Production Manager

Enrique Soares Da Silva

Sophie Ellis-Bextor is up to her old tricks in Sophie Muller &amp; Theo Adams' dazzling promo for Freedom Of The Night.&nbsp;Paying homage to iconic hit Murder on the Dancefloor, the artist plays an overwrought dance mum, dragging her on-screen daughter through a local talent show.&nbsp;When push comes to shove, she releases a big bag of sugary sweets onto the unsuspecting competitors, causing a riotous distraction for Ellis-Bextor and her mini-me to take the crown.&nbsp;Featuring a cameo from one of the original MOTDF judges, it's a delightfully sweet, disco-tinged concept, with a heavy dose of nostalgia and charismatic charm.&nbsp;And let's just take a moment to appreciate the twirling ribbon solo at the bridge - it's safe to say that Ellis-Bextor has reclaimed the dancefloor, almost 25 years after her breakout hit.&nbsp;

United Kingdom

Polly Bennett

Hammond Cox Casting

Jai Durban

Lola Chatterton

Theo Adams

Sophie Muller

PRETTYBIRD

Tom Nowell

Robbie Ryan

Chris Kelly

Alasdair Baines

Harrison Clark

Lisa Laudat

Dan Levy

Rascal Post

Decca Records / Universal Music Group

Sophie Ellis-Bextor 'Freedom Of The Night' by Sophie Muller, Theo Adams 

Sophie Ellis-Bextor - Freedom Of The Night (Official Music Video)

PRETTYBIRD’s Kelvin Jones has directed a cinematic music video for M Huncho’s latest single Of Course. Shot on location during wild weather in Hastings, which Jones has lensed with an aesthetic that evokes Midwest America, a humorous narrative runs through the promo, based around central character ‘The Plug’, played by the artist.Kelvin Jones explains: “It was a privilege to work with Huncho on this video, he was so easy to work with. He originally hit me up for the job and it was a no brainer, he trusted my creative vision to create something he was more than happy with. We had a weather warning on the first day and we couldn’t move the shoot, so we was hit with heavy rain and terrible wind, and we was in Hastings so the intensity of everything was worse."So pickup day here we come, and on the second we ended up leaving with the scenes we wanted but under a different scope. We used a vast array of lenses for different purposes because I was searching for a lens that had a lot of character. However, we only had our main lenses on the main shoot but we couldn’t get them on our pickup day, so we ended up shooting on Arri’s Signature Primes and the ANGÉNIEUX ZOOM LENS.”

Enrique Soares Da Silva

Production Manager

2024 (1)

2023 (1)