NWSPK direct a pink-hued action thriller for London-based rapper Karnage Kills. In Baddie, the artist makes a bold, femme-powered statement on his status as a queer artist in the macho world of UK grime.Encapsulated in an enigmatic narrative (and part two of a trilogy due to be released), the video follows Kills as he kicks, shoots and stabs his way through a selection of henchmen... in flawless style, of course. The colourful, playful aesthetic is mesmerising to look at, and the stunt work elevates the no-holds-barred thrills of the project.

Multi-hyphenate creative Wesley Joseph self-directs the etheral promo for Monsoon. As with Joseph's self-directed video for Thrilla last year, it's presented as a series of poetic vignettes, and imbued with a sense of otherworldly energy, exploring character and concept through dazzling costumes and slick styling. Without a narrative to tie things together, the abstract visual is instead left open to interpretation, and exudes a magical, fantastical vibe throughout. It's fantastic work, and absolutely stunning to look at.

Thomas Davis directs a love letter to early computer animation, in his visualiser for Biig Piig. The video opens with the artist putting on a VR headset, and being pulled into a playful, candy-coloured world inhabited by skeletons, teddy bears and uncanny doppelgangers. The vibrant, intentionally rudimentary animation calls back to early Noughties music vids - anyone remember Sweet Like Chocolate by Shanks & Bigfoot? - whilst interweaving contemporary elements at the same time. Marvellous work.

Matt Grosso directs an energetic performance promo for Zack King. The video for What's On Your Mind interweaves several colourful performance vignettes, blended with dynamic transitions. Emily Winzenz appears as the model/actress in the video, appearing throughout to give context to King's anxieties, and create a slightly dreamlike version of reality.

The Rikas boys are happier indoors, in Aladin Mekanovic's quirky promo for the German indie band's Never Leaving The House. We follow each of the band members as they wake up in their bedrooms, which are nearly identical, aside from a flourish of a chosen colour for each individual. They keep to their individual routines before eventually banding together, taking part in a fun little dance number before deciding enough is enough for one day, and retreating back to bed. The nostalgic, vintage aesthetic is achieved through textural art direction, bold colour palettes and an overall sense of anachronism, and the group's performances elevate the offbeat nature of the piece.

Craig Gorman and his biker gang wheelie their way through Dublin's suburbs, in Lewis Cater's promo for Workout. In the video, we see vocalist Alex Hosking lead a fitness class in a warehouse space, intercut with the biker action just up the road. Eventually, both worlds collide as the boys crash the class, and Gorman gets on the decks to amp up the party vibes. Aidan Gault's cinematography carefully treads the line between gritty exterior scenes and polished interiors, creating the contrast between the worlds, and the lighting in the warehouse space - consisting of several pastel-coloured light sources illuminating different sections of the space - really elevates the aesthetic.

Roisino directs a euphoric, Studio 54-esque promo for Sophie and the Giants. For her first video as a solo artist, we follow Sophie and several characters in an iconic LGBTQIA+ venue, dancing the night away under coruscating lights. The neon-tinged video for We Own The Night blends party vibes with a surrealistic twist - a trademark of Roisino's style - and boasts experimental camerawork and a hyper-vibrant style. "For this video, we had an incredible crew who pulled together to create a custom underground club setting, including artworked posters and custom set design." Roisino mentions. "The video evokes a serious sense of FOMO for anyone who didn't get the invite!"

Carla Dauden directs a fun-filled promo for new pop girl Dylan, who shows her mischievous side in Girl Of Your Dreams. The video sees the artist break into her love interest's house - while he's sound asleep - making a raucous mess as she aims to cement herself as the girl of his dreams. The use of playful visual effects - a pair of lips on a hand, moving posters and TV heads - adds a playful spark to the concept, whilst Dylan's absorbing performance will have viewers mesmerised through all of the madness. A bright-coloured throwback to Noughties videos with a fresh, contemporary flourish.