Orbital team up with Sleaford Mods to lament our rulers and the voters that put them there, in this full-on promo for Dirty Rat - the follow-up to Luke Losey's MVA-nominated video for Smiley. Shot in Leysdown-on-Sea on The Isle Of Sheppey, the video features local residents as actors, and is focused on spontaneous, eccentric performances that elevate the hyper-frenetic pace of the track. It's raw, gritty and unapologetic, and is impossible to tear your eyes away from.

Bill Bleakley directs a wonderfully eccentric promo for Australian band Ocean Alley. The video for Deepest Darkness depicts an apathetic protagonist, who suddenly starts to emit a dazzling light from her mouth. The narrative follows her to a warehouse party, where a group of characters with a similar glow are all partying, and accept her with open arms. The optimistic concept explores themes of acceptance and belonging, and of breaking through a feeling of being stuck, and perfectly visualises this journey with an atypical plot device. The clip stars Jillian Nguyen and was shot on the same lenses as the original Star Wars movie - Panavision C Series Anamorphics.

Oska Zaky directs an effervescent promo for Cody Frost. The video for Redundant depicts the artist straying from the line between right and wrong, falling into a social pit of her own destruction. Shot between Hackney Downs Studios, Dot Athena & Safe Space Dalston, the video boasts energetic performances, eccentric styling (with a hat tip to Bowie's Life On Mars outfit) and a riotous, frenetic attitude throughout.

Anuk Rohde directs a death-defying promo for iconic rockers Def Leppard. The video for Kick centres on a Wall Of Death carnival show, intercut between bikers' stunt driving and the group performing in the centre of the cylindrical structure. A cast of eccentric characters make up the supporting crowd - who watch on and celebrate the high octane event - and a series of portrait vignettes outside of the venue showcases the distinctive styling and makeup. The cinematography jumps between a grimy, shabby aesthetic and slow shutter black and white setups, which adds a textural, raw vibe to the concept.

Artemas heads to Southend-on-Sea in Racer's dreamy visual for Favourite. In the directing team's latest for the writer-producer, following the Real Life video a few months ago, we see two characters - played by Zoe Newton Kisly (who also produced the video) and Anthony Idahosa - enjoy all the fun of Southend's Adventure Island, winning a bounty of tickets at the arcades, climbing trees and falling in love at the karaoke bar. And all this happens while they are wearing T-Rex masks. The eccentric concept lends a gently humourous vibe to the video, whilst the nostalgic cinematography harks back to home videos of family holidays spent next to the sea. Nothing like a good T-Rex love story to get over the midweek hump...

NYSU - aka Spanish director Jesus Hernandez - directs a wonderfully eccentric promo for KAWALA. The video for Jesse C'mon centres on a man - played by Andy Díaz - who just can't stop shuffling his head to the beat of the track, wearing a happy smile.Various characters materialise around him, and the environment switches from studio space to house, to inside a vending machine. But despite all of this, he keeps nodding his head, perpetually stuck in a trancelike state. Even as various forces gather to wipe that smile from his face. From angry robbers to swing dancers, a baseball bat-swinging piñata-hitter, to a B-movie 50 ft Girlfriend, it's a highly imaginative visual take on the track.In fact, it is so easy to get absorbed into the playful concept, you might even find yourself bobbing your head to the beat...

Cédric Legrand directs an eccentric fantasy-horror for French pop duo Korin F, featuring a telepathic television that makes people disappear. In the halls of a school, students encounter this old school giant TV, which hypnotises its prey into climbing through the screen into an extraordinary dimension beyond the screen.The evocative visuals switch between naturalistic, wistful set pieces, and - once the characters have climbed through into the TV world - a chromatic, hallucinogenic world full of vibrant colour and distorted forms.

Martin Sagadin & Aldous Harding present a reptillian take on 60's fashion in the offbeat promo for Lawn. The studio-based concept features a decidely strange group of setups - some traditional performance shots, a man juggling and an abstract vignette of Harding and her presumable love interest crawling up a makeshift tree - adorned with scales and airbrushed makeup effects. It's the kind of video which immediately demands your attention, and the extra flourish of eccentricity - through traditional 60's styling and makeup - creates a perfectly anachronistic world where nothing at all makes sense... and it doesn't need to. A few real-life reptiles close the video, with slithering, longing stares to the camera - a gentle climax to an oddball promo.