The Weeknd is trapped in an emotional purgatory, in the Cliqua-directed promo for Is There Someone Else. Drenched in 1980s movie influences, the wonderfully cinematic video sees the artist reliving a memory of a time spent with a mysterious love interest, visualised through sultry choreography and an enigmatic, abstract concept. Exploring the idea of voyeurism - and taking its stylistic lead from archetypal Eighties fare by Brian DePalma and Adrian Lyne - the use of a masked version of The Weeknd suggests a doppelganger watching from afar, trapped in a loop of paranoia as he stares through a telescope. Diving into surrealist fantasy scenes towards the end, it's another tour de force of creativity, that builds upon the Dawn FM era, with a contemporary film noir-style edge.

Fidel directs an atmospheric promo for Arz. Interweaving several gritty black and white vignettes, we see the artist perform at different spots in a cityscape and out in nature. Using abstract sound effects to match the otherworldly aesthetic, the video is almost haunting in its presentation, and manages to hold attention without giving too much away, creating an enigmatic vibe.

Directing duo Constantine // Spence direct a thrilling promo for VAAL. The enigmatic video plays out as a hypnotic fever dream, a visual cacophony of nightclub gazing and haunting abstract cutaways.Leaving any sense of narrative to the imagination, the video instead focuses on the intensity of emotion created by the music, and remains beautifully uncategorisable throughout. "For this video we really wanted to play into the intensity of Song Zero - the innate feeling of overriding threat" say Constantine // Spence. "We wanted the video to feel walk the line between the beautiful and impending threat."For us it was all about focusing in on the small moments that usually go missing on a frantic night out. Eliot is at the heart of this film - we view all these moments through their gaze."

Nick Denisov directs an upbeat promo for Barny Fletcher. The video for Intergirlactic sees Fletcher lose control of his bodily movements, tripping and falling all over the tube, before it's revealed he is being controlled by an enigmatic gamer in an arcade. Effortlessly engaging, the video is refreshingly playful and fun, and boasts plenty of standout visual moments.

Jake Karno directs an enigmatic, red-hued promo for Chloe Castro. In a minimalistic studio setup, we see the artist perform to camera, as a mysterious love interest flickers in and out of the footage.It's a simple, understated concept which perfectly encapsulates the themes of the track.

Billy Lockett has zombies on the brain, in Kris R's cracking promo for Freaking Out. Paying homage to an iconic Shaun of the Dead scene, we see Lockett head out to the shops, stalked by a set of zombies who may or may not turn undead after encountering the artist. The image of a straight to camera performance backdropped by undead extras is hilarious and captivating, and Kris imbues the concept with enigmatic nuggets of information, which allow viewers to make up their own mind about a few key details. "Zombies were a key part of the brief I received for the track, but I wanted to dig a bit deeper into what including the 'walking dead' in this context would suggest about Billy himself," says Kris. "With that, I decided that the characters - who morph from ordinary passersby into white-eyed monsters - would personify his darkest inner thoughts, following him wherever he goes. As Billy finally turns to confront his demons they disappear, forcing us to ask the question: 'Were they ever really there, or was it all in his head?'"When thinking about structure, I immediately thought of that scene in Shaun of the Dead when Shaun walks to the shop, failing to realise the state of everyone that he passes. I think most people my age are familiar with that scene, so it was really fun to drop in Easter eggs throughout."

Charlie Robins directs a hypnotic promo for The Comet Is Coming. Unabashedly wild and atmospheric, the visual sees a small group of people driven insane by an enigmatic force, visualised in the form of a circle. Kept purposefully vague, Robins combines live action with elements of animation, demanding viewers to come to their own conclusion as to what's happening. One thing's for sure, it's not your everyday scenario."This was always going to be pretty nuts," says Robins. "I had a great conversation with the band about the new album called Hyper Dimensional Expansion Beam. That name was enough of a jumping off point, and I just threw a load of crazy shit at it. It felt right to be weird and post-apocalyptic but also disorientating and fucked up. I wanted to make people feel a bit sick in all honesty."The music is so crazy yet intricately put together, there is something beautifully chaotic about it which fit very well with some post and camera techniques I’ve been developing for a while."I worked very closely with the immense team at Agile (particularly the post guys!) to make this film happen. What a seriously talented, generous and wonderful bunch of humans they are."

Jake L. Mitchell directs an engigmatic promo for Brooklyn-based hip-hop collective SPACE CADE7S.The visual explores the connection between mind and body, placing the seven-piece group out in nature, allowing their performances to flow freely in the picturesque setting. It's an evocative concept which draws you in with slow zooms and relaxed pacing, whilst raising plenty of questions with mysterious symobilism and imagery. Mitchell's cinematography shines through in the video, with plenty of breathtaking composition and painterly lighting in the concept.