Although they have worked together for a while on other projects, Nathan Miller has not directed a J Hus video before - until now. For Hus's collab with Burna Boy, the pair crashed one of the biggest gigs this summer - Burna's huge show at the London Stadium in June - with Miller using all of his considerable documentary-making skills to make an electric video for the track.As he explains below, this was seat-of-the-pants stuff as Miller and his small camera team grabbed footage of the pair backstage at the show, and on-stage performing the track - with other candid footage of Hus partying with pals in between.Miller says: "I've worked with Hus for a few years now, shooting his documentary; we've built a great connection and have had a lot of good times over the years. Surprisingly, I had never been asked to work on a promo until now!"We wanted to maintain a doco feel, so we kept the crew to a minimum and simply filmed the day unfolding. The bulk of the video was shot at Burna's show in London, and we captured many candid moments. Burna Boy stepped off stage and joined us in the back to do a quick take before having to get back out there. It felt very eventful!"We were planning to film the finale at Burna's afterparty that evening, but that got cancelled last minute. So Hus, his friends, and I roamed around London heading to other parties. The party shots that made the cut were from his album launch. It worked well, I think. It kept the momentum up throughout. We graded the vid for colour, but the team preferred black and white in the end. I think it looks great and was a pleasure to work on!"

Meji Alabi directs an intense and timely exploration of violence and inequality, in his video for Burna Boy's Monsters You Made, featuring Chris Martin. Having watched a devastating montage of traumatic events, a group of soldiers - led by Burna Boy - are training to revolt against the systems and people in power. The concept encapsulates the themes of the track, and is a timely meditation on an unjust society, where violence is bred from birth and is a matter of life and death for many people.

Meji Alabi has directed several videos for Burna Boy, including some proper blockbusters. But have any been as powerful as this?In visualising the sombre sentiments of the Stormzy-featured Real Life, Burna Boy gave Alabi licence to tell a story about the difficulties for Afro-Carribean people in London now. The result is a tour de force; a compelling mini-drama where the complexity of people's lives, navigating what is 'right' and 'wrong', is highlighted by the different routes taken by twin brothers, and a pointless murder. With a standout performances by Devontay and Dijon Graham as the brothers, Alabi creates a world on a West London estate populated with believable characters, sketched into life by his direction and Jaime Ackroyd's camera. Most painfully of all, Alabi stays firmly with the victim, as he dies alone. It is a departure for the director who has become one of the most adept at creating visually exciting pop videos, but a very confident and cinematic one.Alabi even pauses the drama to allow a spoken word section, written and delivered by George The Poet, to add weight to the whole piece, that already includes strong performance elements from Burna Boy and Stormzy. Powerful indeed.

Meji Alabi teams up with Eugy for the video for Hold Me Down - shot in the National Theatre of Ghana. It is the first time anyone has been permitted to shoot a music video in this spectacular theatre, and the team don't waste the opportunity.Using the impressive structure as a backdrop, every shot utilises the angular, imposing architecture of the location, and when paired with the subtle art direction it creates a bold, striking series of images.This theme carries through to the wardrobe, where a cast of extras wear uniquely shaped garments, full of straight edges and sharp contours, with a splash of colour and local flair. The performances are confident and assured, from both the artists and dancers, resulting in an exciting video packed full of ambitious concepts. The interiors are just as gorgeous, and Francis Lane does a great job of creating a dark and sexy atmosphere, utilising the deep red colour palette of the theatre, painting the characters in a vibrant silhouette. This is a project very much focused on form and design, and it's a must watch.