Burna Boy brings the carefree vibes in Troy Roscoe's promo for It's Plenty. Interweaving live performance and a laidback series of vignettes, the focus is purely on good times, with an overarching feeling of optimism and celebration. "As one of my favourite songs at this moment, I was super excited when Burna's team hit me up for this," Roscoe says."The song is nothing but good vibes and it was important that the visuals represented that. The video captures people from all walks of life coming together for enjoyment. We want people the watch the video and look forward to good times. When I show family and friends this video they smile the whole way through so it’s safe to say the video was a success!"Textural VHS overlays and subtle visual effects seamlessly tie together the various setups, and Burna Boy's performance ensures that all eyes are on him throughout.

A man has some painful memories reconfigured in Elliot Simpson's promo for Joel Corry and Becky Hills. In the same faux-utopic vein as previous collabs I Wish and Bed, the sci-fi concept in History proposes a world in which memories can be altered and 'put right', via a personal home visit from Joel, Becky and their futuristic arsenal of gadgets. The narrative perfectly blends the borders of surrealism and reality, and gives the artists a chance to flex their acting muscles in addition to some very filmic performance setups. Seamless and slick, the video is equal parts Black Mirror and pop promo, and is a real visual treat.

A young woman leaves the big city to head to back home, in Bill Bleakley's tender promo for Ocean Alley.Backdropped by a stunning desert landscape, we see the main character sprinting towards camera, her business-casual attire ruffled and unkempt. This is a spur of the moment decision that is playing out like a true adventure. After hitchiking and connecting with a love interest along the way, the character finishes the journey alone, ending with a shot of her embracing her parents.It's a simple yet beautiful concept, with a real, classic road-trip vibe. The breathtaking locations act as another character completely, lending the visual a rough and ready edge that matches the protatgonist's spontaneous travels."The band gave me a lot of freedom in coming up with a concept for this one," says Bleakley. "We thought it would be cool to follow a protagonist leaving the city and heading home."To make it feel epic we wanted to cover as much ground as possible in the space of a few days. Hence we drove from Melbourne to Broken Hill and shot along the way."

Dir. Lx lends his slick directing style to Yung Filly's Day To Day, featuring Chip. Set in a grand, palatial building, the video is a showcase of laidback luxury, with punchy performances and captivating choreography.The cinematography matches the polished concept, utilising plenty of fluid camera movement and cinematic lighting.

The Safdie Brothers meet Blade in Milo Blake's surreal, visceral video for Biig Piig's Fun. This intense horror-drama begins at full-throttle with Biig Piig playing one half of an outlaw couple, who are deep in an argument after a robbery gone wrong. Then a dark energy engulfs the couple, transforming them into vampiric alter-egos of themselves.With menacing new auras, chaos then ensues - with a lone medical worker carrying blood supplies as the pair's hapless victim. In terms of the nature of the narrative this is quite the metamorphosis for Biig Piig, who steals the show in vampire villain mode. Meanwhile, the surreal aesthetic and horror concept has the wider impact of visualising the idea of toxic love, and how the darker side of our personalities can run riot in the heat of an argument.It's another intriguing step forward for Milo Blake - this time into a tangibly creepy netherworld - with the help of excellent cinematography by Deon Van Zyl, and a kinetically breathless edit by Lainy Black.

Stéphane Berla directs a brilliantly animated spooky maritime yarn for French post-rock project Kwoon.It follow the story of generations of fisherfolk, and reveals the grisly truth about the fate of fishermen who work off a rocky coastline, overlooked by a lighthouse. Created in collaboration with Paris studio Brunch, the video combines VR illustration/animation tool Quill with Blender 3D software, to create a stop-motion feel. The cinematic aesthetic is perfectly interweaved with textural character design and rich colour palettes, to create a heightened experience that would be near-impossible in any other format.

Gareth Molan directs a stirring animated promo for Helen Nash. The video for Destruction focuses on a dinosaur who explores the modern world, experiencing first-hand the devastating effects humans are having on the environment. Meditating on waste, war and climate change, it's a thought-provoking concept brought to life through colourful, rich textures and some truly top-notch 2D animation.

A woman tries her best to hide an unusual medical affliction, in Ian Roderick Gray's video-cum-short film for On Man. Exploring discrimination and isolation, the video follows the story of a woman who has grown a third eye on her temple, and the derision she experiences from society as a result of her condition."On Man wanted to create something that would work as both a music video and as a film, with the song almost acting as a score," explains Ian Roderick Gray. "From the beginning, we wanted to avoid the tropes you often encounter in horror films or sci-fi. It was very important to us that the eye felt like a medical affliction and not a mutation or something you might find in the X-Men films."The concept takes a heartfelt approach to the narrative, never stepping into parody or overly bizarre territory, and is anchored by the visual effects work on the eye. "I was lucky enough to work with the incredible VFX supervisor Puff Pisanwalerd, and she put huge amounts of work into the design of the eye, to create something that felt like it could be a natural growth or an unusual condition. The target was to make people feel uncomfortable when they looked at it and then feel guilty about that discomfort. We knew very quickly, that if the third eye didn’t work, the music video would also fail."Luckily, that worry was unfounded, as the video works perfectly, ending on a hopeful, optimistic note. Brilliant work from Ian Roderick Gray and team.