"To me, there?s beauty in embracing the inner idiot," Ace explains. "That's kind of what this video is about - the creativity that spawns from boredom - the idea of taking a bunch of useless …
Danny Brown ft Purity Ring '25 Bucks' by NORTON
NORTON uses his background in VFX to excellent use in his video for Danny Brown's 25 Bucks, featuring Megan James from Purity Ring, combining practical and CGI to create the impressive time slice shots throughout.
Danny and Megan interact with these freeze-frame vignettes from his life - with everything from plates to money being tossed around - in a series of steadicam shots. The sort of thing that used to require motion control.
NORTON explained to us how it's done...
PN: How did you get the idea for your Danny Brown video?
NORTON: When I was listening to the track, it felt almost like Danny was painting different scenes from his childhood. The imagery became so vivid in my mind that I thought of this sort of ghost-of-Christmas-past kind of trip.
Initially it was just sort of a visit to a museum of Danny’s memories in which Danny was the tour guide. But it became something more in the treatment I submitted, where Danny actually interacted with objects in different scenes. When Megan and Danny leave, the visit was over, the play button was pressed and this inevitable past would try to catch up.
• How did you achieve the FX in the video?
It was a combination of practical effects on set, basically objects hung with wires that were removed in post, together with CG objects that were 3D tracked and composited into a scene. For instance, in the final money shot, we placed real bills on young Danny’s hands and also a couple of bills rigged to the table so that Danny could pick up what looked like floating bills; then in post, VFX house Varnish added CG bills to the scene.
When the camera turns to Megan, that gave the production design team a chance to run in and out and remove the real bills rigs and throw lots of normal bills on the table for the actors to interact with.
In other scenes, the effect was simpler. Like in the mom smoking by the stairs, where we just added CG smoke that was tracked in and composited.
|Director of Photography||Sing Howe Yam|
|Production designer||Hannah Hurney|
|Hair & Make-up||Tina Cohen|
|VFX||Brian Budak, NORTON, and Varnish FX|
|Grading company||Nightshift LA|
|Executive Producer||Stephen Buchanan|
|Production Company||More Media|
|Other credits||Danny's Groomer: Meghan Ellis Special thanks to: Jamie and Ali at LARK, Guillaume Raffi at NightShift LA, Dart Parker, Mookie Singerman, Benjamin Jacobs at Fools Gold.|
Patrick and Ace break out the ruffs, the wimples and the luminous makeup to celebrate our hard times. A deft and dazzling combination of performance, theatre, vfx, and outré neckwear.
Michael Ashanti's is irresistibly drawn to Love Dotcom, and getting connected with new and interesting friends in Tom Norton's ambitious video for the funk-filled The Internet (There's Nothing Wrong …
Beautifully shot by Jackson Hunt, the video finds dancer Amanada Wells in a state of despair following a tense, furniture-throwing argument with her lover. "My goal wasn't to make a music video," …
It’s the final call for entries for the UK Music Video Awards 2020!
There is just over a day left until the entry deadline for the UK Music Video …
There are just over two days left until the entry deadline for the UK Music Video …
There’s just over three days left from today (August 4th) to enter work into the UK …
There are now just over four days left (from today, August 3rd) to enter work in most of …
The entry deadline for over 35 categories at the UK Music Video Awards 2020 has been now …