Tom Furse presents a heavy dose of retrofuturism in his dazzling promo for Camelphat, featuring Ali Love. The trippy visual for Compute blends quirky AI renders with textural patterns and shapes, creating an uncanny atmosphere that exudes a sense of weird fun.A marriage of Dr Who, Daft Punk and Y2K alien iconography, with inspired abstract overlays and a razor sharp edit.

Sam Wiehl directs a striking animated promo for UK experimental electronic artist Matthew Barnes, AKA Forest Swords.The video for The Low expands on the visual world that accompanies the record, merging otherworldly textures and cryptic conceptual vignettes to create a distinctively uncanny vibe. "Sam designed and generated some stunning imagery using Unreal Engine and then tasked me with trying to piece it all together into a cohesive whole," explains Jack Whiteley, who edited the video."We imagined a future world where advanced AI beings had unearthed and excavated artefacts from the Human Age, which they then created extraordinary artwork from and put on display. Almost certainly an exact prediction of the future!"

Ewan Jones Morris takes us back into the marvellous world of cut-up montage animation - and then adds a modern tech spin for good measure - for South London indie band Hotel Lux.The video for the rather excellent Points Of View is a surreal mash of performance and textures, with a nostalgic zine aesthetic, courtesy of the technique of mixing cut-out stills with lo-fi video of the band performing, and other paper elements, that Jones Morris executed with the help of Louise Mason and William Reid. Together the three of them run a 'collage club' at State51, Hotel Lux's label, called Sticky Pleasure, where people hang out and make collages. So the video became a logical extension of that project.But as well as creating animating in the old-fashioned stop-frame way, Jones Morris also employed some AI to extend the capacity of the form. The effect is to super-charge the animation without disrupting its essential character.So body parts and landscapes entangle, faces crumple and eyeballs appear at every corner, in this wonderful, whimsical piece of work. "The video is pretty straightforward, low budget fare: lads, guitars and paper collage," explains Jones Morris. "But despite it's lo-fi DIY aesthetic some of the imagery is created by feeding collages into AI algorithms and seeing how the images are reinterpreted."I guess it's partly an attempt to utilise some of these already ubiquitous AI image generators in a very handmade, lo-fi way."

Luis Hindman directs a kaleidoscopic promo for Master Peace, the second of three videos he's directed for the South London musician. The frenetic, colour-soaked video for Veronica sees the artist take an interest in the song's namesake, spotting her at a club before seeing spiralling into a Y2K-inspired fever dream. The name Veronica starts to appear everywhere - on bottles, necklace pendants and even a pack of cigarettes - and before long, the whole room has warped into a series of fluid textures and uncanny forms. Shot on 16mm, the video has a gritty yet vibrant aesthetic, with a truly trippy vibe throughout. A fine follow-up to the equally vibrant and energetic video Hindman directed for Country Life.

Alessandro Amaducci directs an impressive animated promo for Paul Roux. The video for Bapteme sees an astronaut trapped in a cage of data, searching for something or someone. He eventually discovers a host of cyber insects creating another world, and another person waiting for him. The encounter between the two characters produces a technological reaction that helps free them. The glitchy black and white textures amalgamate with retrofuturistic design, creating something that feels ethereal and evocative. The splash of colour at the end perfectly represents the journey towards freedom, and a new world lying ahead of the characters.

Yago Hunt-Laudi directs a mesmerising multi-format promo for Easy Life and Gus Dapperton.Combining beautiful cinematography and analogue textures - including charcoal, pastel, tape, and paper printouts - the video sees the artists travelling around in an ice cream van, interspersed with an amalgam of vintage imagery and abstract cutaways. The DIY, zine-like aesthetic of the cutaways contrasts with the slick setups in the truck and on the roof, creating a timeless vibe and plenty of details to catch on a second or third watch.