NYSU - aka Spanish director Jesus Hernandez - directs a wonderfully eccentric promo for KAWALA. The video for Jesse C'mon centres on a man - played by Andy Díaz - who just can't stop shuffling his head to the beat of the track, wearing a happy smile.Various characters materialise around him, and the environment switches from studio space to house, to inside a vending machine. But despite all of this, he keeps nodding his head, perpetually stuck in a trancelike state. Even as various forces gather to wipe that smile from his face. From angry robbers to swing dancers, a baseball bat-swinging piñata-hitter, to a B-movie 50 ft Girlfriend, it's a highly imaginative visual take on the track.In fact, it is so easy to get absorbed into the playful concept, you might even find yourself bobbing your head to the beat...

Cédric Legrand directs an eccentric fantasy-horror for French pop duo Korin F, featuring a telepathic television that makes people disappear. In the halls of a school, students encounter this old school giant TV, which hypnotises its prey into climbing through the screen into an extraordinary dimension beyond the screen.The evocative visuals switch between naturalistic, wistful set pieces, and - once the characters have climbed through into the TV world - a chromatic, hallucinogenic world full of vibrant colour and distorted forms.

Martin Sagadin & Aldous Harding present a reptillian take on 60's fashion in the offbeat promo for Lawn. The studio-based concept features a decidely strange group of setups - some traditional performance shots, a man juggling and an abstract vignette of Harding and her presumable love interest crawling up a makeshift tree - adorned with scales and airbrushed makeup effects. It's the kind of video which immediately demands your attention, and the extra flourish of eccentricity - through traditional 60's styling and makeup - creates a perfectly anachronistic world where nothing at all makes sense... and it doesn't need to. A few real-life reptiles close the video, with slithering, longing stares to the camera - a gentle climax to an oddball promo.

Rodrigo Inada directs Put It On Your Face!! - an all-singing, all-dancing extravaganza created for Swedish lifestyle brand Byredo andVogue Italia, with original music by Danny Harle and Isamaya Ffrench.Featuring Ffrench with members of the Theo Adams Company - with Adams acting as performance director - this centres around the power of makeup, in particular the new line of makeup that Ffrench has developed with Byredo. Highly theatrical and dripping with slick styling and, of course, flawless makeup by Ffrench herself, the fashion film blends a number of different aesthetics and an eccentric sense of anachronism, to create something daring, original and collaborative.

Barnstorming indie band Wet Leg are reimagined as bath-loving aliens beamed down from outer space, in Fred Rowson's loveably eccentric promo for Too Late Now. Wrapped in bath towels, the band venture out into Croydon to experience the Earthly delight of a good hot soak for the very first time, reflecting the lyrics, “I just need a bubble bath to set me on a higher path”.During their pursuit they encounter the addictions of bubble bath and the relaxing qualities of cucumbers - which involves a certain amount of suggestiveness, in the already characteristic Wet Leg style - eventually finding true nirvana in the form of a very pink hot tub, drawing a conclusion to the space-invaders’ pilgrimage.Filmed across two days in South-East London and on a rather muddy Kentish farm, DoP Rik Burnell worked closely with Rowson to achieve the ‘fly on the wall’ aesthetic, shot on a very very long lens with minimal lighting.I was slightly stunned to shoot the first Wet Leg video that they didn’t direct themselves."Wet Leg may be the coolest band of the year, but, surprisingly, they are also 2021’s year’s most innocent gang of outsiders," comments Rowson. "Tasked with documenting their first experience of exploring an urban centre outside of Ryde [on the Isle of Wight] I was shocked by their naivety, and nearly lost them on numerous occasions, not least when Rhian nearly went under a bus. Twice."Thankfully, no indie kids were harmed in the making of this movie, and the quintet instinctively found their way to the safety of a rural setting. Thank God."Seriously though. I was slightly stunned when Hester and Rhian asked me to shoot the first Wet Leg video that they didn’t direct themselves. Pressure, considering that their previous two were, for me, the best of the year. But, from conception to shoot to edit, this was a mad, magical collaboration that’s up there with my favourite music video experiences."Thank you to Domino and John Moule for trusting us to get on with it, and thank you as always to the team of Terminators at Blink - Rosie, Seb, Laura: you gave up your lives and made this happen in less than a week. Thank you. Best in town."