Ted Clarke directs Petal Blizzard for Emil James, the third collaboration between the pair. In the video for Emil's latest single, the artist struggles to keep his emotions in check after being stood up. However, sometimes it's easier to simply let it all out...With a well-crafted monochromatic aesthetic and slick cinematography, the video is an excellent showcase of Emil's playful performance style, and of Clarke's ability to continue coming up with exciting, fresh concepts.

Joseph Falcovici directs a mischievous video for Liverpool band Circa Waves's Hell On Earth, taken from their forthcoming new album. The video sees the band perform in an eclectic, 70's era house, in an undisclosed location in the South of England.Boasting the presence and energy that Circa Waves exude on stage, the video pays homage to a uniquely British suburban aesthetic, with a huge dash of absurdism thrown in for good measure.

Frequent Rina Sawayama collaborator - and recent guest on The Promonews Podcast - Ali Kurr directs a grunge-inspired promo for Hurricanes. Exuding early Noughties pop-rock nostalgia, the video is a riotous, windswept tour de force, with Rina at the eye of the storm - an impressive climax to a hugely absorbing, refined trilogy of videos, which as with its predecessors This Hell and Hold The Girl features splendid cinematography by DoP Diego Rosenblatt. Kurr discussed her fruitful collaboration with Rina Sawayama on the latest episode of The Promonews Podcast. And Hurricanes will leave viewers breathless and excited for the next step in both the artist and director's respective journeys. "For this video, Rina wanted a band performance moment with a trickle of a narrative running through it," Ali Kurr explains. "Leaning on an Alanis Morrisette, grunge aesthetic, we open on an exhausted Ri who assembles with her bandmates in a vaulted barn as a wicked storm descends."Although this video has a different feel to it than our previous films for Rina’s latest album, I wanted to make sure Hurricanes sat in the same world. So we made sure to shoot on the same lenses and even used the same location as Hold The Girl."