Leaning into The Jux’s love for streetwear, the Aychibs-directed visual for Dark Lights draws inspiration from Supreme’s iconic colour palette, fused with bold angles and a cinematic vibe.The first visualiser in a yet-to-be-released series of short clips, this one stands apart by using the screen itself to tell the story - a fresh visual twist. A slick, multi-screen setup creates depth and texture, with silhouette performances backdropping the main performance. Highlighting the red colours amongst a sea of monochrome, the visual is brilliantly executed and was turned around at lightning speed, shooting and editing simultaneously on set.

Jonas Åkerlund reunites with veteran wild boys Duran Duran to make a fantastic video inspired by the late 19th/early 20th century obsession with the supernatural and communicating with the dead. Having worked with the band on their Girl Panic video back in 2010, the Grammy-winning director is back with a fresh vision for Black Moonlight, following the group through a performative séance, in the style of an early silent movie.A haunting play on the history of clairvoyance and mysticism, the visual is inspired by the artwork of the band's new album Danse Macabre, which itself features images adapted from a collection of vintage séance photos, personally sourced by keyboardist Nick Rhodes at auction.The video is packed full of Åkerlund trademarks - a playful balance of surrealism and commercial appeal, a killer concept and captivating imagery - and perfectly embodies the enigmatic track. Furthermore, the monochromatic aesthetic adds a nostalgic appeal to the promo, playing into horror iconography and spooky vintage cinema, beautifully captured by DoP Ole Birkeland. And it turns out that Nick Rhodes was born to play a silent movie mad professor...

Rauri Cantelo directs a retro-futuristic promo for Rose Gray - the director's third for the up-and-coming dance-pop artist. The video for Ecstasy jumps between cold labratory spaces and softer organic moments, the metallic textures clashing with playful, intense colour, creating a weird and wonderful world that is Rose Gray's own. It follows Cantelo and Gray previous collaborations on Synchronicity and Promise Me."Working with Rose and the team again has been an absolute dream," says Cantelo. "Our aim for Ecstasy was to create a weird and wonderful world that employs a crossover between those iconic late 90’s/early 00’s music videos and the new wave sci-fi era of the 60’s/70’s."