Libby Burke Wilde directs a dramatic and heartfelt one-take performance video for Cat Burns, as she walks along a London high street, heading home after a night out... alone. In a bravura single Steadicam shot, Cat expresses her frustration and loneliness in singular terms in her new song Alone. It's a showcase of Burns' charismatic performance style, packed full of emotion and introspection, and it's elevated in cinematic terms by the approach, with cinematography by Joe Cook and Steadicam operation by Emilio Schlappi. Featuring a brief cameo from BAFTA-nominated actor Sam Bottomley, this is the first visual taken from a wider series for Cat Burns's upcoming debut album.

Sans Soucis is an omnipresent force in Jay Green's fantastic promo for I Know Your Present. With a high contrast, monochromatic aesthetic, we see the artist standing in the middle of bustling London streets, serving as the narrator of the passing crowds' lives. Utilising a mixed media approach - blending video and time lapse photography - the video is an arresting portrait of a fascinating artist, and the focus on the environment as well as the performance elevates it to a new level.

Sam Smith reunites with Luke Monaghan in a triumphant comeback for Love Me More.The song is all about the singer being more comfortable in their self, and Monaghan - who has directed more Sam Smith videos than anyone else - allows that feeling to seep through the course of the film in both a direct and evocative fashion.After a prelude listening to a phone machine voice message from an old friend who craves to meet up with them, Sam heads out into the day with a spring in their step - in a street scene reminiscent of one of their early videos.The introduction of a supporting cast is done through a break from the course of the narrative - conceptual set-ups and portrait shots of Sam's 'gang' from the LGBTQ+ community - before they all come together on the dancefloor.Monaghan keeps things interesting and affectionate throughout, never deviating from a positive and joyous mood. That's anchored by Sam's radiant performance. This dovetails really nicely with a song which has a tinge of gospel revivalism about it.Sam Smith is definitely back - and so is Luke Monaghan.