashup is a feverishly fun concept, and the group deliver on all of the quirky expectations they have set up in their previous videography.A healthy dose of chromakeyed performance footage lends a delightfully DIY aesthetic to the project, and rounds off one of the most exciting Broco collabs to date.

Rachel David pays homage to vintage garage rock in her lo-fi promo for The Everythings. Shot in LA on DV-cam, the band live out their best B-52 fantasies with DIY green-screen, bubble machines, aliens, classic cars and big hair.An explosion of galactic energy and playfulness, the video has a universal appeal with kaleidoscopic colours and scrapbook-style editing. A fine example of unabashed, feel-good vibes that can be enjoyed by anyone of any age.

Tim Main - from duo Tim & Joe - directs a distorted vision of a withering relationship in his video for So So Sun.The innovative promo was shot in both 4K and via the Azure Kinect 3D camera, with a tiny, Covid-compliant crew and months of post-production work. The resulting video for Nervous is an otherworldly trip through wireframe blueprints and artificial environments, influenced by the push-pull nature of relationships and the haunting echoes left by the destruction. It's a visionary piece of work with an ambitious concept, and a perfect visual accompaniment to the haunting track.

Jane Chow directs a 90's-style greenscreen video for Tiffany Day. An alien from Mars travels to Earth to pursue a career in music. As she struggles all alone, two 'men in black' are on a mission to hunt her down. Will she succeed in her dreams? Or will they catch her before she’s had a chance?That's the logline for this offbeat trip into retro-futurism, blurring the lines between the past and the future with a vibrant kaleidoscope of imagery. Day floats on a bike ET-style, rides atop a train to Brooklyn and busks in London - all within a three minute runtime and whilst being chased by weird clones. It's wild, full-on and most importantly a spectacular deep dive into the quirky imaginations of the director and artist.

Jack Lightfoot and James Dearden direct a daft and endearing fake-travelogue video for Declan J Donovan's Tangerine Skies - remotely directing a DIY green-screen shoot. Traversing beaches, iconic landmarks and partying with beautiful women, Declan is living a musician's dream -theoretically. But of course it's all just stock footage and he's in a living room in Essex. That just adds to the charm of the visual. Diving headfirst into setting up cameras, lights and a greenscreen, the singer-songwriter brings an enthusiasm and energy that radiates on-screen, adding to the happy-go-lucky DIY aesthetic. And he also contributes to the meta-level fun by adding his witty comments between set-ups. JACK LIGHTFOOT & JAMES DEARDEN:"This was the first music promo we rolled out under lockdown. All the equipment was sent to Declan's house, and over video call, we guided him and his family through the setup. We then ran live camera feeds and compositing to production and label across a two day shoot."It was actually great fun taking a different spin on a typical production setup, and making something so daft amongst all the madness."

Cyprien Clément-Delmas and Basile Di Manski combine humour and horror, ramming home the message of the environmental damage that humanity has wreaked upon the Earth, with their VFX-fired satire for Before The World. Di Manski is the 'dark tourist' oblivious to the chaos around him of parched earth, lakes of trash, burning forests, sinking oil tankers, and more. The artist has been inventively greenscreened into real footage of devastation around the globe. As such, Clément-Delmas has created an uncomfortable satire on mankind's criminal destruction of the natural Earth.