Daniel Fletcher provides Durrty Goodz & L Dot Man's downtempo grime track with some heartwarming visuals that tell a story of friendship through a love of music. Nostalgic in tone, the video celebrates the humble cassette and its power to forge friendships by being a tool to document everything that seems so captivating when you're young.

Bullion's latest signing Joao Retorta has created this video for Manchester-based band Prose's Run With Faith, and as he says, it's "a coming-of-age piece about friendship, and what it means to belong for different individuals in the same group of friends."Set in a small town in the UK the film follows two friends - two football lads - on game day. The video is made up of high-energy series of clips, highlighting their enduring friendship despite their very different personalities. Josh, the youngest, is shy and quiet, whilst Elijah is loud and cocky. Beneath the surface though they both just want the same thing, which is to belong. But ultimately tensions surface.It's the third video by Joao Retorta in quick succession - including Oscar's Breaking My Phone - that confirms he's a director of considerable promise.

Following, a collaboration with Frisco for Funny, here's the second instalment of the four doc-style music videos by director Taichi Kimura for Chase & Status' forthcoming EP. This time we see Chase & Status collaborate with Nathaniel Thompson aka Giggs.

From the echo of a lone lighter in the darkness, a monster of dense sound crawls through Grief, the debut track on Earl Sweatshirt’s second album I Don’t Like Shit, I Don’t Go Outside, and its video by Hiro Murai translates eerie sonic textures into equally unsettling images.‘Ain’t been outside in a minute,’ Earl spits, while the video unfolds as if from the perspective of some nocturnal creature that only sees in negative space. There are no bounds. No borders from which to frame the universe of this video. No way to get your bearings. It just emerges from the thick muck, while the backing sound ploughs ahead, like the hollow sweep of Badalamenti’s ambient Twin Peaks score as if Burial had created it.The longer you watch, the more you’re unnerved. Sucked in. Unsure if you’ll ever make it out. Earl and his crew clearly haven’t, stuck in limbo as x-ray video game characters. ‘I’ve been livin’ what I wrote.’This is the third outing for Hiro and Earl, who previously collaborated on Chum and Hive, and if anything, this video feels obvious. That is to say, these two are so well matched, much like Hiro’s ongoing work with Childish Gambino, that once you start watching, you’re immediately struck by the inevitability of it all; it’s a perfect visual realisation of what the music calls for. So much that you have to wonder if any other approach could even come close.I Don’t Like Shit, I Don’t Go Outside drops on March 23, and we can only hope to see Earl and Hiro continue their collaboration with the same brutally haunting momentum as this first release.